• Record Label: Columbia
  • Release Date: May 21, 2013
User Score
8.4

Universal acclaim- based on 1206 Ratings

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  1. May 21, 2013
    5
    By no means a bad album. It's just one that settles for having little ambition. The album has a much different sound compared to any of Daft Punks earlier work, which depending on whether you like or disliked their past albums could be a good or bad thing. RAM is a solid album for what it is trying to be, which is a throwback album to the 70's-80's. Many of the songs sound as if they hadBy no means a bad album. It's just one that settles for having little ambition. The album has a much different sound compared to any of Daft Punks earlier work, which depending on whether you like or disliked their past albums could be a good or bad thing. RAM is a solid album for what it is trying to be, which is a throwback album to the 70's-80's. Many of the songs sound as if they had been recorded in that era, which shows the respect the duo clearly have for the genre. Unfortunately, this is also a con. I found myself getting songs confused, as they sounded so similar to one another. And with this being a Daft Punk album, I was hoping for a fresh, almost revolutionary sound, similar with what they did to orchestrated soundtracks with Tron Legacy. But they didn't alter the sound they were trying to recreate, which was probably their choice. Song highlights of the album would probably be Doin' It Right and Get Lucky. So to recap, if you are a huge Daft Punk fan or enjoy what genre they went into with this album, you will love it. But for those expecting something revolutionary with a older fashioned Daft Punk sound, you will probably be disappointed, especially if you saw the incredibly high critic reviews, which I admit had me excited. Either way, a decent album by a great duo. Expand
  2. May 28, 2013
    9
    At first, I wasn't sure about this album, I thought it was a lil' bit borin' comparin' it to their previous efforts, which were made for dance clubs and ecstasy. But I just decided to give it a chance due to the amount of hype it's receiving from the music press around the world, and man, this is truly a GREAT piece of work and art. Just forget about their previous sound, and come to thisAt first, I wasn't sure about this album, I thought it was a lil' bit borin' comparin' it to their previous efforts, which were made for dance clubs and ecstasy. But I just decided to give it a chance due to the amount of hype it's receiving from the music press around the world, and man, this is truly a GREAT piece of work and art. Just forget about their previous sound, and come to this album with new ears, and you'll find that they finally became "human after all", and showed us that EDM producers can be REAL talented and gifted musicians, using real instruments and real musicians working hard in a real professional studio. After 3 listens I was really diggin' it. Just give it a chance and it'll reward you, and it'll grow and grow on you. Ok, it's not an album made for nightclubs and ecstasy, but it's a nice one to listen to during a sunset in front of a beach, drinkin' some good coctails and a big joint before the big "party hard" thing comes later in the midnight. Expand
  3. May 24, 2013
    9
    I do not think anyone was expecting what Daft Punk has delivered with Random Access Memories, and I say that as a positive thing. With R.A.M., Daft Punk has managed to give us a taste of the future while re-visiting (versus regurgitating) sounds from the past, from disco-funk of Chic to the space rock sounds of Steve Miller Band.

    For starters, "Give Life Back to Music" is one of the
    I do not think anyone was expecting what Daft Punk has delivered with Random Access Memories, and I say that as a positive thing. With R.A.M., Daft Punk has managed to give us a taste of the future while re-visiting (versus regurgitating) sounds from the past, from disco-funk of Chic to the space rock sounds of Steve Miller Band.

    For starters, "Give Life Back to Music" is one of the best album openers I've heard in recent years; a perfectly-crafted thesis statement that gets the body moving. "Get Lucky", shines even more brightly here than as a single. It is perfectly-placed in the album, and the track's extended running time gives it more room to breathe; this song will remain a classic. "Doin' It Right" is another standout track; a down tempo pop jam that is given a melancholic edge with the boyish vocals of Panda Bear, and it is perfectly suited for long summer drives with the windows down. The instrumental track "Motherboard" is also wonderful; its wide-eyed beauty hits like a ray of light beamed from space.

    But to say this album is a perfect 10 would be untrue. There are songs here that are definitely flawed, despite their meticulous production and admirable ambition. The song "Touch" begins strongly as a borderline-terrifying space rock tune with sounds that hearken back to the Cars track "Moving in Stereo". But "Touch" manages to morph into an awkward Broadway show tune; while it is not bad per-se, it is certainly all over the place, and it is difficult to get past Paul Williams' mismatched vocals. And while Todd Edwards being brought back for another collaboration was great, "Fragments of Time" is almost too cheesy to consume, and Edwards' singing abilities do not show here like they did in "Face to Face".

    But despite R.A.M.'s flaws, it is still an excellent (and occasionally great) album. In an age where singles are purchased and entire albums are ignored, R.A.M. is a work that should be experienced from beginning to end, with the best headphones you can find.
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  4. Jun 12, 2013
    6
    Some of the tracks sound like covers of tunes by the New Zealand comedy duo, Flight of the Conchords (especially Get Lucky it's a spoofed spoof! (trademark is mine ;o). And as much as I enjoy the Conchords I don't need a Daft Punk version.... There are a few tracks I enjoy (Contact, Motherboard, Within, Giorgio by Moroder, The Game of Love) but far too much of the album reminds me ofSome of the tracks sound like covers of tunes by the New Zealand comedy duo, Flight of the Conchords (especially Get Lucky it's a spoofed spoof! (trademark is mine ;o). And as much as I enjoy the Conchords I don't need a Daft Punk version.... There are a few tracks I enjoy (Contact, Motherboard, Within, Giorgio by Moroder, The Game of Love) but far too much of the album reminds me of the disco I hated when it was fresh! Where is LCD Soundsystem when you really need 'em..... Expand
  5. May 22, 2013
    10
    I was waiting for their album since 2007,the wait is over and i couldn't be more happy by the results.Very,very different from all the previous album,with more lyrics and less actual EDM in it,but as others pointed out this could be considered a prequel to all the others album.
  6. May 26, 2013
    10
    At first, Random Access Memories could feel as empty, but the more you listen to it, the more beautiful it becomes. It is a departure from their previous work, but this album is a triumph, and the very proof that no matter which path the duo takes, they know how to make it rock.
  7. Dec 6, 2018
    10
    Incredible work of art that draws on inspirations from the birth of electronic music, paying homage to the great Giorgio Moroder, Beautiful, soulful synth sounds that capture the essence of what makes electronic music great. Such high quality production, such emotion. This could be one the greatest albums of all time I thin
  8. May 24, 2013
    10
    This review contains spoilers, click expand to view. Es lo mejor des de hace mucho tiempo, se apegan a sus orígenes con este nuevo proyecto musical. Con muchas expectativas este nuevo disco sali de entre las sombras para sorprendernos a propios y extraños. Aunque a muchos no les ha gustado ya que esperaban escuchar algo con lo que están familiarizados. En fin este disco llego para quedarse y romper records Expand
  9. May 25, 2013
    9
    Daft Punk effortlessly opt for a more organic instrumental sound, leaving the synthesizers, for the most part, out of it. This is by far the best thing the robots could've done. To show that they can create meaningful and ambitious music using actual instruments not only proves that they are legendary, but still the pioneers of dance music. The 70's, 80's, disco, and new wave influencesDaft Punk effortlessly opt for a more organic instrumental sound, leaving the synthesizers, for the most part, out of it. This is by far the best thing the robots could've done. To show that they can create meaningful and ambitious music using actual instruments not only proves that they are legendary, but still the pioneers of dance music. The 70's, 80's, disco, and new wave influences flourish throughout the whole record. Each collaboration brings life into the album, but it is Daft Punk who shine the most. No one track are the same, in fact every track holds their own and fit perfectly in this album.

    All In All, Random Access Memories is the album we deserve after the disappointingly awful Human After All. Daft Punk have finally crafted a huge record, one that will stand the test of time. A modern classic. A-
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  10. Jun 30, 2013
    10
    The album is perfect in every way. Since the first time I've heard it, I was hooked. The disco electronic beats are amazing. At first, I was doubtful. I haven't thought Daft Punk would deliver such an amazing album. You should definitely listen to this.
  11. May 25, 2013
    9
    I can't believe anyone had any kind of concrete expectations for this album. Daft Punk are next-level ARTISTS and people on their level don't make the same album twice in a row. I'm not a die-hard Daft Punk fan but I have been a fan since the late-90s, and I'm personally glad they took things in a different direction instead of just rehashing "One More Time" or "Robot Rock" just to pleaseI can't believe anyone had any kind of concrete expectations for this album. Daft Punk are next-level ARTISTS and people on their level don't make the same album twice in a row. I'm not a die-hard Daft Punk fan but I have been a fan since the late-90s, and I'm personally glad they took things in a different direction instead of just rehashing "One More Time" or "Robot Rock" just to please everyone. The production quality on this album is top-notch and it's a complete work that's meant to be listened to start to finish.

    Some of the negative reviews here who admit to not even listening to the whole album are a joke. At least give the whole thing a fair amount of time before judging it. It still has the familiar Daft Punk vocals on a lot of it so they didn't COMPLETELY abandon their sound. They did a fantastic job on this album and I'm just surprised so many people are dismissing it because it's not as immediately catchy as previous albums. There are several danceable songs in here, just because it's not 13 epic bangers in a row doesn't mean they did a bad job here. They wanted to make an ALBUM and not a collection of singles and I commend them for it.
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  12. May 21, 2013
    10
    Not the album you would expect, but that's part of what makes it great. It covers new ground and catches you unsuspecting for a sucker punch of the old mixed the new. If you're coming into this strictly wanting the electronic music you've come to love from Daft Punk, you're not going to have a good time, but if you're open to new possibilities you're going to love what you hear.

    On a
    Not the album you would expect, but that's part of what makes it great. It covers new ground and catches you unsuspecting for a sucker punch of the old mixed the new. If you're coming into this strictly wanting the electronic music you've come to love from Daft Punk, you're not going to have a good time, but if you're open to new possibilities you're going to love what you hear.

    On a side note, some people complain about the beginning to Giorgio by Moroder because there is a considerable bit of talking, but this is just part of the groove. It's not an interview as much as another instrument to add atmosphere.

    The 10 I gave this album is not hyperbole. It is quite simply at a level of excellence that truly deserves a perfect score.
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  13. May 22, 2013
    10
    One cannot expect anything stronger this year. To dance and to contemplate. A bombastic return of disco gods. Panda Bear and Moroder as cherries on top of a pie are tasteful. Yummy.
  14. Jun 19, 2013
    9
    The french duo return after sitting back for seven years(not counting their score work for TRON: Legacy.) And they are back with a vengeance. With Random Access Memories, Daft Punk continues to show why they are the face of House music.
  15. May 23, 2013
    9
    This isn't what i expected. But in a good way. It hooked me in with it's nostalgic, yet modern feel. It's a look back, but very today. There are a couple slight misses, but as a whole, it is quite the sublime record. Looking for a hi-energy non stop all out dance record? This isn't it. Looking for a brilliant, retro-mod ride? Then pick this up.
  16. May 21, 2013
    10
    The hype this album had did not disappoint me. It was totally worth the wait. With epic pop songs like "Get Lucky" and "Instant Crush", this perfectly crafted masterpiece takes you to beautiful deep moments with "Within" and makes you want to shake your body with "Lose Yourself to Dance". "Give Life Back to Music" works as the perfect opener for this album and "Contact"... Guess what? TheThe hype this album had did not disappoint me. It was totally worth the wait. With epic pop songs like "Get Lucky" and "Instant Crush", this perfectly crafted masterpiece takes you to beautiful deep moments with "Within" and makes you want to shake your body with "Lose Yourself to Dance". "Give Life Back to Music" works as the perfect opener for this album and "Contact"... Guess what? The perfect ending. A huge epic ending.
    "Giorgio by Moroder" is a smart lengthy track that takes you into a trip inside Giorgio's musical life and, along with "Touch", is diverse and full of changes. "Fragments of Time" completes the album with its wonderful smooth ballad that leads us to "Doin' It Right", an excellent contribution with Panda Bear. This is one of those rare masterpieces that deserve the highest score possible. All the contributions here are magical: Pharrell Williams (tracks 6 and 8), Julian Casablancas (track 5) and Chilly Gonzales (track 4), just to name a few.
    Right away, from the first listen, you can tell that lots of time, dedication and love for music were put into this record. And the result... Well. let the numbers speak for itself.
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  17. May 21, 2013
    9
    After 3 years of silence, the noise has finally returned. The rightful kings of EDM (Electronic-Dance Music) are back and in full swing with their new album. The tracks ooze through the speakers with such magnificence, you will have to brace yourself to endure the exhilarating experience. The songs intertwine together, tied tightly together with a bow, and handed to you to open and enjoy.After 3 years of silence, the noise has finally returned. The rightful kings of EDM (Electronic-Dance Music) are back and in full swing with their new album. The tracks ooze through the speakers with such magnificence, you will have to brace yourself to endure the exhilarating experience. The songs intertwine together, tied tightly together with a bow, and handed to you to open and enjoy. I must say that Daft Punk may have lost some of their electronic side in the transition period, but those are minor details. It seems as if comparing Human After All with Random Access Memories is like comparing apples to oranges. Yes, they're both fruits, but they're nothing alike.

    Even from the beginning, Daft Punk make their message clear. They are trying to "Give Life Back To Music". They, unlike all pop music today, have emotion. They have rhythm and soul. So, maybe these cold, metallic robots do have hearts after all. They seem to show love and want to spread it with their music. The feel good tracks such as "Get Lucky" and "Lose Yourself To Dance" get their audience into a hypnotic state of being, mesmerized by the entrancing beats. One song in particular caught my attention. The track "The Game of Love" is a heart-wrenching masterpiece with a similar feel to "Something About Us" from Discovery. This lyrics, despite being distorted by a robotic voice, express a deep lamentation and exclamation of love.

    The first half of the album is flawless. The songs are smooth and errorless. When you slowly transition into the second half, it seems as though the songs become more ambient. They would be perfect if they were played in the background of a party, but not as frontline tracks. I'm not saying that they are bad tracks, but they lack the emotion and funkiness that is set-up in the first half. However, I am slightly disappointed with "Doin' It Right". This track features the genius vocalist/drummer Noah Lennox (or better known as Panda Bear). He is a member of one of my favourite bands, Animal Collective, and has made a splash in the electronic spectrum. I figured that the rhythm behind Animal Collective would create a heavenly collaboration with two electronic gods. I was sadly mistaken when I heard the lack-lustre track. It's not all bad, but I really expected something with a little more "oomph".

    Despite a few minor setbacks, Daft Punk have created one of the most enjoyable albums this year and continue to surprise us with new tricks up their sleeves.
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  18. May 21, 2013
    1
    This is the by far, the worst thing to ever come out of Daft Punk but here's a 1 for trying to do something new. For me, its far from what made them good and therefore will not support this or any further albums if this is the crap they want to shovel.
  19. Jul 3, 2013
    7
    I have been listening to Daft Punk since the first record. Of enjoyed how their music has grown and changed. I was a little disappointed by this album because when you stack it up against their previous efforts it's...just a really big departure in a lot of ways. It's catchy, some of the songs have great hooks, and they're not afraid to dabble and experiment a little bit as well.I have been listening to Daft Punk since the first record. Of enjoyed how their music has grown and changed. I was a little disappointed by this album because when you stack it up against their previous efforts it's...just a really big departure in a lot of ways. It's catchy, some of the songs have great hooks, and they're not afraid to dabble and experiment a little bit as well. However, if you play this album after one of their previous ones, it's almost like a different band at times. However, I hear say they may be doing a "Daft Punkier" mix of this album. Now that is something I would like to hear. In the end, I am glad that the album is not forgettable or terrible, it's merely a lot more pop orientated. I think that they will actually find they gain a lot of new listeners with this album that may not have cared for them as much in the past? Expand
  20. Jun 1, 2013
    1
    The universal acclaim for this album is entirely confusing to me. It sounds nothing like Daft Punk and ventures into a disco/jazz realm that is nice if you are into that stuff, but since when did the masses enjoy this type of music? I certainly was disappointed to see them take such a direction.

    Get Lucky, the biggest hit of the album, felt like it was from the 70s. It was and IS played
    The universal acclaim for this album is entirely confusing to me. It sounds nothing like Daft Punk and ventures into a disco/jazz realm that is nice if you are into that stuff, but since when did the masses enjoy this type of music? I certainly was disappointed to see them take such a direction.

    Get Lucky, the biggest hit of the album, felt like it was from the 70s. It was and IS played out yet everyone is raving about it? What gives?

    As artists, they have every right to take whatever direction they wish. I simply do not like it and will not be buying the album. This was an oldies album, not a an electronic powerhouse the way Discovery and Homework were.
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  21. j30
    Aug 19, 2013
    10
    It is hard to believe that Daft Punk's last official album came out 8 years ago (2005's Human After All) and they haven't lost a beat. With everyone from Britney Spears to Lady Gaga going to more of an electronic sound in their music, Daft Punk's record couldn't have come at a better time. They decided to record most of the album with real instruments with the help of the excellentIt is hard to believe that Daft Punk's last official album came out 8 years ago (2005's Human After All) and they haven't lost a beat. With everyone from Britney Spears to Lady Gaga going to more of an electronic sound in their music, Daft Punk's record couldn't have come at a better time. They decided to record most of the album with real instruments with the help of the excellent guitarist Niles Rogers. EDM rarely challenges their listeners as much Daft Punk's RAM does, and is rarely as rewarding. Expand
  22. Jun 12, 2013
    5
    Quite boring compared to their previous efforts. Fast songs are ok, slow songs are all a bit meh. Due to all the hype I was expecting a classic listening experience but it's actually really dull, and if it didn't have "Daft Punk" on the cover I think a lot more people would think the same way.

    Overrated.
  23. May 21, 2013
    10
    Random Access Memories is in the simplest of terms a triumph. Despite Daft Punk's robotic visage, every song on the album feels incredibly heartfelt, from the love letter to the Synthesizer that is Giorgio by Moroder, to the laid back and hypnotic Fragments of Time.

    Despite having few collaborations prior to this record, Daft Punk clearly know how to get the best out of their new
    Random Access Memories is in the simplest of terms a triumph. Despite Daft Punk's robotic visage, every song on the album feels incredibly heartfelt, from the love letter to the Synthesizer that is Giorgio by Moroder, to the laid back and hypnotic Fragments of Time.

    Despite having few collaborations prior to this record, Daft Punk clearly know how to get the best out of their new recruits. By selectively choosing artists and musicians that they look up to and admire, Daft Punk have managed to easily intertwine their inimitable electronic class with the likes of Nile Rodgers' incredibly catchy guitars, Todd Edwards' smooth cut-ups and Panda Bear's confident indie feel.

    From the reviews and opinions I've gathered so far, the album's biggest point of contention seems to be 'Touch' the collaboration with Paul Williams. Whilst definitely not the best track on the album, it's certainly one that grows on you, especially when it hits that magnificent 3:20 mark.

    Definitely not an album that should be missed by anybody.
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  24. Jun 13, 2013
    10
    Great album! Every song on this album is just amazing. I wasn't much of a daft punk fan before this album.
    But now I am! Brilliant Album!

    Lose yourself to dance
  25. May 22, 2013
    9
    Daft Punk's most intelligent and deepest album to date, absolutely phenomenal. The scale of song's such as 'Touch', 'Giorgio by Moroder' and 'Contact' prove that Daft Punk are STILL ahead of the curve. Personal favourites are, 'Give Life back to Music', 'Touch', 'Instant Crush', 'Get Lucky', 'Doin' it Right' and of course the epic 'Giorgio By Moroder'.
  26. Aug 15, 2013
    10
    Beautiful from start to finish and elegantly crafted with excellent attention to detail.
    It is Daft Punk's musically strongest album with great variety and emotion.
  27. May 22, 2013
    9
    It is a great album and a great disappointment for Daft Punk fans, especially those who expected something like Discovery or Human After All. For me every song felt like wtf. I wanted an album full of Alive 2007 level tracks. However, after listening to that Random Access Memories for several hours I realised that it is absolutely brilliant. Daft Punk were criticised for having lifelessIt is a great album and a great disappointment for Daft Punk fans, especially those who expected something like Discovery or Human After All. For me every song felt like wtf. I wanted an album full of Alive 2007 level tracks. However, after listening to that Random Access Memories for several hours I realised that it is absolutely brilliant. Daft Punk were criticised for having lifeless robotic songs and they've shown that they can put soul in their tracks. Expand
  28. May 23, 2013
    10
    I am happy to say that this album is pure gold, as if king Midas himself touched Daft Punk's synthesizers. This is an album, aimed at an audience with more developed tastes, and not for those expecting "Around the World" #2 or "One more time" one more time. They did really stand out as the geniuses they are. The day Daft Punk splits up is the day music dies, but until then, im hoping theyI am happy to say that this album is pure gold, as if king Midas himself touched Daft Punk's synthesizers. This is an album, aimed at an audience with more developed tastes, and not for those expecting "Around the World" #2 or "One more time" one more time. They did really stand out as the geniuses they are. The day Daft Punk splits up is the day music dies, but until then, im hoping they do release many albums after this. Expand
  29. May 23, 2013
    9
    I really love this album. I haven't been a hardcore Daft Punk fan but i REALLY love this album.... It is excellent, the mastering and recording is T O P NOTCH!!!!!!! Quality. And i love the jazzy/rocky/electronic/funk/retro music..... Fine music, i love it.

    There is a few songs i dont particularly like so much, but every song is IMO at least OK! It's close to perfect.

    9/10
  30. May 22, 2013
    4
    I am quite the Daft Punk fan so I ran out and bought this soon after getting it. However, this is not your usual Daft Punk album. It has a much more jazzy feel, which I didn't expect. Sure the robot sound comes out at times, however this is definitely a highly jazz-influenced album. Whilst I like this new direction I miss the old Daft Punk, and ultimately the tracks blur into each other aI am quite the Daft Punk fan so I ran out and bought this soon after getting it. However, this is not your usual Daft Punk album. It has a much more jazzy feel, which I didn't expect. Sure the robot sound comes out at times, however this is definitely a highly jazz-influenced album. Whilst I like this new direction I miss the old Daft Punk, and ultimately the tracks blur into each other a bit too much for my liking. Ultimately, a new and interesting direction on paper, but Memories is rather unmemorable. Expand
  31. May 21, 2013
    10
    After a long wait, it's finally here, and it was WORTH it! Daft Punk have succeeded in making a fun, cool, and sometimes beautiful album that is going to be entertaining me for a long time to come. It is a true "album", with motifs, progression and an intro and outro. This is not just an album of singles and filler. Every track works and is enjoyable, but not always for the same reason.After a long wait, it's finally here, and it was WORTH it! Daft Punk have succeeded in making a fun, cool, and sometimes beautiful album that is going to be entertaining me for a long time to come. It is a true "album", with motifs, progression and an intro and outro. This is not just an album of singles and filler. Every track works and is enjoyable, but not always for the same reason. The songs on Random Access Memories are diverse and distinct, each being unique in it's own way. Some are fun like "instant crush", some are epic like "touch", and some are beautiful like "within". All the collaborating artists are used well, never overstay their welcome, and do their damnedest to make this album a great listen. That really sums up the album as a whole, everyone working hard to make this album something truly great, and I'd say they succeeded. Expand
  32. Jul 2, 2013
    10
    This is just an excellent example of how music and conceptual albums should be done. And that is exactly why the release started with Give Life Back to Music.
  33. Jun 2, 2013
    10
    One (if not) the most anticipated album release of the year, the duo awoken from their circuital slumber to once again shake the EDM scene. From "Give Life Back to Music" to "Contact", Guy-Man and Thomas dazzled our ears with the disco vibed LP. In their fourth album, many would question the LP stance as an electro music, but all (or most) would inclined that RAM is the best album of 2013 so far.
  34. Aug 2, 2013
    9
    I'm a HUGE Daft Punk fan and finally the new album is out, and it's amazing. But it's not perfect, and here is why. There are 3 kind of Daft Punk songs on the album: commercial 'singles' (Get Lucky, Lose Yourself to Dance, Give Life Back to Music & Fragments of Time), mellow 'slow' songs (Game of Love, Within, Beyond & Horizon) and general Daft Punk songs (the remaining 6 songs). NaturallyI'm a HUGE Daft Punk fan and finally the new album is out, and it's amazing. But it's not perfect, and here is why. There are 3 kind of Daft Punk songs on the album: commercial 'singles' (Get Lucky, Lose Yourself to Dance, Give Life Back to Music & Fragments of Time), mellow 'slow' songs (Game of Love, Within, Beyond & Horizon) and general Daft Punk songs (the remaining 6 songs). Naturally most people like the commercial songs the most whereas die-hard fans want that electronic Daft-sound.

    There is something for everyone on this album and you can't ignore the fact that it's an amazing achievement to make an 'electronic' album with hundreds of live intstruments. You can hear the quality of this 5 year in the making album. A bit less 'mellow' and 'commercial' songs and more pure Daft sound and it would be a 10/10 from me. Discovery has the perfect balance and still is their best album.
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  35. May 27, 2013
    6
    Vanilla. Not a bad album by any means but RAM really lacks a lot of the little auditory surprises I enjoy so much in their older work, especially Discovery. I don't know if that's BECAUSE they purged out sampling in this album, or it just happens to be the case on an album that has next to no samples, but the whole thing feels disappointingly safe and pedestrian. I'm used to DP makingVanilla. Not a bad album by any means but RAM really lacks a lot of the little auditory surprises I enjoy so much in their older work, especially Discovery. I don't know if that's BECAUSE they purged out sampling in this album, or it just happens to be the case on an album that has next to no samples, but the whole thing feels disappointingly safe and pedestrian. I'm used to DP making clever little aural twists by mashing up 80s disco; this is... just 80s disco.

    I can definitely see these tracks as being baseline material for some great remixes, but on their own I feel little urge to listen to them more than once.
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  36. May 21, 2013
    9
    Random Access Memories is certainly surprising. Daft Punk have broken my expectatives, i expect something different but the results are very much better. Is a personal work, a headphones album, with great coherence, a strict sense of narrative in some songs of the album. Is great to hear the way that electronic music converts in an album with a several symphony arrangements. I rememberRandom Access Memories is certainly surprising. Daft Punk have broken my expectatives, i expect something different but the results are very much better. Is a personal work, a headphones album, with great coherence, a strict sense of narrative in some songs of the album. Is great to hear the way that electronic music converts in an album with a several symphony arrangements. I remember 70's albums of Pink Floyd, Queen, works with a common line, telling us a musical story. Is my favourite since Discovery, and Giorgio By Moroder is a little master piece, and Touch a curiously and complex work that will divide listeners. You may not dance, but if you have sensitivity, you'll feel and you can't stop listening. Expand
  37. Jun 7, 2013
    9
    Para los que creían que Daft Punk habían llegado a un bache, vuelven con toda, se reinventan y llegan con este refresco de muy buena música, alejados como siempre del mal gusto comercial que es lo que alegra. y haciendo un viaje por la buena vibra setentera y ochentera.
  38. Aug 15, 2013
    8
    Hype is a very interesting tool in today's music scene, since it can either make or kill an album. And Daft Punk had possibly the most buzzed about & hyped album of this decade with Random Access Memories. For the record while I'm not exactly a lifelong fan of Daft Punk, I at least made sure to listen to Homework before going into this album. And honestly, despite some great tracks, itHype is a very interesting tool in today's music scene, since it can either make or kill an album. And Daft Punk had possibly the most buzzed about & hyped album of this decade with Random Access Memories. For the record while I'm not exactly a lifelong fan of Daft Punk, I at least made sure to listen to Homework before going into this album. And honestly, despite some great tracks, it didn't stick with me very much. Luckily RAM didn't have a similar underwhelming affect on me, mainly because it takes so many chances, and I was really impressed with it. You can just tell that throughout the making of this project they didn't give even a quarter of an ounce of a crap what their more closed-minded fans would think about such a radical change in style, which is always something I respect in an artist. Even though they might've put a guitar in here & there on their past stuff, here a good majority of the instrumentation is live. Included here are funky disco songs, beautiful piano ballads & weird progressive electro-jazz-rock-fusion... things. And the best part is that it wasn't just a case of throwing everything on the wall & seeing what sticks, but rather you can tell how much work was put into each track, and nearly every song has some earworm hook to draw you into the madness.

    Another aspect of this experimentation is the numerous collaborators & guest musicians featured here. Of course everyone already knows the song of the summer “Get Lucky” with Pharrell & Nile Rodgers, and to a lesser extent “Lose Yourself to Dance” with the same genre & lineup. But other notable people here include Giorgio Moroder doing an interesting storytelling monologue over the fantastic string/synth-tinged prog-rock instrumental “Giorgio by Moroder”, Todd Edwards on the charming good-time soft rock tune “Fragments of Time” (which I'm catching a bit of Steely Dan influence from), Panda Bear on “Doin' It Right”, a smooth dance track that he fits on a lot better than I was expecting, and my personal favorite Julian Casablancas of The Strokes on “Instant Crush”, which between the infectious poppy hooks, sincere & believable lyrics, and great pseudo-funk groove, basically encapsulates everything I love about this album.

    The trademark vocoders fit well with their general musical style & really works in creating a lot of these earworm hooks that repeat over & over throughout a track, but in a way that doesn't get grating & almost feels like just another instrument. However, on the more emotional tracks that use it like “The Game of Love” or “Within”, they serve a different purpose, using the presumably emotionless android personas to, in a way, emphasize the emotional impact of the lyrics. It sounds a bit goofy on paper but ends up working really well, especially for a track like “The Game of Love” that might otherwise come off cliché & phoned-in. And the album ends on an extremely climactic note with “Contact”, an expertly constructed electronic instrumental that builds & builds over with more & more melodies & an increasingly intense noise in the foreground until it explodes & dies down in the last minute. As for complaints, they aren't exactly long enough to have their own paragraph, but there's a couple. For example “Touch” with Paul Williams is for the most part a great 8-minute epic that transitions from electro to jazz fusion throughout, with a well-executed & vulnerable vocal part from Williams. The problem is the laughable, corny & vocoder-infested 2-minute intro that sounds like they sampled it from a bad 70's sci-fi flick. Also there's a couple underwhelming guestless tracks in the middle of the album “Beyond” & “Motherboard” that really do nothing but slow down the momentum & push RAM past the 70-minute mark, which definitely didn't need to happen. And same goes for the bonus track “Horizon”.

    So did RAM live up to the hype? Not entirely. It's not some musical revolution that'll change the way we all think about art & life itself for eons to come like some people were making it out to be. But that doesn't mean it's not worth listening to. In fact I'd very highly recommend it to anyone who has eclectic tastes & loves experimentation in multiple genres as well as just a great earworm hook with a feel-good groove to it. And these days, with popular dance music being a bit more robotic & lifeless, the mainstream needs an album like this to, well, give life back to music. Ironic considering this is an album by a couple of robots.

    Top 5 tracks: Instant Crush, Get Lucky, Contact, Doin' It Right, Give Life Back to Music
    Score: 85/100
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  39. May 21, 2013
    6
    With this album, the highs are extremely high and the lows are quite low. Tracks like "Instant Crush" are far too poppy for my liking, but then tracks like "Give Life Back to Music" and "Within" are exquisite. Too hit-and-miss as an overall project, unfortunately.
  40. Aug 27, 2013
    10
    Regardless of your stance over Daft Punk’s previous albums, I can hardly think of anyone not liking Random Access Memories. The French duo decided to leave their typical electronic sound and create a more nostalgic and funky vibe that’s also heavier on vocals. Featuring a lot of surprising feature guests (not always in the singing business, of course) such as The Strokes’ JulianRegardless of your stance over Daft Punk’s previous albums, I can hardly think of anyone not liking Random Access Memories. The French duo decided to leave their typical electronic sound and create a more nostalgic and funky vibe that’s also heavier on vocals. Featuring a lot of surprising feature guests (not always in the singing business, of course) such as The Strokes’ Julian Casablancas or septuagenarian singer-songwriter Paul Williams, their fourth album is actually their best, in my opinion. Discovery was amazing, but their newest record just touches so much more layers and combines a multitude of different styles in 13 unique tracks. From sad love songs like “Within” or “Instant Love” over disco gems as “Get Lucky” or “Doin’ It Right” to the unforgettable epics “Touch” and “Giorgio By Moroder”, Random Access Memories presents everything that makes electronic dance music such a great genre. Expand
  41. May 24, 2013
    9
    I have no idea what to classify this album under. That's the cool thing about Daft Punk, they're always evolving and adapting. There's collaborations with old and young artists of all styles, and they way they blend with Daft Punk is simple astounding and unique. No two songs sound much alike, and most of them are fantastic. There are a few tracks that don't stand as tall as the others,I have no idea what to classify this album under. That's the cool thing about Daft Punk, they're always evolving and adapting. There's collaborations with old and young artists of all styles, and they way they blend with Daft Punk is simple astounding and unique. No two songs sound much alike, and most of them are fantastic. There are a few tracks that don't stand as tall as the others, but are solid songs in their own right. The track "Lose Yourself to Dance" alone made me buy, this album, and I've had the distinct pleasure of listening to it, in it's entirety and adding other songs like Instant Crush, Doin It Right, and others to that list. Expand
  42. Aug 28, 2013
    2
    This is an overrated mess of an album. Too random and no access, this will not make any good memories. "Get Lucky' is the only highlight on this stain of a record.
  43. May 24, 2013
    8
    I'm sure why a departure from form is bad thing, other than constant complaints from the "They Changed It, Now It Sucks" crowd. Daft Punk's earlier work always seemed like it wanted to break out into proper Funk, and the influences of the 60s and 70s come through brilliantly on this album. That isn't to say the album is without flaws, "Touch" & "Fragments Of Time" are oddly out of placeI'm sure why a departure from form is bad thing, other than constant complaints from the "They Changed It, Now It Sucks" crowd. Daft Punk's earlier work always seemed like it wanted to break out into proper Funk, and the influences of the 60s and 70s come through brilliantly on this album. That isn't to say the album is without flaws, "Touch" & "Fragments Of Time" are oddly out of place and less than enjoyable, and the album ends on a bit of a weak note. All said however, the album has a fantastic groove to it, and rather than being flashing lights, fog machines and spazmodic epileptic dance inducing, it takes you down a soulful road that makes you want to move like they did before Disco, strut and preen like it's 1976. Standout tracks are opener "Give Life Back To Music", inevitable second single "Lose Yourself To Dance" (which actually nicks a guitar riff from Cut Chemist's "The Garden", but it's forgiveable because this track is so good), and the first single "Get Lucky". Expand
  44. Jul 12, 2013
    10
    Daft Punk time-travels to the 1970s to create music with the most influential funk bands of the era, then returns to modern day and debuts their private recordings. They're beautiful. It's based on a true story. A true story of time travel.
  45. Sep 1, 2013
    10
    Back in the '90s Dance music was a big genre thanks two robots in suits named Daft Punk, With their album "Homework" and several Eps that they released. Once the 2000's hit their single "One More Time" became their biggest hit to date, it also helped thanks to Anime inspired music videos for their album "Discovery" and throughout the rest of those twelve years they performed at severalBack in the '90s Dance music was a big genre thanks two robots in suits named Daft Punk, With their album "Homework" and several Eps that they released. Once the 2000's hit their single "One More Time" became their biggest hit to date, it also helped thanks to Anime inspired music videos for their album "Discovery" and throughout the rest of those twelve years they performed at several concerts and were responsible for the soundtrack to "Tron Legacy" but not much has progressed for their career. Now it's 2013 and Daft Punk releases their long awaited new album "Random Access Memories" which is being called "The Best album of the year" and that quote my friends is from me. This album defines the words "Good Music" but instead of good it's Masterful, it's so different, so special, and is something that will bring Daft Punk to the top of the charts. First off "Random Access Memories" has it's own story to tell, as it's about the Love for Music going back to what music was really about, it may feel dated for the short minded, but for people who love the art of music, it's extremely rewarding listening to these tracks. The opening track "Give Life Back to Music" is one of the best openings for an album this year next to Justin Timberlake's "Pusher Love Girl" for his album "The 20/20 Experience" and the album continues on with "The Game of Love" and more tracks that all tell an amazing story about music. One of the best songs on here is "Giorgio by Moroder" which is a mix of commentary and just simple strings and a synthesizer and it's such an beautiful song. A lot of the sounds here are very '70s Disco like and is different from today's Electronic music which was inspired by earlier songs by Daft Punk, it's great to see Punk's music changing by not being like every song out there, while still staying fun to listen to. Guest appearances include Pharrell, Panda Bear, and Paul Williams and although it's not earth shatteringly amazing, it's still fine appearances and it provides more depth to the songs they appear on. The album is thirteen song long, but it never becomes boring for all the 74 minutes it delivers. Overall, there's not much else I can say about "Random Access Memories" but that it's one of the most heartfelt pieces of work I've seen in sometime, and is worth listening for anyone who just loves music in general. Expand
  46. May 21, 2013
    10
    This year marks the famous robotic duo Daft Punk's 20th year as a band and the release of their long awaited fourth studio album, Random Access Memories. Being announced a little over a month before its release, R.A.M. created a huge amount of hype and remixes from ads, TV spots, and a website makeover. Being my favorite band and artists of my favorite album, I was anxious to get my handsThis year marks the famous robotic duo Daft Punk's 20th year as a band and the release of their long awaited fourth studio album, Random Access Memories. Being announced a little over a month before its release, R.A.M. created a huge amount of hype and remixes from ads, TV spots, and a website makeover. Being my favorite band and artists of my favorite album, I was anxious to get my hands on Daft Punk's new album and for eight years, it was well worth the wait. Thomas Bangalter and Guy-Manuel de Homem-Christo does not disappoint with these thirteen tracks and hour and a quarter of pure French House bliss. R.A.M. feels more like an experience more than an album with stand out songs such as Touch, Instant Crush, Get Lucky, and more. I highly recommend you pick up this phenomenal new album available on CD, vinyl, and digital download as soon as possible. Expand
  47. Jul 26, 2013
    7
    I have to applaud Daft Punk for doing something a little different than their previous albums. Random Access Memories is not necessarily one of my favorites from them, but it's solid. Get Lucky is a killer track. However, I was not crazy about Giorgio by Moroder. It's a bit long. And after a while I found myself skipping it to go on to the next track.
  48. Jun 1, 2013
    9
    Four words: Album of the Summer

    With nary a bad track throughout the entire 74 minute journey, RAM brings disco back into the mainstream. While underground artists continued to play with disco (in various forms) since the 70s, daft punk bring life to an otherwise dead sound.
  49. Jun 12, 2013
    8
    always hard to separate the hype from the product, but especially so with a band like Daft Punk. this was not quite the 8/10, but I rounded up and I think that figure will hold over time. review sketch if you care here: here:http://simmserely.blogspot.com/2013/05/daft-punk-random-access-memories-review.html
  50. May 23, 2013
    0
    Bloated soft rock, cheesy soft soul/funk, laughable seventies goofballs, terrible lyrics, organ solos... if any other artist had done this (or, say, any of the feature artists like Paul Williams, the guy who wrote that Mupppets song) had come out with this album, it would have been ignored, or savaged. But it's Daft Punk, and it had over 500 five star reviews on iTunes even before it wasBloated soft rock, cheesy soft soul/funk, laughable seventies goofballs, terrible lyrics, organ solos... if any other artist had done this (or, say, any of the feature artists like Paul Williams, the guy who wrote that Mupppets song) had come out with this album, it would have been ignored, or savaged. But it's Daft Punk, and it had over 500 five star reviews on iTunes even before it was heard, so it's a crowd that refuses to acknowledge the emporer has no clothes.

    Lionel Ritchie and Toto and Peaches and Herb as inspired inspiration? Or just an attempt to, as the critics are all loving saying, "be human after all"? As human as a hallmark card.
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  51. May 26, 2013
    7
    I give this a 7 because I like the album from a generic pop record standpoint. However, as a Daft Punk lover myself, I can't say I'm not disappointed. Some of the songs on here lack any kind of substance, musically or otherwise. Others are very well developed, in particular "Within" and "Instant Crush", which are very appreciated creations. Others, like "Lose Yourself to Dance" and "GetI give this a 7 because I like the album from a generic pop record standpoint. However, as a Daft Punk lover myself, I can't say I'm not disappointed. Some of the songs on here lack any kind of substance, musically or otherwise. Others are very well developed, in particular "Within" and "Instant Crush", which are very appreciated creations. Others, like "Lose Yourself to Dance" and "Get Lucky", are miserable songs that not only drag and lag, but also have little to no quality. A mixed bag of good and songs, but overall, as much as I wanted to give it a higher rating, and even if I don't give it a lower score, I'm sore at this. In all honestly, I hate this new Daft Punk approach, which is now Daft Disco. I want my old French House/Disco/Electronica back, because this doesn't cut it. I'm a fan, but I can only bear so much. Expand
  52. Jul 21, 2013
    5
    Elevator muzak for cubicle dwellers, RAM mashes the sounds of a half-remembered past into golden, sticky goo that sounds good coming out of your laptop speakers. But check the list of ingredients and it says only this: corn syrup, food coloring, artificial flavors.
  53. Jul 24, 2013
    1
    It's more than overrated, it has its moments but most of the time it just sounds like something Pharrel Williams could do by himself (and in that case I'm pretty sure there wouldn't be a hype for the album like this), at some points I could hear Justice instead of Daft Punk.
  54. Oct 11, 2013
    3
    Get Lucky was one of the most surprising hit singles I've ever witnessed in my lifetime. For a song by an act who'd only ever had one big hit and one reasonable hit in the 19 years they'd been making music, to achieve the success that they did with this track (which included #1's in regions that they'd never succeeded in before) was something of a miracle. To achieve that level of success,Get Lucky was one of the most surprising hit singles I've ever witnessed in my lifetime. For a song by an act who'd only ever had one big hit and one reasonable hit in the 19 years they'd been making music, to achieve the success that they did with this track (which included #1's in regions that they'd never succeeded in before) was something of a miracle. To achieve that level of success, it had to be a generic track that embodied all the current trends, right? No, it was a throwback to the 70's disco movement, the complete opposite to what the public wanted, yet for some reason, it took off and I knew it was pointless making predictions about what was going to be popular anymore. Due to the single's success, there was significant hype around this album, which puzzled me as while Daft Punk haven't released many albums, I had never been aware of this demand for them and certainly not when they were releasing 70's disco jams. After the album's release, there was considerable confusion among fans as to what the duo were thinking and genuine surprise among critics as to what made them decide to do something so avant garde. And I understand why: RAM is an album full of bizarre choices and is the opposite to what mainstream DJs are doing right now. Don't get me wrong, I'm not a big fan of modern dance music, but that doesn't mean I'd rather it became so low key to the point where it's undanceable. Ironically, the only kind of music that has never made me feel like dancing is disco music. It's so bland and soul-less to me and I have relatives who lived through the 70's who can testify to this. So, to listen to an album that consisted of this theme for 78 minutes was quite frankly, torture. If it's not throwing boring disco music full of repetition at you, it's making you stomach the rambling nonsense that is Giorgio by Moroder for 9 minutes. I have heard people say that this album is really cutting edge and revolutionary. What is cutting edge and revolutionary about singing banal lyrics like "We're up all night to get lucky" and "If we're doing it right, everybody will be dancing"? That's the sort of lyrics amateur songwriters can come up with in 5 minutes. The only rays of hope are, in an unusual theme, all the tracks composed of one word: Within, Touch, Beyond, Motherboard, Contact, and bonus track, Horizon. Here you will find relaxing, euphoric tunes that make me see, just for a moment, what the fans of this album saw. But the rest of it sounds like it's from a completely different album.
    What has really disappointed me more than the album's potential buried under a pile of stinkers, is the reaction from those who praised it. Predicatably, an album that splits public opinion like this will have those who have a sense of superiority regarding anyone who didn't like it to be uncultured, musically ignorant, you name it. If you're below the age of 30 and don't have a degree in music, your opinion isn't valid, apparently. Well, while I might still be discovering all the intricacies of music at my age and am not a professional music critic or expert, I do listen to lots of albums a year and open my mind to all music, which is a lot more than some of those with a superiority complex do. I also have a fascination with sound and am part of the ASMR community (look it up). As such, I understand that we all have different musical tastes for a reason and no one's taste is better than others. I would advise anyone listening to this album to not be taken in by music snobs who will praise anything just because it's "different" and listen to it with your opinion solely in mind.
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  55. May 31, 2013
    9
    Daft Punk uses their past to create the future, something that alot of musical formations seem to not even dream about in their naughtiest of dreams. The hype has been working in their favor as well, but that's not the discussion here. The album sounds like Daft Punk has never gone away. Another thing that it let me see, however harsh this may sound, Justice was merely a fill-up for theDaft Punk uses their past to create the future, something that alot of musical formations seem to not even dream about in their naughtiest of dreams. The hype has been working in their favor as well, but that's not the discussion here. The album sounds like Daft Punk has never gone away. Another thing that it let me see, however harsh this may sound, Justice was merely a fill-up for the return of Daft Punk. If you dare admit, the first time you heard Justice, you thought it was the new Daft Punk.

    Filled with gorgeous landscapes (Giorgo by Moroder), Within which serves as a stretched intro to Instant Crush (containing lush digitalized guitar sounds that Julian Casablancas ironically wished to see the daylight on his own band's Angles) and the instant Summer hit Lose Yourself to Dance (it makes you shake your hips AND clap your hands) this album is pretty much layed out. The rest of the songs resonate these feelings and wrap up the album pretty good. The ending track, Contact, felt like an epic veil falling over the stage. Like you go see an opera, they have one last song that takes up everything and just lifts the piece to this whole other level so you are left with this feeling of amazement, curious for the next adventure.

    With this album almost clocking in at 73 minutes (only 10 seconds longer than Homework), this is their longest album released to day. Unlike previous albums, I'm surprised by the amount of strong and interesting songs on this album, which undoubtedly due to all the collaborators they've had on RAM. I only got bored/skipped at one or two songs and even then I sorta felt bad because they felt like part of the experience.

    If Music gives you Life, give Life back to Music.
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  56. Jun 4, 2013
    9
    Draft is back! Correct me if I'm wrong, but this is the first DP album to not have a movie with it since homework. Not as good as discovery, but not too shabby. This is the thing to me with them they have created many masterpieces, so that comes with the typical hype. I think what we have here is just a good chill record. Its hard to follow super massive success, and I feel like they justDraft is back! Correct me if I'm wrong, but this is the first DP album to not have a movie with it since homework. Not as good as discovery, but not too shabby. This is the thing to me with them they have created many masterpieces, so that comes with the typical hype. I think what we have here is just a good chill record. Its hard to follow super massive success, and I feel like they just said it let's have fun, I support them and this album all the way. My top 3 probably give life back, Giorgio, and get lucky. Just chill and let it grow on you if you expect anything, you already expect to much. Good one guys you won't ever let us down! Now get in you're pyramid and tour!!! Haha Expand
  57. May 24, 2013
    2
    I'm glad I tormented the album and then deleted it. After the first couple of songs, I ended up skimming through the rest in about a minute. I grew up in the early 90's listening to Daft Punks classics. Songs like Revolution 909, Da Funk and One more Time come to mind as big hits among many others. Random Access Memories had no doubt millions pumped into marketing. People who don't evenI'm glad I tormented the album and then deleted it. After the first couple of songs, I ended up skimming through the rest in about a minute. I grew up in the early 90's listening to Daft Punks classics. Songs like Revolution 909, Da Funk and One more Time come to mind as big hits among many others. Random Access Memories had no doubt millions pumped into marketing. People who don't even like electronic music were touched by RAM's marketing. Commercials, web & radio advertising were everywhere. They even play "Get Lucky" here on radio stations not associated with European electronic music. Without a doubt this album was all Hype, no delivery. I feel many people cannot come to terms with how bad this album is, so instead jump on the safe opinion that the album is great, edgy and intelligent. The marketing machine has told them for months that it is good. Thus, they believe, the album IS good. RAM consists of nothing more than soft rock and breakbeat type music. The only song that is decent is "Get Lucky", and only when the classic robotic style voice kicks in. All the other songs are either soft rock featuring mainstream singers. I give this an album 2 because Daft Punk can do whatever they want and if this is the direction they want to go in I respect that but it's definitely an album that is unmemorable in the strictest sense. If any unknown artist released this exact same album instead most people would laugh at it. But since a famous group like Daft Punk did it, most people scream "OMG SO ORIGINAL!". Many teens will be playing this over speakers believing themselves to be edgy, cutting edge & original. Expand
  58. Jun 6, 2013
    10
    Didn't think much of this album at first, but then you'll notice that you'll be going through your day and a tune is stuck in your head, and it's from this album (and it's not Get Lucky). I've now had that happen with over half the songs in the album. It grew from a 5 or 6/10 album to a full out 10/10 over the course of 2-3 front to back sessions. Sounds even better if you have a greatDidn't think much of this album at first, but then you'll notice that you'll be going through your day and a tune is stuck in your head, and it's from this album (and it's not Get Lucky). I've now had that happen with over half the songs in the album. It grew from a 5 or 6/10 album to a full out 10/10 over the course of 2-3 front to back sessions. Sounds even better if you have a great hifi setup, the production value of this album is top notch! Expand
  59. Jun 7, 2014
    5
    Nile Rogers and Pharrel Williams collaboration featuring Daft Punk. There is little here of what made Daft Punk great. The boundary pushing, the experimentation, the beats and the bleeps are sacrificed to be replaced by the soft disco funk that lived and died after a brief albeit enjoyable existence in the late 70's. Gone are the excellent yet unknown vocalists of Discovery to make roomNile Rogers and Pharrel Williams collaboration featuring Daft Punk. There is little here of what made Daft Punk great. The boundary pushing, the experimentation, the beats and the bleeps are sacrificed to be replaced by the soft disco funk that lived and died after a brief albeit enjoyable existence in the late 70's. Gone are the excellent yet unknown vocalists of Discovery to make room for big names, as if Daft Punk need to resort to adding featuring 'flavor of the month' artist to every other song. Nothing will date the albums of recent years more than the soon to be forgotten guest vocalists that must be added to the track name, seems that being hidden in the sleeve notes isn't good enough anymore. The exception is Julian Cassablancas on Instant Crush, one of the best songs on show and he is not afraid to have his vocal digitized till near unrecognizable. By removing all the Pharrell songs from your mp3 player you can have a much more enjoyable experience;you'd be forgiven for thinking you'd bought a new Nile Rogers album though. Expand
  60. May 29, 2013
    9
    This album is a little more mellow and laid back than their previous work, but the more you listen, the better the songs get. The collaboration and effort to perfect this album is excellent. Any future remixes should also be excellent.
  61. May 26, 2013
    1
    I don't get the hype people...
    The 70s feel is nice and the beats are wonderful, but it lacks so much.
    It's like they wanted to just throw a bunch of sounds together to make some of the longs long (and not actually listen to someone who is good at making the longer songs; Rush & Zeppelin). It drags on, the singing is monotone on 50% of the album, and you hear the same thing over and
    I don't get the hype people...
    The 70s feel is nice and the beats are wonderful, but it lacks so much.
    It's like they wanted to just throw a bunch of sounds together to make some of the longs long (and not actually listen to someone who is good at making the longer songs; Rush & Zeppelin).
    It drags on, the singing is monotone on 50% of the album, and you hear the same thing over and over and over... That's not music IMO.
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  62. May 21, 2013
    10
    This album is every bit new and different and yet uniquely and 100% Daft Punk.

    A first play through introduces you to a whole new sound. A second play through will get you into the groove. By the third play through you're picking up the details, flourishes and Daft Punkisms that have informed every single album they've made to date. It's dance, it's progressive, it's electronic, it's
    This album is every bit new and different and yet uniquely and 100% Daft Punk.

    A first play through introduces you to a whole new sound. A second play through will get you into the groove. By the third play through you're picking up the details, flourishes and Daft Punkisms that have informed every single album they've made to date. It's dance, it's progressive, it's electronic, it's disco, it's brilliant.

    Don't miss this album.
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  63. Duu
    May 28, 2013
    5
    This album sounds like a past-prime Daft Punk fading into the sunset. I think the album is competently done, although it sounds generally uninspired. RAM is nice lounge music and will be a shoe-in for some commercials. I can't be mad at Daft Punk because all good things must come to an end and when they were good, they were great, but this should be their last album.
  64. May 22, 2013
    10
    Finally, Daft Punk has made him do. It was impossible to have even more excitement to hear his new material after so long in silence.
    It is impossible for any human being on this planet does not know that his new album, Random Access Memories. In this music are more organic personality, something that computers do not give them. The bases of disco can be repeated again and again, as in
    Finally, Daft Punk has made him do. It was impossible to have even more excitement to hear his new material after so long in silence.
    It is impossible for any human being on this planet does not know that his new album, Random Access Memories. In this music are more organic personality, something that computers do not give them. The bases of disco can be repeated again and again, as in Get Lucky, as if they were samples. The funny thing is that it is the most anticipated album of recent times but is full of songs that you would expect to hear anything from the discography of Daft Punk. Each song has its own personality that resembles the previous or the next. The album will surprise you from the beginning, but once you get listening to it, does get you, maybe they disagree with me, but I do notice a big difference in your sound and now that his previous work. Metamúsica is a tribute to the music of the 70s and early 80s. We discovered other Daft Punk, not what we expected, we knew not, but equally amazing and transgressors. I know I said the album Bring Me The Horizon, "Sempiternal" was the album of the year, but Daft Punk achievement far surpass that album.
    so for now, this is the album of the year.
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  65. May 21, 2013
    7
    I'm about as hardcore a daft punk fan as you can get, yet after listening to this album about six times straight I still can't make my mind up about it.
    In my mind the two Parisians are still about the only artists that know how to use a vocoder properly, and by this album they have almost perfected it to an art rather than just bluntly using it as a weapon to mask a singer's inability
    I'm about as hardcore a daft punk fan as you can get, yet after listening to this album about six times straight I still can't make my mind up about it.
    In my mind the two Parisians are still about the only artists that know how to use a vocoder properly, and by this album they have almost perfected it to an art rather than just bluntly using it as a weapon to mask a singer's inability by making them sound like a robot, they go for making a robot sound almost human. The fact that they add vocoder to proven singers' performances (extra points if you know who I mean!) just reinforces this point.
    However, I have to admit I never experienced the pure joy I got from listening to Discovery for the first time, the overwhelming and spine tingling inspiration from Tron Legacy or the unbridled enthusiasm from Homework with this album. The amount of time, effort and relish the Daft Punk boys put into this album are clear, but in the end it's not something that really sweeps me away like (most of) their previous releases do.
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  66. May 31, 2013
    7
    This review is false, so I give only 70 to balance the scales, is an exaggeration, over 80!
    the music business annoys me, the magazines deceive people can do whatever they want with an album, and metacitic do this, choose the most appropriate magazines to give them most covem score. If they want to lower the value of an album, just go pick up some magazines which gave a low review, and
    This review is false, so I give only 70 to balance the scales, is an exaggeration, over 80!
    the music business annoys me, the magazines deceive people can do whatever they want with an album, and metacitic do this, choose the most appropriate magazines to give them most covem score. If they want to lower the value of an album, just go pick up some magazines which gave a low review, and avoid the magazines that give good quote, this is and I do not go there.
    A good exempo are QOTSA, choose magazines that give a very low value and avoid putting magazines that give good quote.
      More Light-Primal Scream is a good example, revisions of the latter album are very evident, where are the magazines or websites that give more than 80%. They do not exist? Does Allmusic.com there for example? But the magazines that give reviews below 70, there are already!
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  67. Jun 5, 2013
    10
    The un-doubtful style of Daft Punk is clear in every song. Old times come back to mind and I must say Giorgio by Moroder is one of the finest pieces I've heard him in.
  68. May 24, 2013
    8
    Daft Punk returns to the spotlight by taking a step back into past and bringing the wonders of a forgotten era of disco into the modern world. A hypnotizing and engaging effort, that keeps the listener hooked time after time, despite a couple of questionable sections.

    Full review is on my blog. (http://wp.me/p36iAh-3M)
  69. May 21, 2013
    9
    A great and ambitious album thats not afraid to be softer at times. Nothing on this album feels like its on a grid like most music today especially electronic music. It flows completely different genres into one another beautifully. Daft Punk definitely nailed the emotion they were going for which is refreshing but the only problem this triumph of an album has is that it lacks the energyA great and ambitious album thats not afraid to be softer at times. Nothing on this album feels like its on a grid like most music today especially electronic music. It flows completely different genres into one another beautifully. Daft Punk definitely nailed the emotion they were going for which is refreshing but the only problem this triumph of an album has is that it lacks the energy some people would expect from electronic music. The hype for this album is just met but not exceeded. Tracks like Beyond and Game of Love can make you feel sleepy but dancing to them definitely wasnt the intent. This album wont make you feel like you got off a roller coaster but rather like you just saw the grand canyon. Expand
  70. Jul 3, 2013
    8
    A great direction for Daft Punk!

    The albums melodies and general song structures are more prominent than in previous albums. Despite songs lacking bass-driving beats, the last track Contact provides a highly-energetic conclusion of the album. The eclectic instrumentation compliments the musical style which varies from disco to funk, and jazz, house and 80s synth-pop. However, I would
    A great direction for Daft Punk!

    The albums melodies and general song structures are more prominent than in previous albums. Despite songs lacking bass-driving beats, the last track Contact provides a highly-energetic conclusion of the album. The eclectic instrumentation compliments the musical style which varies from disco to funk, and jazz, house and 80s synth-pop.

    However, I would of liked to have seen more familiar collaborations, I feel Paul Williams adds a sense of a 50s sound which seems to be out of place and doesn't fit in with the vocoder or high-pitch vocals of Pharrell on Get Lucky.
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  71. Sep 7, 2013
    10
    Speaking as someone who really couldn't claim to be a fan of the genre or style of music this album is phenomenal. And let's just get that out of the way; the only electronic music that I truly listen to is basically Monstercat remixes.

    This album could have been a flop in the sense that it sets out to please everyone and usually when you do that, nobody ends up satisfied. This is
    Speaking as someone who really couldn't claim to be a fan of the genre or style of music this album is phenomenal. And let's just get that out of the way; the only electronic music that I truly listen to is basically Monstercat remixes.

    This album could have been a flop in the sense that it sets out to please everyone and usually when you do that, nobody ends up satisfied. This is completely different as they have succeeded on every single level. Random Access Memories is one of those albums where even a non-fan can pick it up and enjoy it. For example I bought this album in a little CD shop on my trip to London. After that we went to Scotland and drove around the country for hours every single day. My CD:s were the only thing (along with Rubber Soul, Revolver and Bob Marley's Legend) that both of my parents actually liked. That's how good this is.

    The tone for Random Access Memories is quite sad with only a few songs that are up-beat and cheery (Lose yourself to Dance, Get Lucky) but these songs are not the best ones on the album. The best ones are the ones that feature smaller artists and that successfully tell a story. Sometimes that story isn't even delivered through words but more through a myriad of sounds. Listening to this is like listening to Chopin's Nocturne; it just takes you away and doesn't let go until the end of the album. This album is pleasing to both ears and mind and it also appeals both to hardcore and casual listeners alike.

    This is electronic music at its very finest.
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  72. May 21, 2013
    10
    I love this album and I love how Daft Punk continue to evolve their sound and experiment. It's almost never the exact same thing from them. I can't to hear what they will do next.
  73. Jul 24, 2013
    10
    This a great album which is different to other albums by daft punk which is what makes their music stand out.
    The quality of the whole album with very high details shows up and gives it its sense of mood.
  74. Jun 13, 2013
    7
    I'm usually not in to the roboty techno stuff, but this was pretty okay. Daft Punk on my terms was pretty trash up until this album. One of my least favorite songs is Around the World, but then again Lose Yourself to Dance is now one of my favorites. This album has a strange old school vibe to it that most people in there right minds would enjoy. And this album was really a "happy" releaseI'm usually not in to the roboty techno stuff, but this was pretty okay. Daft Punk on my terms was pretty trash up until this album. One of my least favorite songs is Around the World, but then again Lose Yourself to Dance is now one of my favorites. This album has a strange old school vibe to it that most people in there right minds would enjoy. And this album was really a "happy" release and a good one to keep my hopes in today's music to a maximum. Expand
  75. May 21, 2013
    7
    When I first listened to Random Access Memories, I had a blast. Sure, there were a few tracks I didn't like, but I enjoyed a damn good portion of it, and after spinning it a few times, I realized that I didn't care about it anymore. Daft Punk's homage to 70's disco, jazz fusion and soft rock is an interesting direction to choose, but it's only meant to be loved once.
  76. May 23, 2013
    10
    Excellent album! it perfectly syncs retro disco with electronic. when I first heard the song "Get Lucky" on YouTube I thought someone was rick rolling me with an Earth wind & Fire song and whenever I listen to this album I think of buying a disco ball for the living room.
  77. May 26, 2013
    4
    The album is too boring and repetitive for their style, just "Get Life Back to Music" are fun and maybe, not enough. For me it's the kind of music you would hear to relax or to chill out at some bar, but if you want to party, don't use this album for that. They can do it better :S
  78. Sep 26, 2013
    10
    Greatest album out there right now. Overwhelming amount of live-sound, collaborations with Paul Williams, Neil Rodgers and legendary Giorgio Moroder, who is used very brilliantly in this feature. I gotto say, I was surprised by Pharrell Williams, who has never struck me as a powerful artist, but in picked singles he was the best choice over any other. Funk and Disco are the main focus andGreatest album out there right now. Overwhelming amount of live-sound, collaborations with Paul Williams, Neil Rodgers and legendary Giorgio Moroder, who is used very brilliantly in this feature. I gotto say, I was surprised by Pharrell Williams, who has never struck me as a powerful artist, but in picked singles he was the best choice over any other. Funk and Disco are the main focus and Daft Punks usual is kept only to add to the atmosphere. It`s a quality album, that has no technical flaws and disappoitments. This album will be timeless. Expand
  79. May 22, 2013
    10
    Random Access Memories is a stratospheric record. And I highlight the word record, because that’s exactly what it is, and is also what few mainstream releases in 2013 especially in dance music can feasibly call themselves. It plays in a natural progression, constantly aware of its own momentum and taking every step necessary to keeping itself thriving. You’ve probably heard of itsRandom Access Memories is a stratospheric record. And I highlight the word record, because that’s exactly what it is, and is also what few mainstream releases in 2013 especially in dance music can feasibly call themselves. It plays in a natural progression, constantly aware of its own momentum and taking every step necessary to keeping itself thriving. You’ve probably heard of its incredible roster of musicians Nile Rodgers, Panda Bear, Pharrell Williams, Julian Casablancas etc. who are all there to humanize Daft Punk’s highly polished, fantastically produced sound. Simply put, it’s nothing less than the Stankonia of EDM. The session musicians also help to expand DP’s horizons to regions of quality they’ve previously been unable to attain.

    This isn’t a collection of 13 perfect tracks, but if it were, it wouldn’t have made a perfect 75 minutes. In putting RAM together, Daft Punk were clearly aware of how to balance the album’s strengths; otherwise, the power of songs like “Touch” and “Contact” would have been diminished. Having said that, there isn’t a bad song here, and every track equates to a quality level of at least ‘very good’.

    It all really boils down to the opener “Give Life Back To Music”, which like all great opening tracks sets the tone and sums up the entire album, serving as Random Access Memories‘ mission statement with its titular declaration and its whirlwind of instruments. Daft Punk have set out to make an actual album of dance music that strides over the pitfalls opened up by Human After All and gives today’s sterile mainstream a shot of vitality. And it’s fair to say that they have. The album is a trip it navigates emotional highs and lows with astounding finesse, whereas their previous best, Discovery, started high, swooped down and then rose slightly at the end. And while there were more party-suitable tracks on the 2001 album than just “Get Lucky”, that clearly isn’t the point this time around.

    The record is littered with enough subtly arresting moments to keep it alive and guarantee enjoyment on every spin, such as the Giorgio Moroder interview that comes on like a Spotify advert, the bowel-shifting drums that kick-start “Lose Yourself to Dance”, the cool-yet-ecstatic vocoder section in “Get Lucky” and the disarming minimalism of “Doin’ it Right”.

    The sad thing is that the album’s ambition is the flag that crowns the Daft Punk mountain. It’s what their career has been building up to, and the success of Random Access Memories is going to be hard to match or outdo without the next album completely imploding on itself. RAM is a galactic fusion of genres and ethnicities, a seamless collage of the 70s and 80s and then the sounds of the future. It has flaws, but these flaws are just breathing spaces for the astonishing levels of excellence this album achieves. It’s an eternal record that defines the possibilities available to those who really push themselves in music. By listening to Random Access Memories, you’re witnessing the greatest moment of Daft Punk’s career.
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  80. May 21, 2013
    10
    Absolutely amazing and compelling album which takes you back—to the future. It compeleld me in each song, and when I wasn't listening to it I was still inevitably dancing. AMAZING album.
  81. May 31, 2013
    10
    All that can be said of disco and funk music in daft punk is clearly in this album. full of innovative rhythms and giving new life to the music that we have lost in these last year, these guys came back with their best album in years. personally, I think is better than discovery although not as good as Homework but still it's such a classic album for new generations who want music with a 70s air.
  82. May 31, 2013
    6
    This is the case of the hype much, deliver tush. This album may be different but it doesn't mean it's ground-breaking or amazing. In these days of generic pop tracks, everyone jumps at sounds by famous musicians which do not sound generic but are not necessarily good, and exaggerate their qualities. Don't get me wrong, the melodies are not bad or anything, they just aren't something peopleThis is the case of the hype much, deliver tush. This album may be different but it doesn't mean it's ground-breaking or amazing. In these days of generic pop tracks, everyone jumps at sounds by famous musicians which do not sound generic but are not necessarily good, and exaggerate their qualities. Don't get me wrong, the melodies are not bad or anything, they just aren't something people would 'lose themselves to dance' to. The tracks are too dull to be dance records and not bright enough to be pop. Too fast to be r&b/soul and too tame to be rock. This album just stands in-between and reaches for nothing. I honestly believe that Daft Punk of all people could have found some better ground to build an album after more than 8 years. I knew from the start that critics would hype and acclaim this album just because it is not your usual Rihanna or Pitbull album, but at the same time we gotta ask ourselves: Is different necessarily good? What makes RAM a good album? Is it because it does not sound the same as what's on the radio or because it actually gets you moving irresistibly just like 'One More Time' did? If the answer to the latter is 'no' then this album can be considered mediocre. Expand
  83. May 21, 2013
    9
    Daft Punk were in danger of becoming a musical norm, the dowdy ordinary, the discarded gold standard, a flaking blueprint packed away in the archives, never to be consulted again. Until they create an album like Random Access Memories, possibly the world’s most misunderstood album ever recorded.

    RAM is a bold and unashamedly gushing love letter to disco. Whether this is good or bad
    Daft Punk were in danger of becoming a musical norm, the dowdy ordinary, the discarded gold standard, a flaking blueprint packed away in the archives, never to be consulted again. Until they create an album like Random Access Memories, possibly the world’s most misunderstood album ever recorded.

    RAM is a bold and unashamedly gushing love letter to disco. Whether this is good or bad thing, time and repeat listens will decide.

    A lot of critique of the album during the initial frenzied clamour to define or, more often than not, to deride Daft Punk’s intentions here, were about the sound of RAM it doesn’t sound like a real Daft Punk album, more akin to being labelled as a derivative disco record. Some unjustly comparisons went as far as likening it to a collection of lost Steely Dan demos and a bad Michael McDonald album. Maybe I’m in the minority here, but I like Steely Dan and Michael McDonald, I wish there were more records like them, unapologetic fluffy pop-jazz-funk hybrids with great competent live instrumentation that’s not always showy, but full of interesting ideas. RAM is an album that fits that description.

    Giorgio By Moroder featuring, naturally, Giorgio Moroder on spoken word, reminiscing on the origins of his long musical career and overall aesthetic philosophy, while around it, like faithful disciples, Daft Punk build a little epic 9-minute sonata that segues from pulsing synth modulations into dinner party disco funk, then, unexpectedly, a sharp right turn into triumphant orchestration for an underdog movie and then straight down into a solid bass, drum and guitar stadium sized jam anthem, all the while Uncle Giorgio explaining his musical raison d'être, and indeed the overall message of Daft Punk’s Random Access Memories:

    “…once you free your mind about the concept of harmony and of music being correct, you can do whatever you want…nobody told me what to do, there was no preconception…”

    *edited from full review available at bizarrojerri.wordpress.com
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  84. Jul 4, 2013
    8
    Looking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that they were all electronic albums. On R.A.M, the duo who have been at the front of French House, have taken a risk; they have used live instruments to blend a mix of the 70's and the 80's, they have captured that cross over period, and they blend the twoLooking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that they were all electronic albums. On R.A.M, the duo who have been at the front of French House, have taken a risk; they have used live instruments to blend a mix of the 70's and the 80's, they have captured that cross over period, and they blend the two era's seamlessly.

    The first song is called "Give Life Back to Music", just by looking at its name you can see that Daft Punk are trying to resuscitate Music itself, despite the continuing Robot themes on the album. It's a solid start to the album and it gives you a real feel of what is to come. It's well produced and recorded, it's Daft Punk showing all their mastery.

    "The Game of Love" is one of the songs off the album that are quieter, but Daft Punk have done quiet before, look at "Make Love" and "Night Vision", they can do it well, and they do. With the vocoder vocals that are present on various tracks around the album, you get that Daft Punk feel, but even without the electronic drum kits, you know you are getting a Daft Punk album.

    "Giorgio by Moroder", a track that has Giorgio Moroder narrating his life style, and you listen in interest to hear this guy's life story, the man responsible for songs like, "Call Me" "Take My Breath Away" and "I Feel Love". Daft Punk have made a nine minute song dedicated to him; their inspiration. It's one of the highlights on the album. With a spiralling Space Disco synth pattern and a Jazz break in the middle to go back into the synths and then escalate into this epic finale with drums and strings, everything is happening in this song and it never feels crowded.

    "Within" is another slow track but it is so beautiful. A love song in essence, it gives the album emotion, and Guy-Manuel says that the album has more soul then the technical Human After All. It's not just a beautiful song, but it's one of the first really catchy songs, I feel this goes well with "The Game of Love" and it just feels so smooth, as do all the songs.

    "Instant Crush" featuring Julian Casablancas feels robotic, but I like that. I like that in this song because, whilst you can say it feels detached, it's welcome, it's not out of place because it keep the album moving at a good pace, not to say it's a filler because it isn't. The song is good in its own right, I just feel it doesn't hold up to the songs that came before, and that's the album's flaw. Some songs are just so good, the album can't keep it up for it's long length of well over an hour.

    "Lose Yourself to Dance" follows and I can't just feel disappointed with this song. It's definitely one of the weaker ones on the album because of Pharell's singing. His voice, in the higher regions doesn't sit comfortably, whereas he does a better job on "Get Lucky" which is a song that has mid-range vocals, and I think he does that well. Overall the song, apart from the vocoder parts which I like, the song, just feels there. It's just there and I can't place it properly, it feels too much like a combination of other songs on the album, I'm sure people like it, the song just doesn't want to make me dance so to speak,

    "Touch" is another epic song on the album, a sound that Daft Punk have really done well on this album, creating long Progressive Rock type songs on an album with so much Funk and Disco elements and I'm glad to see this. The song starts with a very futuristic sound, a sound which is almost the semantic field of the album, but Daft Punk, taking that Moroder influence, can be said to have always had that futuristic feel to them.

    And then we have "Get Lucky". In comparison to the rest of the album, whilst having and insanely catchy hook and chorus, is actually one the weaker songs on the album. I feel it get's a bit repetitive over six minuets, yet I prefer it to the Radio Edit because there is more to it, so maybe they could have gone halfway between the song mixes.

    "Beyond" is enjoyable but just sits there, I still think it deserves to be on the album though, as well as "Motherboard" which is completely instrumental and takes you back to Discovery. Whilst it feels slightly disjointed I still think it flows well, although, whilst I do love the song, I wish that the track has electronic drums on it because I just feel that it would have given the song more substance because they actually seem a bit weak to me on this song.

    "Fragments of Time" is by far the weakest song. I just don't like it too much, it feels too cheesy, too much. Now, "Doin' it Right" took me some time to like. At first I thought R.A.M fell apart at the end, but it doesn't. "Doin' it Right" featuring Panda Bear on vocals is so catchy. The vocals don't deter from the song but they add to the song, they make it even better. It works really well together and Daft Punk have just added another strong song to the collection. I also feel that the song is, dynamically, far from the 70's veering more towards the 80's and electronic music from era's after, and I think that might be because of Panda Bear's vocals. I even get slight Homework vibes, it's great.

    And then, we reach "Contact". This, is how you close an album. It's just so good. It's a six minute crescendo. It just builds and builds and it screeches and the drums are rolling and it's electronic chaos. I can really see this to become a closer for future live sets.

    Overall, Daft Punk have taken a risk, and it worked. It may have it's flaws, it could do with being shorter, maybe ten, eleven songs instead of thirteen, but I'll make do with I've got because I love this album. I think this album will be listened to and appreciated even more by this generation for years to come, and then the next generation will discover it. I think our love will continue to grow for it, it has that potential because they haven't done anything revolutionary. What Daft Punk have done, is an homage to music of old, and they have done it masterly, but they have still kept it current.
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  85. May 25, 2013
    5
    I was super excited about this coming out but after listening to it if feels bland and flat it defiantly does not sound like daft punk. Why are so many disco songs included? i can see one or two but the whole album is disco. Discovery and human after all are the two albums that got me into electronica because they were so different and it seemed like they were pushing in a entirely newI was super excited about this coming out but after listening to it if feels bland and flat it defiantly does not sound like daft punk. Why are so many disco songs included? i can see one or two but the whole album is disco. Discovery and human after all are the two albums that got me into electronica because they were so different and it seemed like they were pushing in a entirely new direction for music. Now ten year later it seems like they want to go 30 years into the past, disco is dead for a reason. leave it that way. Collapse
  86. May 21, 2013
    9
    This album is good, yeah if you’re some kind of Daft Punk purist you’re going to have some issues, Its ok tho, there’s some stuff you’ll like. For everyone else, its a rich rewarding listen. A funky guitar laden, synthesizer based ode to music and love. It’s slow at times, but that pace allows you to enjoy the freedom with which the band experiments with sounds and textures. This albumThis album is good, yeah if you’re some kind of Daft Punk purist you’re going to have some issues, Its ok tho, there’s some stuff you’ll like. For everyone else, its a rich rewarding listen. A funky guitar laden, synthesizer based ode to music and love. It’s slow at times, but that pace allows you to enjoy the freedom with which the band experiments with sounds and textures. This album isn’t revolutionary, Daft Punk no longer is trying to establish a sound. This is just them doing what they do best. Expand
  87. May 21, 2013
    9
    I knew this album would be brilliant. I knew the moment the 90-minute teaser was shown at Coachella. I knew the moment Pharrell appeared in an interview for the album and described the band as “gracious robots” whose purpose is to enhance the lives of those on “this oblong rock that we call home.” Despite the veritable blitzkrieg of marketing, ads, press, interviews, teasers and snippets,I knew this album would be brilliant. I knew the moment the 90-minute teaser was shown at Coachella. I knew the moment Pharrell appeared in an interview for the album and described the band as “gracious robots” whose purpose is to enhance the lives of those on “this oblong rock that we call home.” Despite the veritable blitzkrieg of marketing, ads, press, interviews, teasers and snippets, no one seemed to get sick of seeing the masked heads of Thomas Bangalter and Guy-Manuel de Homem-Christo plastered on walls all around the world.

    Gone are the grinding drums and the grating bursts of synth. In their place are lush strings and astonishingly delicate live drumming. The robot voices have been softened to sound less alien, and more alienated. It’s all tied up by the hyperkinetic guitar work of Nile Rogers, the legend behind “We Are Family,” “Freak Out,” and “Let’s Dance.” This album is funky, groovy, soulful, and has a distinctive human touch. This isn’t music you do the robot to; the ‘robo-boogie’ Flight of the Conchords sing about in “The Humans Are Dead” is more appropriate.

    The album’s opening track is “Give Life Back To Music,” a beautiful four minutes of muted guitars. From the outset, it’s clear that Daft Punk are using real musicians–instead of working from technology as they did before, they recruited some of the best session musicians in LA, New York, Paris and London to really bring their music to life. The song’s title is in keeping with Thomas Bangalter (the silver-masked robot)’s statement regarding the band’s shift away from computers: "In a computer, everything is recallable all the time, but life is a succession of events that only happen once,” he proclaimed. This song (and indeed, the rest of the album) has warmth and human fallibility that is conspicuously absent from standard electronic music.

    The best songs on the album are the ones that most subvert our expectations of Daft Punk. “Giorgio by Moroder” is a freak-out of synths and drumming so intricate that it wouldn’t be out of place on a free jazz album. Flea-esque bass solos are thrown in for good measure, alongside some scratching that furthers the song’s ‘live’ feel. Passages of spoken word outlining the history of disco (during which the whole track slows down and adopts a hushed tone) are interspersed with this frenetic backing track. Mesmerising.

    “Instant Crush” features Julian Casablancas from The Strokes, and sounds like what the Strokes’ latest album could’ve sounded like if the rest of the band didn’t hate the 70s so much. Casablancas is predictably mournful but his voice is pitch-shifted upwards and sounds as though it has been pieced back together slightly out of sequence, lending the song a jagged, disjointed sound that perfectly suits its mood.

    The two tracks featuring Pharrell are brilliant. “Lose Yourself To Dance” has a beat that’ll see your toes tapping and shoulders jerking as you listen to it on the bus, and the ubiquitous “Get Lucky” is a perfect synthesis of every classic disco song ever made. It’s on these two songs that Nile Rogers’ pure funk shines through. “Doin’ It Right” featuring Panda Bear (from Animal Collective) is infectious: the song starts with the robots’ voices, slowly adding a tapping cymbal, followed by the snare and bass drums. It’s the only song that feels truly processed.

    The main criticism of ‘Random Access Memories’ seems to be that Daft Punk has not made a Daft Punk album. Some hard-core fans long for the harsher electronica of the duo’s earlier work, and don’t really like the way we can actually sing along to these songs. There’s no denying that songs like “Da Funk,” “Around The World,” and “Harder Better Faster Stronger” were beautiful. They had a coarse, sparse, circular quality but in my opinion, grew tiresome after a few listens. “Random Access Memories” is a more conventional album of ‘normal’ songs. While it’s going to turn off some fans, it’s definitely going to allow the duo to win a new audience–an audience that I’m proudly part of. Plain and simple, Daft Punk have made a brilliant album. It is a piece of art that should be treasured, listened to repeatedly, remixed and covered by every bedroom virtuoso in the world.
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  88. May 21, 2013
    6
    Good album, but, by the expectations, nothing really original. nothing like discovery or human after all. Some of the songs reminds to Tron album, and the best songs are very similar: similar base and rhythm.
    Despite the non-originality fact, Random access memories still an enjoyable album, well done and with a good potential. that's the 4th albume relased by the most famous electro music
    Good album, but, by the expectations, nothing really original. nothing like discovery or human after all. Some of the songs reminds to Tron album, and the best songs are very similar: similar base and rhythm.
    Despite the non-originality fact, Random access memories still an enjoyable album, well done and with a good potential. that's the 4th albume relased by the most famous electro music artist in the world. If the next album will be like this, the wave of criticism will be higher, so be careful, daft punk!
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  89. May 21, 2013
    7
    This album isn't bad but it just isn't what I was expecting. RAM has it's moments that make you just want to get up and dance, but its missing that true Daft Punk feel of their prior albums. I think it stems from the use of other vocalists, it really takes away from the album to the point where some songs do not even sound like they are Daft Punk. Songs I love: Give Life Back To Music,This album isn't bad but it just isn't what I was expecting. RAM has it's moments that make you just want to get up and dance, but its missing that true Daft Punk feel of their prior albums. I think it stems from the use of other vocalists, it really takes away from the album to the point where some songs do not even sound like they are Daft Punk. Songs I love: Give Life Back To Music, The Game of Love, and Contact. Expand
  90. May 21, 2013
    6
    This is a very good album. It's just not the album I expected (or really wanted) from Daft Punk.

    Daft Punk has become known for their electronic stylings and for virtually inventing the French House electronic music genre. None of that is in evidence here. Furthermore, the 1:45 interview in a crowded restaurant with Giovanni Giorgio is interesting the first time and ridiculous every
    This is a very good album. It's just not the album I expected (or really wanted) from Daft Punk.

    Daft Punk has become known for their electronic stylings and for virtually inventing the French House electronic music genre. None of that is in evidence here. Furthermore, the 1:45 interview in a crowded restaurant with Giovanni Giorgio is interesting the first time and ridiculous every time after that.

    That being said, if you love jazzy electric guitar riffs that were in vogue 30-40 years ago, this album is for you.
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  91. May 21, 2013
    10
    They gave life back to music. We need this king of music nowadays. "New" music is mostly repetitive and talk about the same: getting yourselves drunk because you have to enjoy life, being rich is amazing and you can do whatever you want (seariously is sad how many songs talk about that), SWAG. And all those stupid things that music these days mention that we forget the main reason ofThey gave life back to music. We need this king of music nowadays. "New" music is mostly repetitive and talk about the same: getting yourselves drunk because you have to enjoy life, being rich is amazing and you can do whatever you want (seariously is sad how many songs talk about that), SWAG. And all those stupid things that music these days mention that we forget the main reason of music: To Lose Ourselves to Dance. 10/10 Expand
  92. May 24, 2013
    10
    If discovery is the album of the first decade of the XXI century, Random Access Memories is the album of the 2010's. Daft Punk's choice of using real drums is very effective and you can hear it. With this album they succeded in mixing progressive rock (see the intro in Touch), Jazz (see the electric piano medley in Giorgio by Moroder) electropop and of course dance togheter. They found aIf discovery is the album of the first decade of the XXI century, Random Access Memories is the album of the 2010's. Daft Punk's choice of using real drums is very effective and you can hear it. With this album they succeded in mixing progressive rock (see the intro in Touch), Jazz (see the electric piano medley in Giorgio by Moroder) electropop and of course dance togheter. They found a synthesis between all this genres and their style with their great autotune samples (get lucky, lose yourself to dance). Expand
  93. May 21, 2013
    10
    A must buy. Although it feels a bit strange the first you hear the album, the more you listen the more you fall in love with it. Every song feels like a masterpiece. To fully enjoy the album you must be open to new things but my god, does it worth it... Daft Punk talk to you through melodies, the songs will make you think and they will trully speak to your core. Mind blowing.
  94. May 21, 2013
    10
    well i think this album is honestly is the best album daft punk has ever released. It has lived up to all the rant and rave about it too it was well worth the wait. Some songs on this album seem to be repetitive but good. I think this album is getting a Grammy no matter what and if it doesn't I call shenanigans... That's all folk I would highly recommend purchasing this album.
  95. May 21, 2013
    5
    I'm amazed by all the high reviews for RAM. I can only think that people are so willing to accept the message of this album, in a time of whats been called the "soulless dubstep era" that they're completely blinded to its faults. I'm a die hard Daft Punk fan. I'll be listening to their previous albums for the rest of my life. Even Human After All is one of my favorites. I never understoodI'm amazed by all the high reviews for RAM. I can only think that people are so willing to accept the message of this album, in a time of whats been called the "soulless dubstep era" that they're completely blinded to its faults. I'm a die hard Daft Punk fan. I'll be listening to their previous albums for the rest of my life. Even Human After All is one of my favorites. I never understood the dislike for HAA, because those same fans will turn around and go nuts whenever they hear Technologic or Robot Rock. That said, I'll be lucky to get through RAM more then a handful of times. While listening to the album I tried my best to imagine myself dancing to the beat at a live performance and I couldn't do it. The further I got into RAM I was slapped in the face with the realization that Daft Punk had no intention of making an EDM album. I would have known this beforehand by doing some research, but I wanted to embrace RAM with no expectation of what it would be like. Unfortunately, I'm sorely disappointed. It seriously pains me to rate a Daft Punk album anything lower then a 10. But it seems that for the first time, Daft Punk didn't make an album for us. They made the album that they wanted us to hear. To the point where its glaringly preachy. To me this is a serious problem because thats not what Daft Punk has ever been about. They wear those masks because they didn't want to be rock stars. They didnt need to show themselves or speak on behalf of their music. Their intent was always clear in their work. They wanted to make good dance music. It was never about sending a message or trying outright to be meaningful. And now they're trying so desperately to get the message of "real music" across to us, that wearing masks has become absolutely pointless. People seem to not realize (daft punk included at this point) that music doesn't need to send a message to be meaningful. Their old albums made me and millions of fans want to get up and dance. Dancing is the purest form of expression, so what could be more meaningful then that? Just one play through of RAM is enough to tell you that they've obviously become so upset with the EDM scene, that they wanted to completely remove themselves from the equation. There are some good tracks like Giorgio and the soaringly brilliant Contact, but for the most part, its a slow trudge that actually made me feel a bit depressed while listening to it. I still have hope that Daft Punk will release an EDM masterpiece One More Time, but it seems that they would rather give up on the genre they popularized, instead of trying to reshape it. Expand
  96. May 21, 2013
    10
    A very good album. I really was disappointed with the tron legacy soundtrack, but throughout all the album, you realize that they are the best! oh yes
  97. May 21, 2013
    10
    Personally, I loved this album. Being a fan of their Homework and Discovery albums, I couldn't wait for RAM. It is genius how it combines music of the 70s, 80s, 90s, and today all in to one fresh album. "Give Life Back to Music" is a great way to start the album, as an exciting banger with Nile Rodger's riffs. Then, "The Game of Love" is a laid back, slow, mysterious sounding song. It is aPersonally, I loved this album. Being a fan of their Homework and Discovery albums, I couldn't wait for RAM. It is genius how it combines music of the 70s, 80s, 90s, and today all in to one fresh album. "Give Life Back to Music" is a great way to start the album, as an exciting banger with Nile Rodger's riffs. Then, "The Game of Love" is a laid back, slow, mysterious sounding song. It is a great song, but is easily overlooked by the "standouts" of the album. "Giorgio by Moroder" is one of my favorite songs on the album. It starts off with Giorgio Moroder narrating the early stages of his musical career, and then next thing you know a synthesizer tune, a remake of a tune of one of Moroder's original works, is piercing into your ears. Simple at first, but then there's a jazzy keyboard solo, then a bass solo, and towards the end there's suddenly an orchestra and an electric guitar and then this huge explosion of harmonies of tons of different instrumental elements blasts in your ear, all complimenting the basic synthesizer tune. Pure brilliant. Next is "Within", another slow song with melancholy lyrics, with Chilly Gonzales playing piano. Great song, but like "The Game of Love", it is constantly overlooked by the standout songs. After is "Instant Crush", a much more upbeat song with Julian Casablancas' vocoder vocals. Great song, but not one of my favorites on the album. After is "Lose Yourself to Dance", an extra funky disco jam with Nile Rodger's guitar riffs and Pharrell's MJ-like vocals. Probably one of the best dance songs on the album. Then is "Touch", featuring legendary singer/songwriter Paul Williams. Starting off with a strange, almost haunting distorted voice of Paul. Then fast piano-playing occurs, very upbeat, but then a strange children-choir joins, singing "If love is the answer then hold, hold on." Great song overall. Next is the most popular song, the one and only "Get Lucky", the other catchy disco groove with Pharrell vocals and Nile guitar riffs. The song is plain fun. Next is "Beyond", starting off with an orchestral theme, which could even be mistaken for the theme of a science fiction movie, then leading into a slow funky jam. Next is "Motherboard", an interesting jam as well, with interesting percussion drums and a mystical flute. After is "Fragments of Time". With the smooth vocals of Todd Edwards and the relaxed mood of the song, it makes you feel like you're driving down a Californian summer beach. Next is "Doin it Right" featuring Panda Bear of Animal Collective. This song is simple, but a great listen, probably the song on the album that sounds the most like Daft Punk's older stuff. Last but not least is "Contact", which was produced with DJ Falcon. This song is great, using the only sampling on the album, sampling The Sherb's "We Ride Tonight". The track is the best modern banger of the album and a great way to close the album.

    Overall, the album is phenomenal. Although, if you expected Random Access Memories to be like Daft Punk's older stuff, prepare to be disappointed. However if you open up your mind, I'm sure you'll love this album. Listen to the album at least twice before you have an official view on it, because the album is so massive it takes a while to digest. Great album Daft Punk, one of the best I've heard in a very long time.
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  98. May 21, 2013
    10
    Simply, Amazing! After the not so succesful "Human After All" Daft Punk comes back with their most polished and refined work to date. The French Duo has left its Teenage Wildstyle roots and made a more mature album.All the songs have soul and a different feeling, which gets never boring. Altough there are a few weak songs such as Motherboard and The Game of Love, the overall quality isSimply, Amazing! After the not so succesful "Human After All" Daft Punk comes back with their most polished and refined work to date. The French Duo has left its Teenage Wildstyle roots and made a more mature album.All the songs have soul and a different feeling, which gets never boring. Altough there are a few weak songs such as Motherboard and The Game of Love, the overall quality is outstanding.
    Definitely a must-buy for electro-dance genre lovers, new Daft Punk fans and old Daft Punk fans. PERIOD!!
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  99. May 21, 2013
    10
    An instant summer classic. This album didn't deserve the hype it deserved much more. Daft Punk has brought us back to the root of dance and electronic, showing us that even the most pure and organic sounds are able to synthesize into a masterpiece.

    "I am deeply respectful of somebody who expresses their craft and their art, without the hunger, for the public attention. They (Daft
    An instant summer classic. This album didn't deserve the hype it deserved much more. Daft Punk has brought us back to the root of dance and electronic, showing us that even the most pure and organic sounds are able to synthesize into a masterpiece.

    "I am deeply respectful of somebody who expresses their craft and their art, without the hunger, for the public attention. They (Daft Punk) disconnect who they are to allow you to experience what they create." Paul Williams
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  100. May 22, 2013
    9
    Daft Punk went on by a different and more difficult way !And in my opinion this succeed It is something that comes back to the roots and during the entire album has a history and a sense. It is not an album that people will love at the first listening. But when you enter the story it becomes more and more addicted...to the sound. I do not give a 10 because a thing the album it a bit tooDaft Punk went on by a different and more difficult way !And in my opinion this succeed It is something that comes back to the roots and during the entire album has a history and a sense. It is not an album that people will love at the first listening. But when you enter the story it becomes more and more addicted...to the sound. I do not give a 10 because a thing the album it a bit too long But ...definitely something fresh Expand
Metascore
87

Universal acclaim - based on 47 Critic Reviews

Critic score distribution:
  1. Positive: 42 out of 47
  2. Negative: 0 out of 47
  1. Jul 12, 2013
    60
    As a record standing almost entirely on nostalgia, sure, it gives schmaltzy ’70s dance music a fine, not-sacrilegious update and sets it to a pleasant neon glow, but it’s a trip through history that’s almost more educational than immersive.
  2. Jul 3, 2013
    89
    RAM has the immediate appeal of disco, but never overstuffs with candied hooks, even when we want it to.
  3. Jun 26, 2013
    75
    They've wisely chosen to not compete with the younger generation of DJs, and shown the upstarts the roots of dance music. They've also proven that they are not one-trick ponies who can only build beats on samples. They do just as well with a completely different sonic pallette.