- Summary: The fourth studio release for the electronic duo features guest appearances by Julian Casablancas, Todd Edwards, Panda Bear, Paul Williams, and Pharrell Williams.
- Record Label: Columbia
- Genre(s): Electronic, Club/Dance
- More Details and Credits »
May 21, 2013This year marks the famous robotic duo Daft Punk's 20th year as a band and the release of their long awaited fourth studio album, RandomThis year marks the famous robotic duo Daft Punk's 20th year as a band and the release of their long awaited fourth studio album, Random Access Memories. Being announced a little over a month before its release, R.A.M. created a huge amount of hype and remixes from ads, TV spots, and a website makeover. Being my favorite band and artists of my favorite album, I was anxious to get my hands on Daft Punk's new album and for eight years, it was well worth the wait. Thomas Bangalter and Guy-Manuel de Homem-Christo does not disappoint with these thirteen tracks and hour and a quarter of pure French House bliss. R.A.M. feels more like an experience more than an album with stand out songs such as Touch, Instant Crush, Get Lucky, and more. I highly recommend you pick up this phenomenal new album available on CD, vinyl, and digital download as soon as possible.… Expand
Jul 25, 2013Their magnum opus. Lush, interwoven sounds that make me feel really good. An artist that actually gives a damn about recording an album, notTheir magnum opus. Lush, interwoven sounds that make me feel really good. An artist that actually gives a damn about recording an album, not just a single.… Expand
May 21, 2013Random Access Memories is in the simplest of terms a triumph. Despite Daft Punk's robotic visage, every song on the album feels incrediblyRandom Access Memories is in the simplest of terms a triumph. Despite Daft Punk's robotic visage, every song on the album feels incredibly heartfelt, from the love letter to the Synthesizer that is Giorgio by Moroder, to the laid back and hypnotic Fragments of Time.
Despite having few collaborations prior to this record, Daft Punk clearly know how to get the best out of their new recruits. By selectively choosing artists and musicians that they look up to and admire, Daft Punk have managed to easily intertwine their inimitable electronic class with the likes of Nile Rodgers' incredibly catchy guitars, Todd Edwards' smooth cut-ups and Panda Bear's confident indie feel.
From the reviews and opinions I've gathered so far, the album's biggest point of contention seems to be 'Touch' the collaboration with Paul Williams. Whilst definitely not the best track on the album, it's certainly one that grows on you, especially when it hits that magnificent 3:20 mark.
Definitely not an album that should be missed by anybody.… Expand
May 21, 2013A great and ambitious album thats not afraid to be softer at times. Nothing on this album feels like its on a grid like most music todayA great and ambitious album thats not afraid to be softer at times. Nothing on this album feels like its on a grid like most music today especially electronic music. It flows completely different genres into one another beautifully. Daft Punk definitely nailed the emotion they were going for which is refreshing but the only problem this triumph of an album has is that it lacks the energy some people would expect from electronic music. The hype for this album is just met but not exceeded. Tracks like Beyond and Game of Love can make you feel sleepy but dancing to them definitely wasnt the intent. This album wont make you feel like you got off a roller coaster but rather like you just saw the grand canyon.… Expand
Jul 4, 2013Looking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that theyLooking back at Daft Punk's discography, there music has varied greatly from Homework to Human After All but the main similarity was that they were all electronic albums. On R.A.M, the duo who have been at the front of French House, have taken a risk; they have used live instruments to blend a mix of the 70's and the 80's, they have captured that cross over period, and they blend the two era's seamlessly.
The first song is called "Give Life Back to Music", just by looking at its name you can see that Daft Punk are trying to resuscitate Music itself, despite the continuing Robot themes on the album. It's a solid start to the album and it gives you a real feel of what is to come. It's well produced and recorded, it's Daft Punk showing all their mastery.
"The Game of Love" is one of the songs off the album that are quieter, but Daft Punk have done quiet before, look at "Make Love" and "Night Vision", they can do it well, and they do. With the vocoder vocals that are present on various tracks around the album, you get that Daft Punk feel, but even without the electronic drum kits, you know you are getting a Daft Punk album.
"Giorgio by Moroder", a track that has Giorgio Moroder narrating his life style, and you listen in interest to hear this guy's life story, the man responsible for songs like, "Call Me" "Take My Breath Away" and "I Feel Love". Daft Punk have made a nine minute song dedicated to him; their inspiration. It's one of the highlights on the album. With a spiralling Space Disco synth pattern and a Jazz break in the middle to go back into the synths and then escalate into this epic finale with drums and strings, everything is happening in this song and it never feels crowded.
"Within" is another slow track but it is so beautiful. A love song in essence, it gives the album emotion, and Guy-Manuel says that the album has more soul then the technical Human After All. It's not just a beautiful song, but it's one of the first really catchy songs, I feel this goes well with "The Game of Love" and it just feels so smooth, as do all the songs.
"Instant Crush" featuring Julian Casablancas feels robotic, but I like that. I like that in this song because, whilst you can say it feels detached, it's welcome, it's not out of place because it keep the album moving at a good pace, not to say it's a filler because it isn't. The song is good in its own right, I just feel it doesn't hold up to the songs that came before, and that's the album's flaw. Some songs are just so good, the album can't keep it up for it's long length of well over an hour.
"Lose Yourself to Dance" follows and I can't just feel disappointed with this song. It's definitely one of the weaker ones on the album because of Pharell's singing. His voice, in the higher regions doesn't sit comfortably, whereas he does a better job on "Get Lucky" which is a song that has mid-range vocals, and I think he does that well. Overall the song, apart from the vocoder parts which I like, the song, just feels there. It's just there and I can't place it properly, it feels too much like a combination of other songs on the album, I'm sure people like it, the song just doesn't want to make me dance so to speak,
"Touch" is another epic song on the album, a sound that Daft Punk have really done well on this album, creating long Progressive Rock type songs on an album with so much Funk and Disco elements and I'm glad to see this. The song starts with a very futuristic sound, a sound which is almost the semantic field of the album, but Daft Punk, taking that Moroder influence, can be said to have always had that futuristic feel to them.
And then we have "Get Lucky". In comparison to the rest of the album, whilst having and insanely catchy hook and chorus, is actually one the weaker songs on the album. I feel it get's a bit repetitive over six minuets, yet I prefer it to the Radio Edit because there is more to it, so maybe they could have gone halfway between the song mixes.
"Beyond" is enjoyable but just sits there, I still think it deserves to be on the album though, as well as "Motherboard" which is completely instrumental and takes you back to Discovery. Whilst it feels slightly disjointed I still think it flows well, although, whilst I do love the song, I wish that the track has electronic drums on it because I just feel that it would have given the song more substance because they actually seem a bit weak to me on this song.
"Fragments of Time" is by far the weakest song. I just don't like it too much, it feels too cheesy, too much. Now, "Doin' it Right" took me some time to like. At first I thought R.A.M fell apart at the end, but it doesn't. "Doin' it Right" featuring Panda Bear on vocals is so catchy. The vocals don't deter from the song but they add to the song, they make it even better. It works really well together and Daft Punk have just added another strong song to the collection. I also feel that the song is, dynamically, far from the 70's veering more towards the 80's and electronic music from era's after, and I think that might be because of Panda Bear's vocals. I even get slight Homework vibes, it's great.
And then, we reach "Contact". This, is how you close an album. It's just so good. It's a six minute crescendo. It just builds and builds and it screeches and the drums are rolling and it's electronic chaos. I can really see this to become a closer for future live sets.
Overall, Daft Punk have taken a risk, and it worked. It may have it's flaws, it could do with being shorter, maybe ten, eleven songs instead of thirteen, but I'll make do with I've got because I love this album. I think this album will be listened to and appreciated even more by this generation for years to come, and then the next generation will discover it. I think our love will continue to grow for it, it has that potential because they haven't done anything revolutionary. What Daft Punk have done, is an homage to music of old, and they have done it masterly, but they have still kept it current.… Expand
Jul 23, 2013Let me start by saying the promotion of this album was first-class, awesome and it raised my expectations. I can't say the same about thisLet me start by saying the promotion of this album was first-class, awesome and it raised my expectations. I can't say the same about this album though. It starts off with an over-the-top guitar line, which gets you curious about what's ahead. What comes after it is a decent song. The second song (within)
, and weakest point on the cd, is one that you probably want to skip. The pianoplaying of gonzales is good, but i just don't want to hear vocoder-vocals for a whole verse & chorus. The same thing counts for the songs the game of love and beyond. Get lucky is, ofcourse, a nice song. Lose yourself to dance gets boring after a whole though, and shows that pharrell isn't exactly the best singer. Fragments of time is okay, but not special.
I'm not saying that the whole CD is worthless though. Giorgio by moroder is, although the talking part is a bit long, a masterpiece, just like contact. Touch and motherboard are just beautiful songs with great melodies, and i like the emotional vocals on touch. But overall, this album just isn't as good as what i expected.… Expand
Apr 3, 2014The album Random Access Memories by Daft Punk don't have anything to show for the eletronic music in the current days. Pharell Willians isn'tThe album Random Access Memories by Daft Punk don't have anything to show for the eletronic music in the current days. Pharell Willians isn't the Great musician, but is just a new face in the American Music. So, we can't believe that this work is important because the stereotypes of the society created.… Expand
Published: December 4, 2013Throughout the coming weeks, we'll be collecting year-end top 10 album lists from dozens of music critics, publications, record stores, and other sources. Find individual lists and this year's cumulative rankings inside.
Published: May 9, 2013The coming months will see new albums from Daft Punk, Vampire Weekend, Boards of Canada, The National, Queens of the Stone Age, and (maybe) Kanye West. Get all the details on these and other major summer releases, and listen to tracks from each one.
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