- Summary: The debut full-length release for the Grammy-winning electronic artist includes guest appearances from Chance the Rapper, Diplo, Ragga Twins, and Alvin Risk.
- Record Label: Atlantic / Big Beat / Big Beat Records
- Genre(s): Electronic, EDM
- More Details and Credits »
Entertainment WeeklyMar 27, 2014It's spectacular, almost exhaustingly so. [28 Mar 2014, p.63]
Mar 20, 2014Many of the elements that drove Skrillex's initial success are still somewhere in the mix on Recess: the suffocating low end, the serrated edges, the industrial-strength aggression, the disorienting collisions of sound shards, the vocals distorted until they sound like alien transmissions.
Mar 21, 2014The progression from early singles to first album isn’t nearly the same arc as it was just 10 years ago, but it’s still weird that the first full-length showcase for Skrillex as self-contained album artist feels more like a transitional record than a debut that plays to his strengths.
Dec 12, 2014Sonny Moore's best work to date. Each song tastefully reinvents the way electronic music is handled, as we're finally hearing more progressiveSonny Moore's best work to date. Each song tastefully reinvents the way electronic music is handled, as we're finally hearing more progressive and elongated explorations blending multiple genres such as Jazz, R&B, World/Ethnic into Dum'n'Bass, Dancehall, and of course, Dubstep. To be completely honest, no other producer could viably release an album as introspective as this into the mainstream, let alone drop it on the dance floor. Skrillex has proven himself an artist—easily 2014's answer to Pet Sounds or Sgt. Pepper's Lonely Hearts Club Band.… Expand
Nov 25, 2014This is a good Skrillex album, most of the songs are great, but some of them are just bad songs, i know than the Skrillex talent can get himThis is a good Skrillex album, most of the songs are great, but some of them are just bad songs, i know than the Skrillex talent can get him to the top.… Expand
Mar 23, 2014In this album Skrillex went with more of what I would call house music. I'm not a dj nor do I make music so I do not know how hard orIn this album Skrillex went with more of what I would call house music. I'm not a dj nor do I make music so I do not know how hard or skillful one must be to make the beats and sounds that Skrillex produced in this album. What I do know is that I am hooked on this album. I have listened to it many times already and it still gets regular rotation on my current playlists.
It is less traditional dubstep sounds that Skrillex is known for. It reminds me of the house music I used to listen to back in the 90's. Oh well I enjoy and appreciate it.… Expand
Mar 21, 2014Recess isn't the stereotypical Skrillex album we all probably expected. Instead, it drops in flavors of club hip-hop, reggae, dubstep, andRecess isn't the stereotypical Skrillex album we all probably expected. Instead, it drops in flavors of club hip-hop, reggae, dubstep, and drum & bass to create a much more eclectic offering. The result is mostly good, but where the Bangarang EP succeeded more was in the hooks that netted Skrillex serious radio play. "Stranger" is a tight hodge-podge of the aforementioned genres. Kill The Noise and Fatman Scoop make the title track perhaps the most Skrillex-like cut on the record and serves as one of the highlights. You'll also find the Alvin Risk collab "Try It Out", originally featured in Call of Duty: Black Ops 2, remixed to mostly good results. The rest of the album does little to really stand out, but there may be a track or two that stand out to one person than the other. I think the only disappointment is that I expected a bit more from a full-length album. Still, I wouldn't consider myself disappointed but rather a bit underwhelmed with the finished product.… Expand
Mar 28, 2014I'm a pretty big fan of the edm and dubstep scene, and I do enjoy Skrillex. When I listened to the album though, it felt like a weird mesh ofI'm a pretty big fan of the edm and dubstep scene, and I do enjoy Skrillex. When I listened to the album though, it felt like a weird mesh of reggae and dubstep mixed together. Unfortunately it wasn't that good, There were a couple of songs on here that I liked, but the majority of the album didn't really work for me.… Expand
Oct 10, 2014This is more of a compilation than a real album. It's like a showcase of Skrillex's talents as a producer, which aren't that great, but atThis is more of a compilation than a real album. It's like a showcase of Skrillex's talents as a producer, which aren't that great, but at least he shows that he is not all wub wubs and bass drops on tracks such as Ease My Mind and Fire Away, which surprisingly became my favorite track. It's pretty tongue in cheek as far as guest vocals, and even the harder tracks don't impress as much as fans will expect. I'm Not very impressed, but it might be worth a listen if you're a fan.… Expand
Mar 21, 2014I used to enjoy the creativity of Skrillex's sound. Unfortunately, last summer, I went to a music festival and was sorely disappointed withI used to enjoy the creativity of Skrillex's sound. Unfortunately, last summer, I went to a music festival and was sorely disappointed with his performance. To go into further details, his bizarre requests for the audience to "sit on your ass!" on the muddy ground was too much. He then protested to stop playing more music if the crowd did not comply with his odd plead. Maybe he was trying to create a cool gimmick that would make the experience more enjoyable, but when you treat your audience like crap and act like a dictator, you lose fans very quickly.
Other than my newfound, passionate hate for Skrillex's personality, I gave his music a chance. Even if an artist is displeasing, their music may still be worthwhile. This possibility is not the case for the shaved-head rat of a man. With hollow beats and bass drops that sound all too familiar from previous releases, there is nothing left for Skrillex. His career should have ended after Bangarang.
One of the first mistakes he made was introducing a plethora of guest stars onto several tracks. Not only does the use of faux-rappers dampen the mood, but it defeats the whole purpose of dubstep. There are no lyrics in a dubstep track. One of the pioneers of this sound went against his own rules and created a monster. With no tracks that grab your attention for more than a minute, Recess is a sorry excuse for a debut album.
A shallow, self-centered personality emerges within the tasteless tracks, taking away 50 minutes of someone's life. Not only are the tracks repetitive and unoriginal, they pierce the ears with electronic screeches. That seems like the icing on the cake.
Well, you know what they say: "The bigger they are, the harder they fall".… Expand
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