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What matters is that this is a really good record, and while it would have been nice to hear some instrumental breakdowns--especially from banjo player Richard Bailey, who is way understated--it's nice to know that Nashville is capable of putting out something besides more bad pop.
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The tempos on Reckless are more varied than those on their self-titled debut, but even the slower tracks pack the big emotional punch that bluegrass fans love, the kind of feeling that used to make country music dangerous.
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The incarnation of the SteelDrivers as captured on Reckless has offered one of the year's strongest country records.
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Reckless is a swan song, punctuated with a question mark.