Metascore
74 out of 100

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 13 out of 15
  2. Negative: 0 out of 15
  1. [Bell Orchestre] varies its cunningly sequenced, gratifyingly brief instrumental tracks with such old-fashioned amenities as textured melodies, pleasing dynamic shifts, and passages that, if they don't actually r-o-c-k, at least bound down the road in an excited manner.
  2. 90
    Capacious, intimate and brimming with both whimsy and tension, Recording A Tape is what classical music might sound like from some advanced alien civilization. [#70, p.86]
  3. Recording's musical vignettes display equal parts languor and incitement. [#11, p.105]
  4. While it drifts away from the listener somewhat during its middle section, Recording a Tape the Colour of the Light is, for the most part, a captivating listen.
  5. Whether the album achieves its titular synesthesia is debatable, but Bell Orchestre tap into a wide, mesmerizing range of the spectrum.
  6. 70
    There's a beguiling musicality at play that puts pleasing melody at the centre of even the most outre detour. [Dec 2005, p.102]
  7. 70
    There's just enough rock spirit here to keep Recording A Tape... too weird for Barnes and Noble background music. [Dec 2005, p.104]
  8. A timely twinkle of apple crisp bells, hearth-warming handclaps and belly-rubbing brass.
  9. A debut that sounds a lot like New York urbanites the Rachel's and the Clogs, but a little more dangerous.
  10. The first third or so of Recording A Tape lags a bit, mostly because Bell Orchestre seems reluctant to show all its cards right out of the jewel case. However, once you reach "THROW IT ON A FIRE," the horns and percussion begin to drive, and the album grows progressively stronger.
  11. Bell Orchestre don't always make good on their ambitions, but the results are often excellent, despite (and usually because of) their sloppiness.
  12. Less sparse than open, the songs resist the build-and-release structure that most other Montreal acts utilize, and they also refuse to ride a groove or play with distracting orchestration.
  13. Their record runs through a range of instrumentalist archetypes and quietly surprising turns-for-the-worse, from electrified screech to tape-op minimalism, through pastoralism and soundscapery, to numbers where they knock out all manner of feigned sturm und drang.
  14. At its best, Recording a Tape still sounds like little more than the product of a few precocious marching-band dropouts, an empty warehouse, and good intentions.
  15. 42
    Flavorless chamber pop. [Jan 2006, p.91]
User Score

Universal acclaim- based on 8 Ratings

User score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. davem
    8
    Solid album, see them live, it's fantastic.
  2. kurtt
    9
    I personally find it quite refreshing and I love how the album has a whispy unity that works as a whole. It really has grown on me!!!
  3. coolerstillr.muckfluck
    4
    yeah...not quite. no.