User Score
8.3

Universal acclaim- based on 12 Ratings

User score distribution:
  1. Positive: 11 out of 12
  2. Negative: 0 out of 12

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  1. Feb 10, 2013
    8
    The minimalism of this album mostly works than it doesn't. Jim James is truly inspired to write songs about his spiritual state of being as he grows as a singer/songwriter. I took the tribute to George Harrison that he did in 2009 under the acronym of "Yim Yames" and copied it onto a copy of this album, and now I've got an hour's worth of really inspiring and good music. ...and of course, James' voice only helps these songs. Expand
  2. Mar 21, 2013
    9
    An album composed to be so simple has never delivered such volume and grace with it's material. Jame's vocals are not set out to dominate the sound but are rather 'just there'. State of technology is a stand out for me. It's cool jazz like piano loop as well as slow building progression mean this song can be enjoyed and loved time over. Can't doubt that this may be a future LSD party favorite but I admire it fully in it's own right and feel Jame's will progress onwards from his already great work with MMJ Expand
  3. Jun 1, 2013
    8
    Jim James has enjoyed much success fronting ‘My Morning Jacket’ and rightly so but it’s here on his debut solo record ‘Regions Of Light And Sound of God’ that his talents truly shine. Written, produced and almost entirely performed by James this really is an exceptional record. I must admit the album didn’t grab me on first listen but after a few turns it really opened itself to me in all its beauty. I think the main thing is that it’s hard to categorise, there is just so much going on, but not in a muddled way, everything works in perfect harmony. Which means Americana nestles up to funk and synths share space with mariachi folk, it’s a blending of styles that in the wrong hands could have been disastrous but here is quite the opposite. ‘Know Til Now’ sounds like Hot Chip in one of their more mellower moments, whereas ‘Actress’ could have come straight off a ‘John Lennon and Plastic Ono Band’ record. Layers of strings and trumpets wash certain tracks and space plays a big part like the instrumental ‘Exploding’ that cuts the album in half. I’d like to say that the nine compositions contain experimentation because that’s how it feels at times but I’m sure that everything is calculated down to the last note. With the exception of say Matthew E White no one is making music like this, making music that lasts, investing time and talent into something that will be listened to for a long time to come. Get this record, play this record and let it show you its complex magnificence. Expand
Metascore
73

Generally favorable reviews - based on 27 Critics

Critic score distribution:
  1. Positive: 23 out of 27
  2. Negative: 0 out of 27
  1. Jul 3, 2013
    60
    The set eschews songs in any traditional sense, opting instead for murky soundscapes characterized by minimal piano and acoustic guitar, suspended strings and a dense overlay of synths and drums.
  2. Mar 13, 2013
    67
    The underlying want and yearning pulls the songs most effectively.
  3. Feb 25, 2013
    86
    Captivating to its core, it will undoubtedly soundtrack countless mushroom-fueled spirit quests and soul-searching walkabouts for light years to come.