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Renaissance finds Richie in an oh-so-contemporary setting, encompassing uptempo dance, Latin-hued and funky pop, and power ballads. It also finds him working with such hitmaking producers as Rodney Jerkins, Walter Afanasieff, and Brian Rawling and Mark Taylor. While this may sound like a farfetched concept on paper, it works surprisingly well on disc -- albeit without breaking any new ground.
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Although there are no ballads as moving as "Hello," "Truly," or "Say You, Say Me," the album does offer a nice collection of pop tracks that, for the most part, don't suffer from the stiflingly bland over-production that's characterized other adult-contemporary albums of recent years.
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This is unabashedly slick adult contemporary fare -- file between Eric Clapton's work with Babyface and the last Tina Turner album -- but Richie can still write and sing the hell out of a get-you-right-there-where-it-hurts ballad...
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Entertainment WeeklyMore a retread than a renaissance. [3/23/2001, p.114]
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Renaissance is about as substantive, lyric-wise, as a Hallmark card.
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It's painful to hear such floundering work by a performer who listeners know can do better.