Results May Vary - Limp Bizkit
Results May Vary Image
Metascore

Generally unfavorable reviews - based on 11 Critics What's this?

User Score

Mixed or average reviews- based on 172 Ratings

  • Summary: The critics were not kind to this follow-up to 'Chocolate Starfish...,' which sees the band with a new guitarist (who won the slot in a competition held at various Guitar Centers!) replacing the departed Wes Borland.
Score distribution:
  1. Positive: 1 out of 11
  2. Negative: 6 out of 11
  1. A far more rounded proposition than 2000's water-treading Chocolate Starfish. [Dec 2003, p.132]
  2. With the Bizkit's usual guitar-heavy thrash still in place, songs such as "Creamer (Radio Is Dead)" and "Lonely World" get by on Linkin Park-style electronic textures, stutter-step rhythms and catchy, cathartic choruses.
  3. Since the music has no melody, hooks, or energy, all attention is focused on the clown jumping up and down and screaming in front, and long before the record is over, you're left wondering, how the hell did he ever get to put this mess out?
  4. No, Fred, the results don't vary. The results are consistent throughout your new album--consistently crappy.

See all 11 Critic Reviews

Score distribution:
  1. Positive: 36 out of 110
  2. Negative: 69 out of 110
  1. C.Marsalis
    10
    We came across this album by accident over the last few months. Contrary to all the bad publicity about this album, it is without doubt one of the most important albums since 1993. The production and ideas within this album are quite unique.The last albums to contain such artistry was Songs of Distant Earth by Mike Oldfield and Talk by Yes. Its quite disgraceful on some of the voting, obviously from people who have no clue about music production. We have analysed some reviews by these individuals on other albums and its quite sad and obvious that these critics are like everything within the industry- to be aiding and abetting the demise of talent within the music industry. We suggest that those critics should become independent from the Record Companies. Its ok monopolizing CD Sales etc but to monopolise what talent is, is detrimental to the industry. Expand
  2. JoshuaF.
    8
    this album is very hit and miss but fortunately there are very little misses in this album and lonely world is the best song i have ever heard. people are just jumping on the band wagon by sledging this album and this site is obviously crap if they gave chocolate starfish a bad review because that went on to sell over 25 million copies!!! Expand
  3. FrankB
    5
    This is Limp Bizkit's further decline into mediocrity. Now, it's not lord mercilessly awful like the critics and the "hatas" would have you beleive. Let's start with the bad: The insipid autobiographical "Almost Over" has such hilarious contradictions as "took alot of crap as a little boy, learned how to rap as a little boy" and "I'm singing in the rain as an older man" coming from an MC who just cleverly rhymed "rap" with "crap" and a bold optimistic lyricist who spent his past three albums complaining about his girlfriend. "Gimme the Mic" and "Phenomenon" are so outlandishly overblown that they make the late 80's Beastie Boys claims of lyrical dopeness seem like accurate representations of hardened gangsta veterans, and that was shtick! Fred expects us to take boasts like "baggie jeans and a bottle of crack hits" seriously! The ballads (which take up a large chunk of the album)are for the most part woefully trite, with the exception of the genuinely pretty "Down Another Day", and when they're not generic, they're self-indulgent and bitter. If that doesn't make you tap the skip button fast enough, the Snoop Dog collaboration, "Red Light Green Light" is vapid, bland, and just plain lame-o. (wipes sweat off forehead) Okay, but amidst all these debacles, there is a fair amount of Bizkity goodness to partly compensate. "Eat you Alive" and "Re-Entry" have ham-fisted, thunderously catchy riffs balanced with pretty melodic bits. It's a reminder that under all the teen-angst and occasionally awful writing, the Bizkit really do know what they're doing, and there's some genius behind the jock. "Creamer" and "Lonely World" have desolate, Linkin Park style electronic gawthic pop beats, that you can dance to and sulk to at the same time. Plus, the rapping is a few notches above Mike Shinoda. "Head for the Barricade" has a tribal war-chant drum beat that works wonderfully, and the songs nu-metal ingenius climax would inspire riotous moshing, as would the clever riff trickery of "The Only One" And that's pretty much the whole sha-bang. About 5 or 6 really good songs on a 16 track album with the rest ranging from mostly mediocre to laughable. Still, Limp Bizkit isn't the worst of Nu Metal's evils, they're just the most renown. If Fred didn't stir up so much annoying controversy here and there, and the Bizkit weren't once the biggest, most arrogant band in the world, the critics would probably grant this comfortably mediocre album in the 50-60 range along with Linkin Park. This Bizkit may be a bit soggy, but focus your hatred on nu metal bands like Crossfade, Seether, Evenescance, and P.O.D, as they're what you should be worrying about. Expand
  4. DME
    4
    Some good tracks: Build A Bridge, Behind Blue Eyes, Creamer (Radio Is Dead), and Head For The Barricade. The rest of the album is either yawn-worthy or just a mess. Expand

See all 110 User Reviews