Saint Dymphna - Gang Gang Dance
Saint Dymphna Image
  • Summary: The fourth album for the the Brooklyn, New York, experimental rock band.
Score distribution:
  1. Positive: 25 out of 28
  2. Negative: 0 out of 28
  1. Saint Dymphna is truly Gang Gang Dance and no-one else and for that they should be applauded; creating and defining your own sound is a challenge these days that many bands prefer to shirk.
  2. Gang Gang Dance, however, have found their voice in a world of retro revivalists and fly-by-night trendhoppers. It's whatever they want it to be, and it's awesome.
  3. 60
    The eclectism is exhilarating. [Nov 2008, p.96]

See all 28 Critic Reviews

Score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. TroyD.
    10
    My favorite album so far this year (better than "Third"), this is GGD finally releasing the huge disco beast they've held caged and writhing for years. A culmination of all their stylist collaging and (d)evolution. This is the most future-sounding album since "Kala" just last year. Expand
    • 0 of 0 users said yes
  2. Rob
    10
    An exhilarating listen from start to finish. GGD are at the top of their game and I can't wait to see what they do next. AlsoI, I'm pretty sure The Phoenix review gave the album a score of 75, not 30. On the site, it appears to be 3 out of four stars. Expand
    • 0 of 0 users said yes
  3. Hear us, O God, Our Savior, as we honor St. Dymphna, patron of those afflicted with mental and emotional illness. Help us to be inspired by her example and comforted by her merciful help. Amen. I wonder whether Gang Gang Dance prayed to Saint Dymphna during the recording of their brilliant album number 4. It is named after an Irish girl who was supposedly killed by her own father for her refusal to marry him after her mother’s death. The poor child was fourteen. I am not implying that the band should have done that but according to pop music standards they could be taken for oddballs. Their approach towards sound is highly creative and original yet they end up with something irresistible as incoming tornado. GGD are a force out of this world, you’d rather expect them to appear in a work by Lewis Carroll. Dymphna starts strong with an instrumental track called Bebey, a cascade of electronic and beating noises, and smoothly turns into First Communion. It is one of three awesome songs on the album. Liz rocks as well the others to create a whriling cult hymn of the future. The one in which half-naked people dance around a robot statue and beg for new genetic improvements. On crazy Princes Liz shares the mike with Tinchy Stryder, a genre-hopping Briton. Their blend of hip-hop and electroclash is nervous, exhausting and, of course, fantastic. Finally, you’ve got House Jam. It is a crystal of a song which reflects the melancholy tremendously delivered by Liz, a place in space and time where catchiness and strangeness merge and the most beautiful flower of them all blooms in full. Expand
    • 0 of 0 users said yes

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