Section.80 - Kendrick Lamar
Metascore
80

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
  1. Aug 4, 2011
    90
    Section80 may not be a sacred text but I've got the feeling that in five years it may just prove to be prophetic.
  2. It's said that Lamar's goal here was to prove himself capable of standing alone. Well, in certainly one of the greatest critical understatements written, he's done it.
  3. Just when you're thinking not bad at all, come some songs.
User Score
8.8

Universal acclaim- based on 126 Ratings

User score distribution:
  1. Positive: 24 out of 24
  2. Mixed: 0 out of 24
  3. Negative: 0 out of 24
  1. Nov 29, 2012
    6
    He is an awesome rapper, indeed. But in 10 songs of this 16 track album he doesn't show that. He makes it relatively good with the great songs (e.g. Keisha's Song, Rigamortis, HiiiPoWeR) but the album isn't any more than a 6, so. Some stuff on here is pretty disappointing, nothing is bad, but as I've listened to 'good kid, m.A.A.d city' first, I am disapointed with this former release. Anyway, Kendrick Lamar is one of the best rappers of our time, the lyrics are really good but as I said, many tracks disappointed me. Full Review »
  2. Oct 27, 2012
    9
    Section.80 was easily the best hip-hop album of 2011. Kendrick Lamar's lyricism, usage of word play, and overall delivery were practically perfected. Adding to the rapping aspect, the production on "Section.80" is for the most part great. With minor flaws, "Section.80" will be looked back on as one of the instrumental albums in representing the generation and time period during which it was released. Full Review »
  3. Jul 18, 2012
    10
    Since the release of this album, I have heard/seen multiple people call Kendrick Lamar, "the next 2pac". This is a false statement, because Kendrick Lamar is the next Kendrick Lamar, and the only one at that. The only comparison I would make, is that he too gives a voice to his generation. His ear for production is quite astounding, and his lyricism and flow are both jaw dropping. Lamar dwells on a variety of subjects, most notably the Reagan Era, and the crack epidemic that occurred in his decade. There is no denying that in the matter of a few short years, this will be looked back upon as a classic, and I will surely have no arguments towards that. Full Review »