Siberia - Lights
Metascore
72

Generally favorable reviews - based on 6 Critics

Critic score distribution:
  1. Positive: 2 out of 6
  2. Negative: 0 out of 6
  1. Mar 14, 2012
    80
    The album is a blissful, laser-toned experience where Poxleitner's sweet voice is expertly wrapped in stylish, multicolored hues of fluorescent keyboard squelch and bass guitar shimmer.
  2. This is one of the better electro-pop albums of 2011, one that will stimulate your senses and rope you in with its instantaneous catchiness.
  3. Mar 14, 2012
    60
    The bulk of the album's 14 tracks find her playing it safe with a helium-voiced squeak reminiscent of (take your pick) Gwen Stefani, Santigold, Kate Bush or Cyndi Lauper. [Nov 2011, p.97]
  4. Mar 14, 2012
    60
    This is a fine piece of synthpop that is a good addition to the collection of any fan of this genre.
  5. Mar 14, 2012
    60
    Lights is at times let down by this lack of variation.
  6. Mar 14, 2012
    40
    Sadly, Siberia is lacking any genuine spark.
User Score
9.0

Universal acclaim- based on 14 Ratings

User score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. May 26, 2012
    10
    an absolutely refreshing new sound. poxleitner's charming voice is seamlessly layered on top of subtle synth progressions and twanging bassan absolutely refreshing new sound. poxleitner's charming voice is seamlessly layered on top of subtle synth progressions and twanging bass lines, creating a fusion between genres at the vanguard of today's electro scene. Full Review »
  2. Apr 17, 2012
    10
    this is absolutely one of the best sy-nth-pop albums have listened to in recent-times..& of-course the writing is topnotch.>..& her voice is amazing
  3. Aug 30, 2013
    10
    Taking the lyrical poetry of The Listening and skipping past its auto-tuned hiccups, Lights has created an album worthy of its praise.Taking the lyrical poetry of The Listening and skipping past its auto-tuned hiccups, Lights has created an album worthy of its praise. Complete with a deluge of pop tracks so soothing to the ears, they'd top charts, the album is carried by a shockingly gleeful feeling of desolation. Even carefree pop tracks such as Toes and Peace Sign feel as if they're being sung from the bleakness of an arctic tundra. Shamefully this is a gem of an album that has gone virtually unnoticed by the pop world. Full Review »