Sound City: Real to Reel - Original Soundtrack
Sound City: Real to Reel Image
Metascore

Generally favorable reviews - based on 14 Critics What's this?

User Score

Generally favorable reviews- based on 14 Ratings

  • Summary: The songs on the soundtrack to Dave Grohl's documentary about Sound City Studios (Fleetwood Mac's Rumours, Rage Against The Machine's self-titled debut, Pat Benatar's Crimes of Passion, and Nirvana's Nevermind were recorded there), were composed and recorded with its own 24-hour session using the Neve 8028 recording console from the legendary Los Angeles studio with such artists as Josh Homme, Paul McCartney, Stevie Nicks, Cheap Trick's Rick Nielsen, Trent Reznor, Rick Springfield, Slipknot’s Corey Taylor, Fear's Lee Ving, members of the Foo Fighters, and surviving members of Nirvana. Expand
Score distribution:
  1. Positive: 6 out of 14
  2. Negative: 1 out of 14
  1. Apr 12, 2013
    80
    The highs far outweigh the lows. [9 Mar 2013, p. 50]
  2. Mar 14, 2013
    60
    Some tracks (the Rick Springfield-augmented The Man That Never Was) sound like Foos-by-numbers. However, Grohl and Nirvana bassist Krist Novoselic have coaxed a jewel from Paul McCartney: the raging, White Album-ish Cut Me Some Slack must be the rawest thing he's recorded in over 40 years.
  3. 60
    Real to Reel would have benefited from more diversity.
  4. Mar 12, 2013
    38
    While Sound City Studios was unforgettable, this glorified jam session is not. It’s uneven and top-heavy.

See all 14 Critic Reviews

Score distribution:
  1. Positive: 5 out of 6
  2. Negative: 0 out of 6
  1. IGNORE the critics scores. They are all mainstream critics who only care about pop and electronic music. This album is a monument to the once mainstream genre of rock n roll and a accurately captures the amazing sound of this board and these musicians. The only complaint I have is the first track. Though everything else is amazing. Amazing guitar riffs, great drums (duh Dave Grohl's on it) and absolutely astounding production. Real to Reel is the greatest rock and roll album from the past 5 years. Expand
  2. There is not a track that I skip. It is amazing to see what this fantastic group of musicians are able to put together on the fly. Its fun, rarely lets up, and has some truly amazing songcrafting along with pure, unadulterated rock. Love it to death and I have been listening to it everyday since NPR did a free stream on the whole album a week ago. Expand
  3. I am not sure what the "critics" were expecting here and frankly, I do not care. For what amounts to a collection of jam sessions, most of these songs are better than what a lot of bands put out today as singles. I would not label any of the tracks as true duds, even if there are a few I will probably skip during further listening but I think the key here is that this does warrant further listening. It had the potential to be a throw-away soundtrack but shines like a lost Foo Fighters album with powerful help from other artists. The beautiful thing about that is what is missing the annoying songs that are instantly pop-crafted radio-friendly hits. It seems like every Foo album has a song or two that I really do not like at all and they happen to be the ones that are overplayed on the radio. It definitely warrants a listen to the casual fan, but if you really enjoy the deeper cuts where Dave lets his rock n roll spirit go wild, you will thoroughly enjoy this album. Expand
  4. While I don't agree with the overly mixed (to negative) reviews I've seen for this, I also don't agree with the overly positive ones either. There are only 2 tracks on here I gladly skip (Time Slowing Down and From Can to Can't) but the remaining 8 songs I enjoy and don't skip, I enjoy because they're effectively Foo Fighters songs with a couple of high profile friends chipping in. For example, The Man That Never Was just sounds like a Wasting Light b-side. Now that's not a bad thing by any means, but I feel that for this project, Grohl and co. should've tried to create a different sound from the one he's made signature with the Foo Fighters. But I guess that's expected with getting Taylor Hawkins, Pat Smear and Nate Mendel to work on this. (The lack of Chris Shiflett on this surprised me a little.) It comes as no surprise that, any tracks with the magnificent Alain Johannes involved, are among the strongest on the album. All in all, I would recommend this album as I enjoyed it immensely (bar Time Slowing Down and From Can to Can't). Just don't expect anything more than a Foo Fighters' b-sides record. Expand

See all 6 User Reviews