• Record Label: Columbia
  • Release Date: Mar 13, 2012
User Score
6.3

Generally favorable reviews- based on 32 Ratings

User score distribution:
  1. Positive: 17 out of 32
  2. Negative: 5 out of 32
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  1. Apr 18, 2012
    9
    The first seven tracks? Great beats, good fun. The last three? Not so much. Tracks 8 and 9 are a little too Top 40 for my tastes. But the gems make for an enjoyable listen for sure.
  2. Jun 15, 2012
    9
    I have a hard time understanding why people don't like this album. I find myself singing along to every single one of the tracks from hit me down sonny to in your life. who cares that it isn't a perfectly crafted, cohesive record? i have a feeling that the ting tings weren't sitting in meetings going "okay, how do all these songs go together?" no. all that really matters is that they madeI have a hard time understanding why people don't like this album. I find myself singing along to every single one of the tracks from hit me down sonny to in your life. who cares that it isn't a perfectly crafted, cohesive record? i have a feeling that the ting tings weren't sitting in meetings going "okay, how do all these songs go together?" no. all that really matters is that they made a set of great songs that stand out on their own and don't blend together? i find myself being able to distinguish each track from the one before it and a lot of albums today, you can't do that with. Expand
  3. Apr 26, 2012
    7
    "Sounds From Nowheresville," which is the second in the career of The Ting Things album is an intermediate product. Who ever heard of their previous album and single such as "Shut Up And Let Me Go" will find himself on this record. For the rest it can be both a great indie rock offer with elements of pop or a boring piece of europop - type of "radio-friendly songs". But let's be honest -"Sounds From Nowheresville," which is the second in the career of The Ting Things album is an intermediate product. Who ever heard of their previous album and single such as "Shut Up And Let Me Go" will find himself on this record. For the rest it can be both a great indie rock offer with elements of pop or a boring piece of europop - type of "radio-friendly songs". But let's be honest - this is a mass media friendly CD. Just listen to the inspired by hip-hop songs such as "Guggenheim" - with great choruses - or "Hang It Up". Typical for the duo's "Hit Me Down Sonny", dance-punk "Give It Back," pathetic "Help" or the acoustic "In Your Life" - are also compositions, which is worth paying attention while listening. In this genre album is a strong suggestion. Collapse
  4. Mar 27, 2012
    8
    The album art says it all. Stripped and cool, this album is a fresh take on Blondiesque pop post punk. Listen to "Hang it Up" for a taste of the whole pie.
  5. Apr 27, 2012
    9
    One of my favourite albums so far this year, and will be moved from my Spotify playlist into my permanent iPod collection. Of note, the euphoric opener Silence is a great first song, Give It Back has a great energy through a drums/guitar combo but Guggenheim is the standout track among on an album of plenty of gems. It
  6. Feb 23, 2013
    10
    This album is nothing short of phenomenal, and it's an absolute shame that it's not getting the critical or commercial praise it deserves. The main problem I had with We Started Nothing was how one-dimensional monotonous it came off, even if it was home to plenty of catchy tunes. It mind-boggling how well this British duo fixed every gripe I had with their debut. Practically every songThis album is nothing short of phenomenal, and it's an absolute shame that it's not getting the critical or commercial praise it deserves. The main problem I had with We Started Nothing was how one-dimensional monotonous it came off, even if it was home to plenty of catchy tunes. It mind-boggling how well this British duo fixed every gripe I had with their debut. Practically every song on Sounds from Nowheresville incorporates a different genre. There’s electronic music (“Silence”), rock-influenced pop-rap (“Hit Me Down Sonny” “Hang It Up”), heavy groove-driven garage rock (“Give It Back”), spoken word over minimalistic indie rock (“Guggenheim”), funk-rock (“Soul Killing”), 80’s synth-pop (“One By One”), pop-country (“Day to Day”), beautiful exercises in dramatic buildups (“Help”) quiet yet emotional balladry (“In Your Life”), each experiment providing a similar level of Ting Tings infectiousness that makes every single track extremely memorable. And yes, I just named off the entire track list. I might’ve really liked the other albums mentioned throughout this paper, but this is definitely my favorite out of all of these, and is easily in my top 5 albums of 2012. It helps that I saw them live just a few days after first hearing this album, which definitely enhanced my feelings toward these tracks. Pick this up ASAP. I cannot stress this enough. Expand
Metascore
52

Mixed or average reviews - based on 30 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 30
  2. Negative: 6 out of 30
  1. Apr 12, 2012
    45
    Unfortunately it's largely downhill from here [after opener "Silence"].
  2. Mar 27, 2012
    30
    Maybe the Ting Tings have pulled some sort of Lou Reed maneuver here. Maybe this is their Lulu.
  3. Mojo
    Mar 23, 2012
    60
    They sound more and more as if they've found a sound that they can all their own. [Apr 2012, p.94]