User Score

Universal acclaim- based on 48 Ratings

User score distribution:
  1. Positive: 44 out of 48
  2. Negative: 2 out of 48
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  1. Mar 14, 2011
    When you hear the track 'Keep Me There' for the first time you will want to know more about this artist. When you listen it to a second time it will become your favourite track until the next artist comes along. Its no wonder that he is compared to James Blake.

    Take a listen. Its worth it.
  2. Apr 19, 2011
    This review contains spoilers, click expand to view. A beautifully textured, airy, and oddly amusing sonic adventure, that keeps a nice mellow intensity and yet explores new territory on every track. It's a grower, unless you can distinguish just how wonderful some of the field recordings, vocal manipulations, and the subtle instrumentation are. At 21 years old, Jaar cements himself a truly fantastic debut. Expand
  3. Sep 1, 2012
    This album is less a collection of songs and more an experience, and a truly magnificent experience at that. It is like nothing you've ever heard and a must listen for everyone.
  4. Oct 4, 2013
    The concept is great, this artistic minimalist album is one of the best of 2011, (a great year for music), Nico give us unique sounds that canĀ“t be even compared with others, is dense, weird but in a excellent way, He is a unique visionary, this album is the prove.

Universal acclaim - based on 15 Critics

Critic score distribution:
  1. Positive: 15 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 0 out of 15
  1. Dec 5, 2011
    Jaar assembled the disc from several years' worth of recordings -- he's relentlessly productive -- but it has a conceptual unity that makes it feel like the product of a single burst of inspiration.
  2. May 18, 2011
    Jaar attempted something ambitious with this album--it stands apart, even if it never risks a whole lot. Space Is Only Noise is unique, but also a work of modesty and, for an album that samples French poetry and is rarely danceable, it's unpretentious.
  3. Uncut
    May 13, 2011
    Jaar, the son of conceptual artist Alfredo Jaar, can weave a heady spell, presenting himself somewhere between David Byrne and Ricardo Villalobos. [Jun 2011, p.85]