• Record Label: Atlantic
  • Release Date: Sep 17, 2013
Metascore
57

Mixed or average reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 11
  2. Negative: 1 out of 11
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  1. Magnet
    Dec 18, 2013
    10
    Stale, vapid and generally awful. [No. 105, p.55]
User Score
7.8

Generally favorable reviews- based on 30 Ratings

User score distribution:
  1. Positive: 22 out of 30
  2. Negative: 1 out of 30
  1. Jul 21, 2015
    7
    Catchy and often shallow, which usually is the type of music that I hate...but with Spreading Rumors, the music is so well produced andCatchy and often shallow, which usually is the type of music that I hate...but with Spreading Rumors, the music is so well produced and infectious that you can't help but jam to it Full Review »
  2. Jan 13, 2014
    10
    This my 3rd favorite album of 2013 behind Modern Vampires and Settle; so I am disgusted by this critic score. I hope its just because not manyThis my 3rd favorite album of 2013 behind Modern Vampires and Settle; so I am disgusted by this critic score. I hope its just because not many have reviewed it, because this album is so much fun but also well paced through at least the first 10 songs. I'll admit it falls off near the end, but has plenty to make up for that. Full Review »
  3. Dec 29, 2013
    8
    Despite loving the hits on their debut, I unfortunately never got around it. Fortunately a couple months ago I was lucky enough to win aDespite loving the hits on their debut, I unfortunately never got around it. Fortunately a couple months ago I was lucky enough to win a vinyl test pressing from the band via a contest on their Facebook page. And Spreading Rumours doesn't disappoint. A lot of this album's appeal is similar to that of those hits. They're unabashedly fun, loud & infectious pop songs with a slight raw edge in the vocal/instrumental department that gives the band a more distinct sound.

    The album starts incredibly with “I'm With You”, which might be my favorite song from Grouplove up to this point. It spends the first 2 minutes just building & building, starting with some piano shredding & tom-heavy drumming to create a nice reverb-coated atmpsphere before dropping out & letting a fantastic synth-led pop song take over, going back & forth between minimal & bombastic without feeling too jarring, clocking in at nearly 6 minutes. I honestly had no idea the band could be this ambitious but it really works for them. Not to say they can't be just as enjoyable in the simple 3-4 minute pop formula, but I think it'd be interesting what would happen if they did more of that on the next album. From there it's for the most part a great set of tracks, for reasons other than what I mentioned before. In fact the next song “Borderlines and Aliens” goes into unfamiliar territory too (as far as I know), a dirty alt-rocker driven by great riffs & transitions from one extremely catchy section to the next. Meanwhile “Ways to Go” & “Shark Attack” find an interesting & natural way of incorporating electronics into the mix. They cleverly add a new dynamic, but not at the sacrifice of the band's best traits (at least to those who don't just dismiss anything that's not a “real instrument”). “Shark Attack” in particular uses that purely as a way of making the chorus a lot more engaging. I don't wanna name-drop every track here, so the rest of the album is basically a fun mix of memorable melodies & guitar riffs, fun upbeat vibes, and lyrics that come off sincere & charming, if a bit hard to decode at times.

    Admittedly I do have a couple minor issues with some moments. I'm not really a fan of “Hippy Hill”'s titular line “I'd rather be a hippie than a hipster” that can't help but find it a bit corny. “Bitin' the Bullet”, while it does have a decently catchy chorus, moves at this awkwardly plodding pace that doesn't really generate much energy or momentum for me. The nitpickiest thing I have to say is that the verse melody in “Borderlines and Aliens” is dangerously close to Nirvana's “All Apologies”, even though it's otherwise a great song. Also, it's not an issue necessarily, but like with what I said about Youngblood Hawke's Wake Up, I'd be curious would would happen if the male & female singers of this band (Christian & Hannah in this case) had more of an equal lead singer position, rather than one doing lead & the other doing backing. They're both very capable singers, and it's shown that Hannah can carry a whole song in the lead role as shown in bonus track “Girl”. Not saying every song should be a straight-up duet, but I dunno, it's something I've thought about. Overall though, I really enjoyed this album, and it's definitely a great full-length introduction to this band. I'm a sucker for a well-written & personality-packed pop song, and these guys have that pretty much mastered.

    Top 5 tracks: I'm With You, Ways to Go, Sit Still, Shark Attack, Didn't Have to Go
    Score: 82/100
    (Check out more reviews on my Facebook page That Non-Elitist Music Fan.)
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