Metascore
78

Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 15 out of 18
  2. Negative: 1 out of 18
  1. Proof folk music shouldn't just conjure the past, but also sit down and have a drink with it in the present. [12 May 2006, p.82]
  2. 100
    On bluesy new tracks such as "Stubborn Beast" and "Moonshiner," she conjures a sensual, serious confidence that suggests she's ready to depose Cat Power as the queen of indie teardrop ballads.
  3. Whether she's writing original material or covering traditional tunes... the effect is the same. It's intimate, like a secret told readily.
  4. 88
    She's traded in the "Morphine" and creepy, hillbilly-chic of Escondida for a sound that's a hint more melodic and just a touch less disturbed. [#20, p.104]
  5. Beautiful, textured and earnest. [Summer 2006, p.90]
  6. 80
    Holland swings far afield from folk and country on her third album, matching her hornlike voice to cool-jazz rhythms. [Jul 2006, p.84]
  7. "Springtime" could very well be the singer/songwriter album against which all others are measured this year.
  8. There's a resonant bearing to the set as a whole.
  9. Holland's cry seesaws from yelp to confirmation within tunes of heartache and resilience, her songwriting poetic yet blue-collar and blending that invisible socioeconomic line between genres.
  10. Springtime is... the unveiling of a toothier sound that better reflects both Holland’s bloodiness and booziness.
  11. 70
    [It] is such an unassuming creation that the deceptively vast scale of its ambition only becomes apparent after several listens. [Jun 2006, p.103]
  12. It’s simply a good album with a few really great songs.
  13. Every element on Springtime-- the relaxed tempos, fluid arrangements, dark moods, unobtrusive instrumentation-- is deployed in service to Holland's decidedly eccentric voice.
  14. Holland seems confident placing herself inside a mythology much older than her years. It’s this fact, along with her penchant for lyrics about crazy dreams and old-fashioned moonshine, that make many of her songs, though originals, sound borrowed from another era.
  15. 60
    One off-putting aspect: a vague sense of cocky over-cleverness. [Jun 2006, p.108]
  16. Suffers in places from an attack of earnestness.
  17. Everything moves in slow motion, as if that lent profundity to the proceedings, and even then the vocals rarely keep time. Perhaps Holland believes that singing off the beat creates tension, but it merely diffuses what little energy these songs possess.
User Score
8.4

Universal acclaim- based on 15 Ratings

User score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. AlexW
    Jul 25, 2006
    9
    Paste magazine needs to stop the indie-snobbery, holier-than-thou attitude, and appreciate the music for what it is. Holland is increadibly unique in this era of over-produced pop divas...her voice is heavenly and her songs showcase her gift for simple melodies and lyrical creativity. I love this chick, and those who disagree and just arrogant music snobs or just plain idiots. Full Review »
  2. brendanb
    Jul 25, 2006
    5
    Sorry, don't get it. There is a kind of 'one note' feel to this. Crush in the Ghetto is very alluring but there is nothing else of that standard. I bought the album on the basis of that song AND the other reviews on this site. Maybe I've missed something. Full Review »
  3. ScottY
    Jun 24, 2006
    9
    If your into pop music I would say this is not for you, however if you are looking to hear something different and can appreciate talent give it a listen. Even better if you like the alblum see her live..still one the best live shows I've seen. Full Review »