Awards & Rankings
Universal acclaim- based on 362 Ratings
Feb 25, 2014The most versatile album, not only by St. Vincent (aka Annie Clark) but of the past few years, offers a plethora of delicious snippets. AThe most versatile album, not only by St. Vincent (aka Annie Clark) but of the past few years, offers a plethora of delicious snippets. A mental stunner of an album unfolds with a mixture of voluble guitar mayhem, head-bopping brass sections, and twee electro beats. Not only has Annie Clark grown as a musician, she has blossomed into one of indie rock's most unique staples.
The eponymous album begins with a shaky, frantic progressive track entitled "Rattlesnake". It slowly brings the audience closer and closer to the new image Annie has given herself. By the end of the track, the hair is let down, the feet are dancing, and the ever-creative guitar shrieks emerge in full force. Crank the amp up to 11, you're in for a joyride. The album's first single, "Birth In Reverse", offers an arrangement of head-scratching lyrics involving daily routines along with the type of instrumentals for a fast car ride. "Prince Johnny", an angelic, yet peculiar addition gives off simple vibes at the beginning. A seemingly innocent track trudges on until the voice of an angel cuts in to sing a few bars of nothingness. To describe the sheer beauty of this track would be an understatement, no matter how it is described. Just listen and fall in love. "Huey Newton" follows, giving quirky electro rhythms, heavy percussion beats, and soft, sultry acoustic riffs. Once again, this track explodes towards the end, letting a head-banging rock opera materialize. The following single, "Digital Witness", allows the listener to hear the obvious David Byrne influences. With a jazzy brass instrumentation, this track could be considered a bonus track from St. Vincent's 2012 collaboration with David Byrne, Love This Giant. And damn, is it ever catchy. "I Prefer Your Love" slows things down with an classic St. Vincent style, returning to the slow drums, the synth beats, and the calm vocals. This track shows that even with the power of a rock star, St. Vincent can still make a tranquil piece. However, the tranquility doesn't last long when "Regret" rolls in. With a slick bass line, heavenly acoustics, and the always beautiful vocals of Ms. Clark, it's an instant classic. "Bring Me Your Loves" is new. It's a track hidden at the end of unchartered territory. A new, frenzied pace of music sets this song apart from the rest of the album. With heavy guitar bits, an acapella section, and electronic rhythms from outer space, this brilliant, yet insane track provides a different side to the usual sounds heard. "Psychopath", a more straight-forward song, offers more bellowing guitar riffs, even if you were tired of them. With a incomparable instrumentation, it is another reminder of the David Byrne influence. As the album begins to end, "Every Tear Disappears" gives one final shout. Although it isn't an mad dash of sporadic beats, it finalizes the more unique side of Annie Clark's new-found music style. "Severed Crossed Fingers", the end of a masterpiece, the "ride off into the sunset as the credits roll" moment, is the perfect way to finish. Not only does it calm the listeners back down, it allows them to reflect on the last 40 minutes of their lives. What they just finished listening to is something exceptional. Something unable to be replicated.
St. Vincent's fourth effort could be considered her best. It brings in new elements while remaining faithful to the style that got her where she is today. I admire St. Vincent and all she has accomplished. She is not only my favourite female vocalist, but also a top contender for the genre of indie rock. Congrats to you Annie. You and your funky, bleached hairdo.
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Mar 1, 2014St. Vincent with her self-titled LP, an album which is, my first introduction to a full length project of hers.
And to least say, to start itSt. Vincent with her self-titled LP, an album which is, my first introduction to a full length project of hers.
And to least say, to start it up, I'm impressed. Well that's so gibberish (jokes aside), this is one heck-of a masterpiece singer-songwriter and multi-instrumentalist Annie Clark has been cooking up.
With a slide help on the production side from John Congleton, we have, sonically wise an cinematic and colorful experience through out. A journey full of heavy synthesizers, drown-out guitar riffs, distorted sequences. An album, experimental one, which blends the best bags off indie pop/rock music with an ounce of more electronic touch to it all.
A record, yet beautiful, but grimy when Ms. Clark at times comes on twisted, lyrically. Lyrically a more odd figure in todays indie pop/rock I've heard in a while, she's quite unique, so is the writing on this. I love it, really loving it.
And a guitarist as St. Vincent, as innovative of a solo artist, there's have a few off.
Some of the most catchiest hooks, rythms, melodies and instrumentals we are going to have around in twenty-fourteen. Annie Clark is definitely one original and creative artist in music, an artist willing to push the culture, pop, rock, whatever she lays her hands on forward.
If it's ballads, or up-tempo tracks, what you wont be bored with, is her angelic voice.
An extrodinary piece of work from St. Vincent, one of top records we are going to sum up at the end of the year. This self-titled LP is one of the most interesting records I've came across, a favorite it is, St. Vincent is up to top this decade, better watch out.… Full Review »
Feb 25, 2014This album is a masterpiece. It is original, it is Annie ! I love how every song sounds. The whole album comes alive once you're into it . IThis album is a masterpiece. It is original, it is Annie ! I love how every song sounds. The whole album comes alive once you're into it . I highly recommend… Full Review »