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In the end, Kurupt turns in strong performances on much of Streetlights, delivering furious free association freak-outs and ultimately some of his nastiest verses in years.
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Kurupt's distinct slurred-barking cadence lends itself well to the anthems on "Streetlights," an impressive albeit uneven release.
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le there are bits of great humor and wordplay scattered throughout (occasionally spat out in dizzying double time), the fogged-over choruses, tough-guy posturing ("In Gotti We Trust"), and spurts of disquieting misogyny ("Scrape") feel like too much padding.