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Alternating between sounding like a gremlin and sounding like a baby, the vocals don't so much haunt as distract.
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Its quietness and moodiness make Summer Make Good Múm's most demanding album, but also, fortunately, a rewarding one too.
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Q MagazineMuch of it is lovely, but marred somewhat by the whispery sub-Kate Bush vocals of Kristin Valtysdottir. [Apr 2004, p.117]
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Entertainment WeeklyIt doesn't help that it's dominated by Kristin Anna Valtysdottir's vocals, which sound like the coos of a Teletubby. [7 May 2004, p.86]
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While Múm's music has always posed a mysterious, melodic invitation to the listener, their latest offering feels flat at times, with very few signposts marking the way and even fewer landmarks inviting one back again.
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It's not that Múm have broken a barrier to make their first entirely unpleasant record-- the addition of drums and trumpet do make for some compelling instrumental moments-- but there simply aren't enough exciting or even vaguely interesting moments in each song, and between this scarcity and, Jesus, that voice, Summer Make Good seems an unfortunate addition to 2004's disappointments.
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It's no departure from any of the band's previous combinations of shuffling beats, spacey blips, dramatic strings and squeaking, soughed vocals; such a delivery of old comforts is precisely what makes the album so dull.
User score distribution:
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Positive: 5 out of 9
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Mixed: 4 out of 9
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Negative: 0 out of 9
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Mr.WhiteJul 6, 2009This is one of my all-time favorite albums, and my favorite album of mum.
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DamianhOct 7, 2006
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carlosDec 5, 2005