• Record Label: Woodsist
  • Release Date: Jun 14, 2011
Metascore
77

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 17
  2. Negative: 0 out of 17
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  1. Jun 14, 2011
    60
    The prettier recording wraps up songwriting that seems perfunctory and performances that sound tired by comparison to the psychedelic dervishes Woods first appeared as.
  2. Jun 10, 2011
    60
    On the band's sixth album, they're most comfortable in the spot where Guided by Voices ("Any Other Day") bump into 
the Kinks ("What Faces 
the Sheet") -- slightly psychedelic and frequently sticky, breezily charming and pleasantly woozy.
  3. Jul 27, 2011
    50
    Woods should take the cue from Bill Callahan and what he accomplished with Smog: if you are going to delve into the restricting realm of lo-fi, there has to be emotional and appealing substance and quality in the songs themselves. Lowering the production quality does not, as in a double helix, imply that the songwriting quality will improve.
  4. Jul 21, 2011
    50
    There's little doubt that Sun and Shade could be a satisfying 30-minute indie-folk record with a bit of self-editing. Simply put, Woods would be wise to keep the psych-drone exercises in the live department, where they're more of a treat and less of a chore.
  5. Under The Radar
    Jun 9, 2011
    50
    While At Echo Lake was essentially the same sonic blueprint as its predecessor, the mellower mood here is a marked change from those last two efforts, though it's not always the most successful of shifts. [May 2011, p. 82]
User Score
8.3

Universal acclaim- based on 6 Ratings

User score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. Jul 13, 2016
    8
    This album is not as good as their previous effort, Echo Park, but it still is an immensely satisfying folk pop record that gets a littleThis album is not as good as their previous effort, Echo Park, but it still is an immensely satisfying folk pop record that gets a little bogged down by the lengthier instrumentals. Full Review »