Supermodified - Amon Tobin
Supermodified Image
Score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
  1. Remarkably intricate and razor sharp compositions... more accessible than anything he's done before, yet it surpasses them insofar has he has shown the beginnings of a total sonic mastery of each subtle aspect of a work.
  2. A dense, plunderphonic kaleidoscope of an album with giant, noisy jazz breaks and groovy electronic synthwork.
  3. A superbly stealthy assault on the ears, stroking and unsettling in equal measure.

See all 8 Critic Reviews

Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. ChrisL.
    10
    I think the intricate production and complete atmospherics of each and every track make this experimental album an accomplished success.
    • 1 of 1 users said yes
  2. SarahF.
    10
    Dark, enchanting, atmospheric, moody and unpredictable. Tobin pulls you by the leg into a world where jazz is dissociated into its componenet parts and mixed with pretty much anything he feels like. Invograting and challenging, this release can only be faulted for the fact that the mixing and production is so dense that it somtimes becomes a sludgey soup of sounds. As Tobin himself puts it, "frequencies sometimes clash", and thus if you enjoy clean, ultra-precise and detailed production you will be disappointed. However, I find the dreamy, vinyl quality of the sound a definite plus. The compositions are brilliant collages of chopped-up jazz samples, jungle beats, and stylish experimental sound effects. Highlights include the single "Four Ton Mantis", a dense and moody ride for the ears, and "Natureland", a syrupy-smooth downtempo piece that inspires images of smokey lounges. Expand
    • 1 of 1 users said yes

See all 3 User Reviews

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