Supper - Smog
Metascore
79

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 13 out of 15
  2. Negative: 0 out of 15
  1. His last two albums also reflected his ongoing growth as an artist, but Supper's settled but intriguing warmth is an even bigger step forward.
  2. While the album retains some of the lo-fi insularity of his earlier four-track work, the full band backing makes Supper more of a living-room album than a back bedroom one.
  3. "Supper" is superior to the particularly subdued sound of its immediately predecessor, "Rain on Lens," landing closer to the Velvet Underground-inspired stomp of 1999's "Knock Knock."
  4. A strong early contender for Record of the Year.
  5. Neither Callahan's trademark poetic gloom nor his even-keel misanthropy have been ditched in time for 'Supper', but it does see him breathing deeper than before and moving with a surprising spring in his step away from the claustrophobic intensity of his previous work.
  6. The churning, blues-rock approach is a recent (Smog) development, and too often it overwhelms the feeling of cracked intimacy that makes him great. There are other times, however, when it really works.
  7. Look beyond the music... to Callahan's uncanny vocals, which are placed unusually high in the mix, lending an eerily detached air to his deadpan lyrics. [25 Apr 2003, p.150]
  8. 80
    While the music is a combination of old Smog and new... there's a freshness here, a sense of change, and most remarkable, a real empathy on display. [May 2003, p.89]
  9. An odd, almost schizophrenic collection.
  10. Poignant and sincere, this is a Bill Callahan we could do with more of. [Jun 2003, p.104]
  11. "Supper" is Callahan's equivalent of Dylan's "New Morning." It's the work of a competent, seasoned songwriting veteran who exudes confidence.
  12. It is (Smog)'s most colorful, vigorous, and alive album to date.
  13. Supper is a fine accomplishment, a record of sad grace and folky simplicity that outdoes its predecessors and hints at a very worthwhile future.
  14. Callaghan has served up an album that, interestingly for his fractured vocals and streaming lyrics, is unusually coherent. [#230, p.61]
  15. 40
    The tentative pop entryism evident on albums like 1999's Knock Knock is largely absent here; instead we have his gruff baritone take us through an increasingly uninteresting outlook on love and life. [May 2003, p.108]

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