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Jan 15, 2013Even with that less-consistent Side B in mind, there's still no denying that Take the Crown remains the most wildly entertaining album Robbie Williams has released in years, unabashedly broad in appeal but immaculately well-crafted, at times even rivaling Williams' best work.
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Nov 27, 2012It's safe, something of a retreat from past endeavours to a sound more suited to commercial returns in the present.
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UncutNov 27, 2012The songwriting is impressive throughout. [Dec 2012, p.79]
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Nov 27, 2012The contributions of Williams and his latest songwriting partners, a couple of unknown Australians called Tim Metcalfe and Flynn Francis, are sometimes brilliant and never less than well crafted.
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MojoNov 27, 2012Take The Crown plays it safe. [Dec 2012, p.85]
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Q MagazineNov 27, 2012The fact remains that Take The Crown is a disappointment. [Dec 2012, p.99]
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Nov 27, 2012While Take The Crown undoubtedly contains many individual tracks sure to tickle the mainstream pop palate, that doesn't in itself make for a great album.
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Nov 27, 2012It is not unimpressive, with energy and attack and flashes of wit but there are too few of the kind of mad pop moments that make you stop in your tracks and not enough evidence that Williams is stretching and growing as a songwriting talent.
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Nov 27, 2012If you loved Williams the way he was, rejoice. If you didn't, it may be time to switch off the radio and television for a few months, and bury your head in a bucket of calamine lotion.
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Nov 27, 2012Collectively, Team Williams (producer Jacknife Lee is on board, too) struggle to find a copper-bottomed, gut-feel voice for Robbie 2.0, settling for a variety of puzzling gambits that miss as often as they hit.
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Nov 27, 2012Take the Crown features Robbie doing what Robbie does best--writing and performing effortless pop music--but not at his best.
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Nov 27, 2012Aside from its undertone of paranoid desperation, however, the album is a largely by-the-numbers exercise and seems almost certain to quickly fall off the public consciousness.
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Nov 27, 2012Take the Crown lapses into the same grandiose self-help talk and too-slick production that's marred his recent albums.
User score distribution:
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Positive: 35 out of 42
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Mixed: 6 out of 42
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Negative: 1 out of 42
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Oct 16, 2013
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Jan 3, 2013
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Jan 3, 2013