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- Record Label: Thirty Tigers
- Release Date: Aug 18, 2017
- Summary: The latest release for the Texas singer-songwriter features guest appearances from The Bright Light Social Hour, Eric Church, Patty Griffin and Lucinda Williams.
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- Record Label: Thirty Tigers
- Genre(s): Country, Americana, Contemporary Singer/Songwriter, Country-Folk, Country-Rock, Progressive Country, Outlaw Country
- More Details and Credits »
Top Track
Lucifer and the Fallen Angels | |
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I run over a squirrel in Arkansas before the blood wasn't even dry, When I see a few fallen angels and Lucifer tryin' to hitch a ride I pull over,... | See the rest of the song lyrics |
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Score distribution:
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Positive: 5 out of 6
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Mixed: 1 out of 6
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Negative: 0 out of 6
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MojoSep 27, 2017It wouldn't be a Ray Wylie album without an anthem and the title track is a good one. [Nov 2017, p.97]
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Sep 22, 2017Tell the Devil I’m Gettin’ There as Fast as I Can finds Hubbard doing what he does best. There’s nothing surprising here in terms of him doing anything unexpected; rather, he is content to play the genre he has mastered, which is Whatever the Hell he damn well pleases.
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Sep 22, 2017Ray Wylie Hubbard is making music that's tougher, more effective, and better crafted than most artists a third his age, and Tell the Devil I'm Gettin' There as Fast as I Can is yet another striking example of his casual brilliance.
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Sep 22, 2017All of it builds up to quiet closer "In Times of Cold," a beautiful and crushing duet with Patty Griffin made even more poignant by the guiding hand of George Reiff in one of the local producer and bassist's final efforts.
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UncutSep 22, 2017Tell The Devil is full of Biblical allusion and attendant questions of sin and atonement, the 70-year-old's conspiratorial drawl framed by low-down grooves and flinty slide-blues. [Nov 2017, p.30]
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Oct 13, 2017Grizzled Americana veteran Ray Wylie Hubbard cooks up a steamy stew of voodoo magick and rock’n’roll mythos on Tell The Devil I’m Gettin’ There As Fast As I Can, a title whose droll self-deprecation is reflected in the weary sprechstimme style with which Hubbard delivers his narratives, homages and sermons.
Score distribution:
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