- Critic score
- Publication
- By date
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BlenderThe results can sometimes get bland; unlike its predecessor, which was moody and aimless, Drops is so polished that there are no ragged edges left to hang on to. [May 2006, p.109]
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Although they are more focused on Ten Silver Drops, they also sound more reined-in and less idiosyncratic.
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The Secret Machines are still super tight, Josh Garza’s still got restrained guitar awe on his side, every song’s arrangement is still an ebb and re-ebb of soaking synth and organ drone, and the lyrics still battle with neo-adult ennui. Is it any wonder, then, that there comes a time when this can just get dull?
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While it's admirable that The Secret Machines are trying to solidify their niche as the go-to guys for soundtracking laser light shows (or at least My Morning Jacket for indoor kids), Ten Silver Drops is a sideways moonwalk that won't get them any further away from the planetarium circuit.
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Paste MagazineIts ideas tend to outnumber its hooks. [Apr/May 2006, p.102]
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Secret Machines now sound uncannily like a fusion of U2 and INXS.
User score distribution:
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Positive: 11 out of 16
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Mixed: 3 out of 16
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Negative: 2 out of 16
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RichardHApr 27, 2007
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LeylaHSep 26, 2006
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MarcHJul 20, 2006This album is terrible compared to their last. They went from hard hitting, spacey rock to BORING in one album. Such a disappointment.