• Record Label: Warp
  • Release Date: Sep 20, 2005
User Score
8.4

Universal acclaim- based on 23 Ratings

User score distribution:
  1. Positive: 22 out of 23
  2. Mixed: 0 out of 23
  3. Negative: 1 out of 23

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  1. Manny
    Sep 23, 2005
    8
    I've played the album through about four times now and I have to say that it's another classic Broadcast album. The melodies in some of the songs have never been more wistful. Favorite album tracks beyond the three that had been leaked to the internet and had become my favorites (America's Boy, Goodbye Girls, & I Found the F) are: Tears in the Typing Pool (with the I've played the album through about four times now and I have to say that it's another classic Broadcast album. The melodies in some of the songs have never been more wistful. Favorite album tracks beyond the three that had been leaked to the internet and had become my favorites (America's Boy, Goodbye Girls, & I Found the F) are: Tears in the Typing Pool (with the loveliest vocals from Trish yet!) and Michael (with its incessant beat and repeating of the title name, which reminds me of all the boys named Michael I know!) This is just the most perfect thing to listen to during the Fall. New comers to the band may not find it as great as I do, but loyal fans will find another ace album from this singular band. Expand
  2. meeshaf
    Jan 11, 2006
    9
    Broadcast does a lot with very little. Atmospheric music for the headphone set. Trish Keenan sings like a fallen angel. You won't be able to get it out of the CD player.
  3. LarryP
    May 9, 2006
    9
    74 is way way too low. The album that will grow the most on you all year, my fav is the lovely "goodbye girls."
  4. MarcusB
    Dec 17, 2005
    9
    Easily Their Best Work By A Country Mile! Live It Rocked Hard!
  5. danb.
    Dec 25, 2005
    8
    really good album. if you liked their older stuff, you ought to like this. if you haven't heard them, this is as good as the rest to check out.
  6. Oct 6, 2011
    10
    To blend electronic and organic into a state of balance is a triumph that probably only Broadcast could achieve. In other words, Tender Buttons rocks. Less analogue, more jarring this time â
  7. Jul 25, 2019
    9
    Broadcast's boldest album to date
    (R.i.p. Trish)

    Best tracks: I Found the F, Black Cat, Tender Buttons, Corporeal, Michael A Grammar, Subject to the Ladder, I Found the End

    Worst track: Goodbye Girls
  8. Apr 8, 2020
    10
    There's a sort of eerie sadness to Broadcast's fittingly named third LP Tender Buttons. Maybe this is what happens when we die - we bear witness to a kind of plaintive, bittersweet nostalgia, err on the side of bitter. And yet, tragic though the death of Trish Keenan may be, it somehow doesn't come as any surprise to the listener that they are hearing the voice of a dead woman.

    The
    There's a sort of eerie sadness to Broadcast's fittingly named third LP Tender Buttons. Maybe this is what happens when we die - we bear witness to a kind of plaintive, bittersweet nostalgia, err on the side of bitter. And yet, tragic though the death of Trish Keenan may be, it somehow doesn't come as any surprise to the listener that they are hearing the voice of a dead woman.

    The album isn't so much dream pop as it dream-of-a-long-deceased-loved-one pop; perhaps the sound of being haunted by the ghost of an overdue library book. It certainly fits the distant effect of the genre, but almost goes too far with it, producing an almost dissociative effect. It's surreal almost to the point of unreal, the kind of album for which it almost seems more believable that it just happened to kind of exist as opposed to anyone ever having made it. Each track lures you into a maudlin lullaby, and then the electronics kick in, and that's when the music goes from grim to tear-inducing. Like a warm, affectionate hug from The Headless Horseman.

    And yet, Tender Buttons is hardly a grim album. Funereal and ghostly, maybe, but ultimately more celebratory and warm than morose and spiteful. It wants to love you, to wrap you up in its static-y, translucent arms. And in turn, you end up loving IT, because something about it just stirs some bleary-eyed, pure form of yourself that you weren't aware existed. Reminds you that beneath the sheen of dirt you've acquired over the years, there is some naive, friendly internal specter that refuses to depart into the next life, the kind that beckons you by name through rainy bus-windows, treasured Game Boy cartridges and old scraps of crude, sloppily-written essays from your childhood that defy obsolescence by turning up not infrequently during Spring Cleanings, a version of yourself that could've thrived in world absent of external forces.

    These are the kinds of pensive things you think about when the album reaches its conclusion, gesturing towards what you already had in mind, starting once more, from the beginning, and continuing your solemn, yet somehow hopeful train-of-thought.
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Metascore
76

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 21
  2. Negative: 0 out of 21
  1. Urb
    80
    It's always amazing to see a band eclipse their influences. [Oct 2005, p.77]
  2. Mojo
    80
    Their best by a country mile. [Oct 2005, p.118]
  3. New Musical Express (NME)
    80
    A bit of a winner. [17 Sep 2005, p.58]