The Afterman: Ascension - Coheed and Cambria

Generally favorable reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 9 out of 13
  2. Negative: 0 out of 13
  1. Nov 2, 2012
    It sparkles with invention, creativity, crushing use of dynamics and, when all's said and done, just really strong songs.
  2. Oct 29, 2012
    So far so grandiose. Fortunately, Coheed's music mirrors the scope of the project as a whole here. [ 6 Oct 2012, p.54]
  3. Oct 24, 2012
    If Year of the Black Rainbow left you stagnant, The Afterman: Ascension may just blow you away again.
  4. Oct 24, 2012
    If Year of the Black Rainbow left you stagnant, The Afterman: Ascension may just blow you away again.
  5. Oct 19, 2012
    "Key Entity Extraction: Domino The Destitute" contains everything that makes Ascension a great record: heavy riffage, soaring leads, shouting, undeniable hooks, and no bullshit in between. [Nov 2012, p.91]
  6. Oct 10, 2012
    Concept albums may not be for everyone, and that's understandable, but they usually prove interesting at the very least, and this is no different.
  7. Oct 10, 2012
    In dialing back and containing its ambition rather than letting it bleed all over the place, Sanchez and company have found what might be a surer way forward.
  8. Oct 11, 2012
    Only in spurts does it ascend to the heights of the band's opening three acts, but it does manage to triumphantly assert itself as a leaps and bounds improvement over Coheed's most recent material.
  9. Oct 10, 2012
    The Afterman: Ascension is so ambitious it's actually a bit of a mess, but with so much here that works, this small lapse in focus can easily be forgiven.
  10. Feb 8, 2013
    [The band's] hardcore sound is as tricky to keep up with as ever. [Mar 2013, p.101]
  11. Oct 23, 2012
    The Aftermath is wild and explorative, its appeal lying in the sprawling ideas and yearning vocals. [Nov 2012, p.103]
  12. 60
    While the album isn't full of the kind of revelations that drop jaws and illicit gasps, the emotion here is a much-needed place of solace and solidity in a mythos larger and more involved than Heaven's Fence itself.
  13. Oct 12, 2012
    This album displays the band at an absolute low-point in their career.
User Score

Universal acclaim- based on 31 Ratings

User score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
  1. Oct 12, 2012
    I really have enjoyed this album. It takes me back to the old days of Coheed and Cambria. I've enjoyed their past two albums but are really happy that they're kind of going back to the Keeping Secrets and Good Apollo days. Really looking forward to the second part next year! Full Review »
  2. Nov 20, 2012
    I am a huge Coheed fan, and in my opinion this is definitely their best album to date. Every song is very emotional and powerful. The new bassist brings a very jazzy feeling to the rhythm section. Overall, the album has a feeling of loss and despair. Lots to love here- good job Claudio & Company :) Full Review »
  3. Oct 22, 2012
    A vast improvement following from YotBR. Not quite as good as some of their older albums (Good Apollo VI: Vol 1 still holds it's place as my personal favourite, and IKSoSE:III is also better) but it's definitely a good step back in the right direction. Relatively short - but it's left me eagerly awaiting the second half of the double album! Full Review »