- Critic score
- Publication
- By date
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Entertainment WeeklyHe finally has the sumptuous, sweeping arrangements to go along with his ruminative road stories and stream-of-consciousness, Dylanesque folk. [14 Apr 2006, p.86]
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An album that sounds simultaneously deeply personal and in tune with confusing times.
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MojoDespite having some of Ritter's least introspective lyrics, there are some of his most emotionally affecting songs. [Apr 2006, p.98]
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His voice - think Springsteen without the gruffness, or maybe a meat-eating James Taylor - is more intimate than ever.
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Q MagazineMelodic, understated, yet with much natural warmth too, Ritter's time has surely come. [Apr 2006, p.119]
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While he retains his literate tongue and expressive voice, there is far less humor on Animal Years than on his previous two outings.
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The Animal Years feels effortless.
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The New York TimesThrough previous albums, his love songs and narratives have grown ever more phantasmagorical, and now he's writing oracular meditations. Love and war, faith and music, restlessness and a longing for home pervade his new songs, which might turn pretentious if they weren't so grounded in folky melody. [10 Apr 2006]
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UncutThere's a tendency to drift rather than fully engage, but... "Wolves" and... "Thin Blue Line"... dazzle with poetic imagery and invention. [Apr 2006, p.102]
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Under The RadarThere's something subtly majestic and quitely engaging about the music of Josh Ritter. [#13, p.88]
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Animal Years sounds unsettled: the arrangements are far too bombastic for this record's purposes.
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On the whole, Animal Years seems dashed off. Of course, dashed off by a clever songwriter with a helluva voice makes Animal Years a decent album.
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He establishes grand lyrical arches, overworked symbols, and Deep Meaning. Problem is, he forgets any of the emotion, realism, or originality that would make anyone care.
Awards & Rankings
User score distribution:
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Positive: 35 out of 38
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Mixed: 0 out of 38
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Negative: 3 out of 38
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Feb 2, 2012
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Aug 6, 2011
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PatrickFeb 18, 2007