- Critic score
- Publication
- By date
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The Beekeeper suffers from too much of the glossy stuff that floats on top, and too little foundation on which to keep itself grounded.
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Q MagazineFor every riveting set piece... there are meandering nonentities such as the title track. [Mar 2005, p.98]
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Many of these underwritten, underproduced tunes sound as if Amos could have composed them in the supermarket express lane.
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Floats by without stirring much interest.
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SpinFlat... only a few songs flirt with her previous brilliance. [Apr 2005, p.102]
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Her effort is continuously admirable, but what is frustrating about The Beekeeper is the music itself: it’s almost formulaic, including even the token song that displays a powerful sense of womanhood.
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BlenderIf shards of symbolist vision and baroque virtuosity remain, they're smoothed out on the beekeeping tip, avoiding any sharp stings, leaving barely a spoonful of honey. [Apr 2005, p.112]
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Mainly there's either promising melodies (the "Crucify"-aping "Parasol") ruined by cringe-y lyrics, or decent lyrical ideas executed like a Yoplait commercial. ("This is sooo good." "Pirates good!" Cue bongos.)
Awards & Rankings
User score distribution:
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Positive: 136 out of 163
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Mixed: 17 out of 163
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Negative: 10 out of 163
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Aug 15, 2018This review contains spoilers, click full review link to view.
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Jun 22, 2016
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Feb 17, 2015