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Believe it or not, though, they've got the right stuff.
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Surprisingly, it’s a light and catchy bunch of convincing hip-hop- and R&B-influenced Timberlake-esque club pop.
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While the New Kids are definitely capable of making a great album (seriously...if you’re an R&B or pop fan, go to a used record store or half.com and pick up a copy of 1994’s "Face the Music"--you’ll be very pleasantly surprised), this album is only great in spots.
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There's a lot to like on The Block, even if it doesn't stand a chance of being heard as anything so simple.
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The Block falters when the New Kids try to have it both ways.
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Most of The Block is a reasonable enough approximation of faceless club pop, complete with standard-issue guest stars (the Pussycat Dolls, Timbaland) and out-of-left-field rap bridges.
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The Block bears no distinguishing marks aside from a compulsion for sex, sex, sex with a lover whose name, apparently, is Girl.
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Proficient and predictably salacious.
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Good or bad, everything here sounds like a lesser version of someone else.
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The catchiest tune on The Block is ‘Summertime’, and in dignity terms it’s Cohen-meets-Waits compared to their hyperactive teen-pop of old.
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The problem facing New Kids on the Block on their 2008 reunion The Block is the same one they had on their last album, 1994's "Face the Music": the quintet are no longer kids and don't quite know how to be adults.
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Like "Red Carpet Massacre," The Block is proof that it requires more than the best producers and songwriters to make good pop music
Awards & Rankings
User score distribution:
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Positive: 39 out of 48
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Mixed: 2 out of 48
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Negative: 7 out of 48
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JeffreyB.Nov 29, 2008
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[Anonymous]Jun 12, 2009
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bradbMar 18, 2009Incredible. Give these KIDS a chance.