Brilliant and moody. Interesting way to start your day.

'84 Pontiac Dream reveals a decaying 7-note company sound logo - at 0:28 and again at 1:56. Details like this make the album worth the filler.

I am thoroughly enjoying this album. After repeated listenings, I feel it is just as complex as their previous releases, if not more complex at times. It's lighter, folkier and less sinister than their older work, but I don't feel this is a problem at all. It's a welcome change. See you in hell if you think otherwise.

A good album, but not their best by any means even though they seem to have progressed in some ways, the album is a bit lackluster and sleepy.

A stunning album! I had high expectations for this album and I can honestly say BoC have exceeded them. Crucially, they manage to evolve and incorporate new sounds without losing what makes them so unique. Thoroughly recommended.

I love this album is excellent but every cd of Boards of Canad is Great !!! I like the combination of their sounds, it's a perfect mix of them. Excellent Job.

The problem with this album is that it is all too nice. The tracks begins to merge into one monotonous ineffective sound. On their last album, Geogaddi, there was a contrast betwen beauty and bits of evil and it made it a lot more compelling. Here, you find the last few tracks begin to get a little dull, not necessarily because they are any worse than the first few, just because you've been listening to the same sorta thing for the last hour. The key differences between this album and their earlier works is the use of simple guitar loops. Dayvan Cowboy is also a fairly unique song for BoC reminding me a little of Four Tet at his best. It features drums and is a good upbeat track, perhaps the only real change of pace in the whole album. If anything, the album lacks more songs like this because it starts to sound sleepy as it drifts on. Other than that there is nothing that different to Music Has The Right To Children, other than the fact it is not as good. In some ways I like the idea of a simple album full of pleasant tracks, taking a break every now and then and not being too progressive all the time. However, the monotonous pace and lack of varety in The Campfire Headphase prevent it from being the gorgeous album it could have been. I am still glad I bought it though and am looking forward to their e.p. which will be released at some point this month (I think).… Expand

Sounds like the homing signal of a dying alien. Or the fragments of nostalgia left in the scattered brains of a murdered child. What more do you want?

So, glancing around at several reviews of The Campfire Headphase, my impression is that most people mildly enjoy the new Boards of Canada album but they ultimately find it a bit of a dissapointment. I would have agreed with those statements at first, but I have since listened to it a few more times and discovered that, for me, this is the perfect autumn album. Sure it isn't as dense or complex as their previous work, but you know what? I like it better this way. Melancholy and uplifting at the same time which seems to evoke the strongest emotions from me. Good job BoC. I'll be spreading the word around...… Expand

Much has been written on the third long player of Boards Of Canada. 'Guitars' is the word that is mostly associated with this album, but I think that the focus on organic intruments doesn't touch the weathered down, nostalgic atmosphere of the Boards' music a bit. The cricts demand change, but I conservatively like it that way - their sound is the reason I love the artists in the first place. You got to embrace this album. Make love to it. What at first seem to be bland tunes without any direction will soon open up their insides to you... just give it some time. You can't properly review this without letting it stick in your cd player for a week. This is why this album, which I consider better than their highly acclaimed breakthrough album Music Has The Right To Children. While this dreamy album may not be as varied and deep as the darker Geogaddi, this piece of art will truly grow on you until you won't listen to anything else on a misty nature walk or a sunny road trip. Sure, there are some low points on the album. Texture showoffs like 'Ataronchronon' pass by unnoticed, and with tracks like 'Hey Saturday Sun', the feeling you've heard this before is not far away. These are countered by songs I consider BoC's best: the haunting 'Slow This Bird Down', the playful '84 Pontiac Dream', the uplifting 'Chromakey Dreamcoat', the magistral 'Oscar See Through Red Eye', and the closer 'Farwell Fire', slowly dying down like a real campfire. Get this album and let it soak into your brain.… Expand

For me, the thing missing in this album is the sinister feeling/ambience the previous albums leave when listening to.

A bit lighter than geogaddi. They're getting back to that old MHTRTC sound yet they're pushing things in a new direction too. Only real problem with this album is that it took YEARS to make

Yes, more of the same, only with some acoustic guitar added, which is just a superficial, first listen notice, but it's growing so much on me. It's really pretty great, so much more satisfying to me than the darker, more varied Geogaddi, which i find too disturbing to warrant the kind of repeat listening i'm giving this one. It's so comforting this music. And i think that's the big difference here. The first two had their slightly warped moments that put things on edge, which is great, but this one is a wonderful, feel-good warm-fuzzy out-in-the-country album. And there's really nothing wrong with that at all.… Expand

Still realy good, even if it sounds redundant. Their sound is so solid that I could hear their formula for years and never get tired of it. Still better than most electronica I hear. Perhaps because I was born in 1970 and grew up in North America watching public television as a child too, it brings tears to my eyes.

i have only heard the album 3 times, but i am not disappointed. quite the opposite. i think that this is a very deep and complex work. to say that this album is better or worse than previous works would be a mistake. this is it's own body of work. i love the change from the sinister to a more organic sound. i love this album so far.

I believe it will take some time to realize what a masterpiece has been created here, but Boards of Canada are arguably better than ever. From the hypnotic, warbling guitar of Chromakey Dreamcoat to the Headphase fade-out of Farewell Fire, it is evident that Boards skills that have been honed througout the years have come together to make an superb album. In time peole will realize that this is their best, and much less than MHTRTC and Geogaddi then was first assumed. Amazing record.… Expand

Stunning record! One of the best albums I've ever heard!

Some of the best music i have heard in my entire life...

The most innovative electronic composition out there. Definitely for headphones, over and over. Songs 3-5 are perhaps the best electronica ever put to a CD grrove...

This album simply needs to be listened to more than a few times to get the real effect, much as Music Has The Right To children needed. This is a fantastic album, and a return to form after Geogaddi, which I did not care for nearly as much as MHTRTC.

Well, when I first put on the new 'Boards' cd, I had to eject it out of my player to make sure I didn't accidentally put on a second rate 'Air' album. It hurts me to say this, considering I am a huge 'Boards of Canada' fan, but the record does not continue in the tradition of innovative off beat, but yet on, beat sequencing...and alas, where are those bueatuful sound bites of the much inspired NFB (Nation Film Board) of Canada...the cut up, edited, and broken up sampling. To those of you who by happen chance read and remember my review of the last Broken Social Scene record, you may first consider my comments on the 'Boards' hypocritical, therefore I will clarify and define my concept of 'progression'. It appears that some of the critics who reviewed the 'Broken Social Scene' record thought that it was not as 'progressive' as its predecessor. In the case of the Broken Social Scene' I found their new record to be 'progressive' in the sense that the band continues to take big jumps to explore multiple 'genres', thus taking their sound into new sonic territory. However, the 'Boards of Canada' are also considered progressive, first by generating an original sound that continue to refine and explore with explicit 'progressive' experimentation, while at other times, they are extremelly subtle in their 'progression', content on refining their sound. (either way, it works for me) On this album, the 'Boards' substitute 'progression' all together---there is no exploration...their use of generic, and arguably, overly melodic guitar, has replaced their once layered sounds that were composed of nonlinear, but yet linear, rhythmical patterns. Without the passion that can be heard on their earlier work, this record sees that the 'Boards' are cash grabing their eagerly awaiting fanbase; or, and it is my hope, they are having a creative dry spell and just need time to regroup. Here's me hoping.… Expand

While it might breeze by on a first listen, upon returning there is just an amazing sensation, especially in such tracks as Satellite Anthem Icarus, Slow This Bird Down, and Oscar See Through Red Eyes. Perfect for the end of a busy day, relaxing and beautiful.

brings more of a human touch to their music. this one feels like it has more of a soul than the last few. and i like the wide use of guitar on this one.

Boards of Canada offers a taste of the right-brained world and what lies beyond. (Psychedelic music of epic proportions.)

This is the album I expected when Geogaddi was released. The subtle, intricate details at the edge of perception once again demonstrate why Boards of Canada are the premier act in electronic music. Reviewers who knock this album for not being "different enough" from their past work clearly don't get the point.

While Campfire is missing some of the melody/dissonance friction of Music and especially Geogaddi, I find that I like the evolution of BoC's sound . I didn't want everything they create to sound like Sunshine Recorder or Kid For Today. They still have managed to hit on chord progressions that absolutely give me goosebumps. Mmmmmmmm.

Boards of Canada is unique. This album contains a lot of sounds allready explored in their first two great LPs (the guitars are new), and still sounds wonderfull!

I think that this is BOC's best work thusfar and progresses to a more organic, lighter sound. They incorporated the guitars beautifully. This is the best possible way they could've gone after Geogaddi. Anxious to see where they go next.

Fantastic Album that's really turned me on to the Boards Of Canada - amazing layering and fantastic textures - good stuff!

People are so f***ing stupid.