Metascore
75

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 15 out of 21
  2. Negative: 0 out of 21
  1. Alternative Press
    100
    A snow globe of an album that's sparkling, brilliant and only held back by gravity. [Aug 2004, p.106]
  2. New Musical Express (NME)
    90
    An understated classic: a triumph of delicacy over decibels. [19 Jun 2004, p.56]
  3. Filter
    84
    It's simple, easy listening. [#11, p.98]
  4. Entertainment Weekly
    83
    The staccato horns and guitar drones bathed in Wall of Gloom reverb provide just enough warmth to ward off frostbite. [23 Jul 2004, p.77]
  5. The tracks on The Concretes are easily their most accomplished, fluid statement to date.
  6. Under The Radar
    80
    Completes the near impossible accomplishment of making a mood record without becoming repetitive. [#7]
  7. There are moments when The Concretes ape Mazzy Star a little too closely for comfort on this album, but overplaying a talent for languorous, delicious fuzz pop is hardly the most horrific of crimes.
  8. Uncut
    80
    The best thing to come out of Sweden for a while... apart from porn. [Jul 2004, p.95]
  9. Corralling such a large cast into anything like a coherent vision is no easy task, but it's one that the Concretes manage with some aplomb on a consistently spectacular album. [Amazon UK]
  10. Too good to be merely forgettable or a waste of a decade's worth of building and planning, but too uniform and flawed to stand out as a major achievement or even one of the year's best.
  11. Definitely mysterious, but the songs on this record are obvious when it comes to the Concretes’ influences.
  12. Even if The Concretes is slightly disappointing in some aspects, it also has more than enough charms in its own right.
  13. It starts with impressive gusto but meanders towards the end, drifting into slow, forgettable balladry.
  14. What's perhaps most interesting about the album is that it steers clear of most indie rock tropes.
  15. While the songs have a tendency to run together with an overall sameness, the album as a whole is greater than its individual parts.
  16. Music that’s easier to admire than love.
  17. A decidedly schizophrenic experience, if a frequently beautiful and, at the very least, relentlessly promising one.
  18. Wispy and coquettish... a love-it-or-hate-it proposition.
  19. Q Magazine
    60
    Fine for a happy hour of poppy abstraction, but you may find it tough remembering much of it afterwards. [Jul 2004, p.113]
  20. Rolling Stone
    60
    The overall effect can be saccharine, but the Concretes' big orchestration and sweet fragility are a winning combo. [19 Aug 2004, p.122]
  21. All of this material is spirited, pleasant, and grounded in the context of rock history, but I'm still wondering who it is I'm listening to.
User Score
6.2

Generally favorable reviews- based on 11 Ratings

User score distribution:
  1. Positive: 7 out of 11
  2. Negative: 3 out of 11
  1. DanB.
    Feb 6, 2005
    9
    Love it. Tell me "Lonely As Can Be" is not absolutely amazing. Just tell me. I'll smack you upside the head if you do, tho.
  2. ParisP
    Oct 22, 2004
    9
    Drenched in moodmud, this band is perfect for highrise living and slum city kitchen table painting. Victoria Bergsman's vocals are Drenched in moodmud, this band is perfect for highrise living and slum city kitchen table painting. Victoria Bergsman's vocals are lamentous tones, like lifting open the windows to welcome the grey sunrays of Fall in. Their first album, Boy You Better Run Now, is good music to geek across the living room floor to. Paris Parks Full Review »
  3. MarcusC
    Oct 13, 2004
    10
    Pure bliss. This is the best pop album of the year.