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100Is it essential? Absolutely. With only a guitar or piano, and a voice that is developing into one of the most expressive in rock, Marshall crafts deeply textured explorations of heartache, terror, longing, dismay, and emotions I'm pretty sure I've not found yet.... Rock will see few finer releases this year.
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90Its deft beauty fuses Marshall's powerful fears about the world and herself with her manifest belief in the divinity of song. [#46, p.34]
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90Here, backed only by guitar or piano, she inhabits other singers' material (including Smog's "Red Apples") with a fierce conviction that's often startling.
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The unrelenting bleakness that pervades most of Marshall's music can be oppressive when taken in excess, and The Covers Record's gloom is exacerbated by the fact that its instrumental accompaniment seldom entails more than a piano or guitar... That barren approach can't match the stunning elegance of 1998's Moon Pix... but it is appropriate: The Covers Record is Marshall laid bare, and it needs no embellishments.
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Marshall takes wild liberties with lyrics and melodies, and dissolves indie-rock self-consciousness into fractured, heartrending folk-blues.
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80This extraordinarily gifted vocalist casts an unbreakable spell over each interpretation, turning it into something else entirely, and making one believe that it's impossible for the supposed original to be as significant.
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80The simplicity of it all (only one instrument and vocals) highlights her vocals even more and even when the disc closes out with the more upbeat "Sea Of Love," you'll still feel a bit of melancholy hovering over.
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80[rating only; no review]
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Marshall?s sparest album yet, The Covers Album uses guitar and piano as the only foils for her malleable, emotional voice.
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80The Covers Record is for the daring music fan; Marshall's quiet journey and its rich, emotional rewards are not for the faint of heart.
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80Quite a few steps away from the "typical" girl-with-guitar record, this is the album that reveals Marshall to be quite a unique force.
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80Rarely, though, do artists completely strip original material of all familiarity and reconstruct them in their own sensibility the way that Cat Power has here.
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An uncommonly moving singer whose deliberate delivery extracts volumes of yearning and melancholy from her own material and the work of other writers.
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76Marshall traipses around on just about everybody's hallowed ground here and pulls it off without inducing winces.
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With her distressed, Southern-inflected vocals and guitar/piano accompaniments tolling like perpetual church bells, Cat Power brings these songs successfully into her own, bleak domain.
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70Not only does Marshall make each of the album's dozen songs her own, but she leaves you straining to recognize the original in what she's marvelously reconfigured.
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70Although the album tends to meander at times, with too many similarly arranged tracks clumped together, the individual highlights here are inspired enough to make "The Covers Record" a unique work in its own right.
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The uninitiated will still perceive these songs as music to slit your wrists to, but The Covers Record is actually the first time Chan Marshall lets her hair down for more than one song per album.
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While we await her next album of new material, due next winter, The Covers Record provides a stopgap fix of her unnerving, coldblooded voice and shaky acoustic guitar.
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40Eventually, though, the guitar-and-piano-only, stripped-down dynamics mean that a dull torpor settles over the album.
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GabyDas310
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Ricky10Her voice is entrancing and addictive.
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BenjaminBunny7