The Desert Of Shallow Effects


Generally favorable reviews - based on 6 Critics

Critic score distribution:
  1. Positive: 4 out of 6
  2. Negative: 0 out of 6
  1. Under The Radar
    The Desert Of Shallow Effects is a staggeringly good album that will deserve all of the trite adjectives reviewers will surely throw at it. [Winter 2010, p.63]
  2. Shallow Effects is almost shockingly coherent. Instead of a big, sprawling mess, the arrangements — which incorporate everything from glockenspiel to Mellotron — offer complex but controlled layers of sound that never seem too thick or unwieldy.
  3. The Desert of Shallow Effects is Kurosky’s first solo effort since dissolving Beulah five years ago, and, happily, his singular gift for melody-rich pop hasn’t deserted him.
  4. 70
    Unbound by a verse-chorus-verse format, the songs meander unpredictably, like a milder Of Montreal, with polymorphous sex replaced by God and health problems.
  5. It's a precision attack, and as lofty and lovely as these tunes can sound, even their note-perfect nature seems to hold the listener at arm's length. But the real distance in the record is generated by Kurosky's lyrics, a series of clipped phrases and red herrings loosely compiled in the shape of story-songs, rich in imagistic detail but short in the personals department.
  6. The places where the album feels awkward or overdone do not erase the general sense that Kurosky has returned with a sense of determination. As an album, The Desert of Shallow Effects feels not like a lark, but like a mission.

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