The Fire Theft - The Fire Theft
The Fire Theft Image
Metascore
63

Generally favorable reviews - based on 12 Critics What's this?

User Score
8.8

Universal acclaim- based on 8 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: Former Sunny Day Real Estate members Jeremy Enigk, William Goldsmith and Nate Mendel make their debut as The Fire Theft with this 13-track disc, co-produced by Brad Wood.
Score distribution:
  1. Positive: 4 out of 12
  2. Negative: 0 out of 12
  1. There's no crybaby posing here, no deployment of cliché. Even if SDRE had a hand in the popularization of the emo movement, the Fire Theft's music is much too personal to be anything other than a therapy session, both for Enigk and his musical co-conspirators and friends.
  2. Old fans may dislike their classic-rock ambition and orchestral gloss, but the Fire Theft could be the rare spin-off that equals its progenitor. [10 Oct 2003, p.124]
  3. 70
    A vast, often splendid affair that recalls the lavish expanse of Roger Waters-era Pink Floyd alongside the psychedelic crash of The Who. [Dec 2003, p.122]
  4. Too much of the edge is gone, too much emphasis is placed on guitar solos, and the guitars sound, at times, rather flat and listless.
  5. By trying to apply big rock riffs and 1970s prog structures to Enigk's bare and vulnerable style, the Fire Theft seem to be struggling for a new sound.
  6. Unfortunately, The Fire Theft actually sees the band indulging in ersatz approximations of Yes and Genesis' epic odysseys much more deeply.
  7. Oddly formless and forgettable, The Fire Theft finds Sunny Day Real Estate diminished in more ways than one.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5