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- Summary: The debut full-length release for Ryan Hunn as Illum Sphere features guest appearances from such artists as Shigeto, Shadowbox, and Mai Nestor of Facit.
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- Record Label: Ninja Tune
- Genre(s): Electronic, House, Experimental Ambient, Left-Field House
- More Details and Credits »
Top Track
Embryonic | |
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We're at the end all over again We're at the end all over again, honestly I was complaining I was competent And I talk about losin' sleep And I... | See the rest of the song lyrics |
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Score distribution:
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Positive: 13 out of 14
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Mixed: 1 out of 14
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Negative: 0 out of 14
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The WireMar 28, 2014Hunn achieves an impressive balance between stylistic coherency and jazzy beat maximalism--it's never really as light or as heavy as it first seems--that other producers of his ilk struggle to pull off. [Mar 2014, p.65]
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Feb 18, 2014It’s a supremely impressive and affecting album that is certain to propel him to an even greater echelon.
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Feb 27, 2014Ghosts Of Then And Now is a rich and dynamic listen, threaded with a strong sense of purpose that's wonderfully engaging.
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Feb 10, 2014It’s at its best when it mixes Badu-style soul vocals and booming apocalypse bass ('The Road', 'At Night'), but there’s evidence of a lighter side in the sort of jazzy tribal stompers that Gilles Peterson would approve of (‘Ra_Light’, ‘Near The End’).
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Mar 10, 2014It’s great to see one of my favorite labels furnishing a durable platform for today’s electronic music pioneers, and Illum Sphere is clearly one of them.
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UncutFeb 10, 2014Illum Sphere has been well-placed to see how dubstep fragmented into house, garage, minimalism and avant-garde gestures, and he reflects all of these in his debut LP. [Mar 2014, p.78]
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Feb 10, 2014Unfortunately, dependable lounge ambience this ain’t; as the album progresses, any sense of cohesion or purpose is quickly lost to the sheer density and variety of ideas.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Nov 16, 2014
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Feb 17, 2014
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