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- Summary: Natasha Khan worked with such artists as Beck, Dan Carey, Rob Ellis, David Kosten, TV on the Radio's David Sitek, and Portishead's Adrian Utley for her third studio release.
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- Record Label: Capitol
- Genre(s): Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Alternative Singer/Songwriter
- More Details and Credits »
Top Track
Laura | |
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You say that they've all left you behind Your heart broke when the party died Drape your arms around me and softly say Can we dance upon the tables... | See the rest of the song lyrics |
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Score distribution:
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Positive: 30 out of 36
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Mixed: 6 out of 36
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Negative: 0 out of 36
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Oct 22, 2012The songs are expensive in their depth of emotion but comforting in their intimacy and alluring appeal.
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Oct 23, 2012The Haunted Man may not reveal a drastic stylistic shift, but the subtle difference is a nonetheless compelling documentation of the process of metamorphosis.
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Oct 11, 2012As the title track gradually morphs from delicate ballad to fisherman shanty to blissful climax it's hard not to be awed, even if those casual listeners might not find much to keep them.
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MagnetDec 4, 2012At it's best, the record finds her swapping the heavy-handed concepts that've largely driven her work to date for the irrefutable impact of raw lyricism. [No. 93, p.56]
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Oct 17, 2012For the most part this is a composed, nourishing pop album.
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Oct 24, 2012The Haunted Man is defined by a more refined sensibility, drawing back the playful clatter of her first two albums in favour of sparser arrangements and a slightly elegiac tone.
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Oct 12, 2012ADespite occasionally drawing blood, The Haunted Man doesn't live up to its stripped and dangerous cover, often retreating to gambol about in the backwaters of Khan's imagination.
Score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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Oct 23, 2012
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Oct 17, 2013Amazing. Every song is fantastic. Natasha is uber-talented............................................................................................
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Apr 13, 2013
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Sep 11, 2019A well done album, full of new beautiful sounds, less haunting than it's predecessors, but still BFL in essence.
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Oct 30, 2012
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Dec 11, 2012Tremendously catchy, synthetic grooves, mucky lyrics, and a few other weak spots.
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Nov 18, 2012
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