The High End Of Low - Marilyn Manson
The High End Of Low Image
Metascore
58

Mixed or average reviews - based on 11 Critics What's this?

User Score
7.2

Generally favorable reviews- based on 76 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: Twiggy Ramirez returns to the band on its seventh studio album, produced with Sean Beavan and Chris Vrenna.
Score distribution:
  1. Positive: 4 out of 11
  2. Negative: 1 out of 11
  1. 80
    While it's still easy to dismiss his shock tactics as puerile and insensitive (if you're gonna sing about someone "pretty as a swastika," they'd better be really ugly), he hasn't sounded this vital--and tuneful--since "Mechanical Animals."
  2. Assuming they haven’t all grown up by now, Manson fans will adore every dark, juvenile flourish. For the rest of us, The High End Of Low serves as a cautionary tale of artistic regression.
  3. 'High End' makes a deeper impression as a result of Manson’s reunion with longtime guitarist-bassist Twiggy Ramirez; together with producers Sean Beavan and Chris Vrenna, they sculpted a sound both harder-hitting and more finely detailed than on any previous Marilyn Manson record.
  4. Manson the man at least seems re-energised here....The same cannot always be said for his band; their limp glam metal consistently threatens to undermine the performance. [Jul 2009, p.127]
  5. Musically, the new tunes mostly evoke warmed-over Nine Inch Nails crossed with mediocre '70s metal, and occasionally, the results can be fairly satisfying.
  6. The best moments come in the ballads like the blues-tinged 'Four Rusted Horses.' In such songs Manson is almost endearing, just a big melancholy dude with face paint. It's a less glamourous job title than Anticrist Superstar, but these days it suits him better.
  7. The Marilyn Manson blueprint holds fast, and all the familiar elements are here. The difference is that even Manson sounds unconvinced by his "antichrist superstar" persona; maybe because his target demographic have grown up and moved on.

See all 11 Critic Reviews

Score distribution:
  1. Positive: 27 out of 35
  2. Negative: 5 out of 35
  1. Aug 6, 2013
    10
    Excelente! Um Album Romântico De MM Mas Claro Que Não Falta Rock E Metal.
    Top The High End Of Low
    1-We're From America
    2-Leave A Scar

    3-Unkillable Monster
    4-Blank And White
    5-Devour
    Expand
  2. Sep 22, 2010
    7
    Since I (mostly) enjoyed Manson's 2007 album Eat Me, Drink Me I bought The High End of Low on a whim without sampling it beforehand and was not disappointed. While still no where near as good lyrically as Antichrist Superstar The album is mostly enjoyable for the entirety of it's fifteen tracks. Starting off with Devour a track the starts soft and acoustic before building to up to aggressive gold. From there on the listener is treated to richly layered guitars and even the use of strings (a first for a Manson album). Halfway through your hit with an great acoustic number called Running To The Edge Of The World before continuing on. There are a few tracks that are obviously weaker, namely WOW and We're From America. But after listening to the albums high points like like Four Rusted Horses, Wight Spider, and Leave A Scar they're easier to forgive.

    For those that purchase the deluxe edition your treated to a bonus disc that features acoustic versions of several of the albums better tracks, all of which work exceptionally well. I would imagine that an unplugged tour, while unpopular with most of his fan base, would actually warrant a live cd worth buying.

    If you used to be a Manson fan but haven't picked up an album since Holy Wood you might want to give this one a try. While different from his earlier releases he seems to have found a new musical direction that actually works for him. The High End of Low is an enjoyable album that has rekindled my interest in Marilyn Manson as an artist and just may do the same for you.
    Expand

See all 35 User Reviews