- Record Label: XL Recordings / Beggars Banquet
- Release Date: Oct 3, 2000
- Critic score
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Despite all attempts to sabotage his songwriting and production with innumerable experimental tidbits, songs within a song, and (seemingly) tossed-off arrangements, Damon Gough has to face the fact that He wrote and produced over a dozen excellent songs of baroque folk-pop for his album debut, and the many gems can't help but shine through all the self-indulgence.
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The loose, scatterbrain album operates much like the early solo endeavors of Paul McCartney, with 80% developed gems flowing effortlessly from the damp, rustic English countryside.... Piano, strings, harps, and wurlitzer attach insect wings to the lovely songs. They'll swarm and pester your head for days.
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The results are engaging without quite reaching flashover.
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Quirky, spunky and really quite beautiful, this is British pop at its finest.
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Yet in his desire to create a self-consciously classic album, BDB has erred on the side of generosity. At 63 minutes, 'The Hour Of Bewilderbeast' is true to its title: there's simply too much to sustain one's unswerving attention.
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Sounds like Elliott Smith's English cousin, or Nick Drake's almost-upbeat nephew.... sweet, gently burning songs.
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At about an hour, Bewilderbeast is uneven, but at its best it exudes a sense of mystery, ingenuity, and wonder that portends even better material to come.
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A slippery and surprising little record -- an oblique song cycle tracing a relationship from balmy beginning to corrosive end.
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Alternative PressMusically, he's a little more conventional than one would hope. [12/2000, p.90]
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A wonderfully offbeat blend of atmospheric folk and lo-fi rock that never fails to charm.... One of the year's most well-rounded and consistently satisfying albums.
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It doesn't disappoint, if beatific, rhythm-infested melodies, resplendent in wondrous brass, stark string accompaniment and obscure found sounds are your bag.
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It putters here and there across 18 ditties and doodles gracefully arranged, but played with two left feet and recorded to match.... This English Elliott Smith's got a plainspeak voice that compels with repeated listenings, and the subtle tunes are likewise sneaky, enlivened by all sorts of quirky bits...
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Although a couple tracks towards the end don't work quite as well, it doesn't detract from the album as a whole very much.
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These songs are sonically interesting and pretty as Mom on Easter, but they don't really ring true...
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SelectA work of warm-hearted ambition, embracing ragtime, disco beats, melodic Johnny Marr-isms... and echoes of Bacharach.... A classic debut LP with a lifetime's worth of triumphs and tragedies packed into it. [July 2000, p.112]
Awards & Rankings
User score distribution:
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Positive: 20 out of 21
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Mixed: 1 out of 21
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Negative: 0 out of 21
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Oct 26, 2011
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Aug 15, 2011
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CHRISFeb 25, 2005nifty.