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90Even though one can hear echoes of everything from "The Threepenny Opera" to Bitches Brew here, the funk is in her DNA.
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83Musically, the album bounces from a full-on urban polka ("Oblivion") to tracks with plenty of Apollo Showtime-style organs, horns and disco and funk elements that keep the wacky tales from sounding wack.
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80A conceptual bacchanal of sweat-drenched lust. [Oct/Nov 2001, p.104]
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Gray's pipes aren't for everyone, but if you can't stomach them, I feel for you. You're missing some of the best soul on the planet.
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80The Id, like On How Life Is before it, never seems too polished because Gray adamantly pursues her complicated pleasures, belying her image as a stoned soul picnic... [Oct 2001, p.123]
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75A platter of hot-buttered R&B popcorn, liberally sprinkled with salty social critique, "The Id" finds Gray getting disco-freaky while instigating her "Sexual Revolution," and playfully rapping about her kids with Slick Rick on the funky burner "Hey Young World II."
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The tracks are brassy and effusive, swelling with horns, organs, and tasteful orchestration. At their best, they deflect attention from Gray's often irksome voice, which veers toward novelty more than a soul singer's should.
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70The music itself doesn't quite have the simple accessibility and easy soul of her debut, but it's loads of fun and bursting with ideas.
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70With this eclectic, eccentric approach comes a lack of cohesion and quality control.
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Amazingly, the disc still feels cohesive in spite of its unpredictability, aided by can't-miss crowd-pleasers like the irrepressible disco-pop blowout "Sexual Revolution."
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Macy Gray lets her freak flag fly, almost to the detriment of everything else.
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60It is only when she tries something a little different that Macy comes unstuck.
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The Id suffers from the conundrum of all post-breakout second albums. You're disappointed either because the songs are not enough like the first one or because they're too much like the first but not quite as good.
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But while Gray's voice is still beguiling and unique, The Id is basically Brit-award winning, corporate soul with little identity, too cosy and calculated to have any genuine depth.
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50The Id simply turns up the levels on what made her debut so big, in the process overshadowing the background detail that made that album so special. [Oct 2001, p.128]
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User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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toma10
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JoseAntonioA8Clear & deep songs of life looking for a soul.