• Record Label: Elektra
  • Release Date: Sep 24, 2002
User Score
8.6

Universal acclaim- based on 7 Ratings

User score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7

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  1. jamesl
    Oct 6, 2002
    9
    a pop gem
  2. BenC
    Oct 5, 2002
    9
    I am an old fan of the 97's, and of course was kind of bummed to see Rhett go solo for this album, but I bought it and I think it's great! Too Far to Care is my fav 97's CD, and while some of his songs on this album may seem kind of soft and poppy, if you imagine them with more aggressive instrumentation you know that Rhett Miller's songwriting has essentially remained I am an old fan of the 97's, and of course was kind of bummed to see Rhett go solo for this album, but I bought it and I think it's great! Too Far to Care is my fav 97's CD, and while some of his songs on this album may seem kind of soft and poppy, if you imagine them with more aggressive instrumentation you know that Rhett Miller's songwriting has essentially remained the same. I give it a 9 because I don't want to seem like a fanboy. Rhett Miller is a great artist, and I hope he hits it big. Collapse
  3. S.E.Johnson
    Oct 3, 2002
    5
    If you love the song "Oppenheimer" from the Old 97's Fight Songs album, then you will love the new Rhett Miller. It is poppy and happy, even when trying to be sad. It rings a little empty without the rockin backing guitars and vocals from the rest of the guys in Old 97's. Overall, I found it to be boring and repetetive.
Metascore
70

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 14
  2. Negative: 1 out of 14
  1. 80
    Miller explores his usual subjects -- getting out of places and into relationships -- with more unusual touches.
  2. Magnet
    30
    Shallow and superficial. [#56, p.101]
  3. Miller offers more than enough quality material here to justify stepping out on his own: what he's occasionally lacking in energy, he largely makes up for with craft.... That said, it's unlikely to instigate much beyond some afternoon head-nodding, and even some of Miller's fans will be somewhat put off by the album's borderline MOR sound.