• Record Label: XL
  • Release Date: Mar 29, 2011
User Score
7.9

Generally favorable reviews- based on 795 Ratings

User score distribution:
  1. Negative: 45 out of 795

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  1. Apr 17, 2012
    8
    I was originally very disappointed with this but the more I listen to this the more I hear. The TKOL live from the basement recording gave me a different perspective on this record and definitely helped me enjoy it more and has just helped it scrape an 8 instead of a 7. In general, this album suffers a little from the fact that its creators are one of the great bands of theI was originally very disappointed with this but the more I listen to this the more I hear. The TKOL live from the basement recording gave me a different perspective on this record and definitely helped me enjoy it more and has just helped it scrape an 8 instead of a 7. In general, this album suffers a little from the fact that its creators are one of the great bands of the last 20 years and therefore expectations are always high. I still think 8 tracks was too short - but if your going for 8 tracks each one has to be very strong. Here we're looking at 5 top quality tracks, 2 good and 1 filler track (Feral, like Hunting Bears on Amnesiac - wouldn't touch anything else the band have done). In my opinion of course. It would have been nice if we could have got another 2 or 3 tracks, especially as the band have released a handful of other tracks on line since the albums release. The inclusion of those tracks would have made all the difference Expand
  2. Jun 1, 2011
    7
    The King Of Limbs was a bit disappointing the first listen. But I gradually picked up on it a few listens later. I'm not saying this album is a masterpiece like most other Radiohead albums, because it Isn't, but it is nevertheless a good album. It has a few really great tracks and a few not so great. The opener "Bloom" is a not so great song but songs like "Lotus Flower" is a RadioheadThe King Of Limbs was a bit disappointing the first listen. But I gradually picked up on it a few listens later. I'm not saying this album is a masterpiece like most other Radiohead albums, because it Isn't, but it is nevertheless a good album. It has a few really great tracks and a few not so great. The opener "Bloom" is a not so great song but songs like "Lotus Flower" is a Radiohead masterpiece. It's an album you'll either love it or hate it. I personally think Radiohead could've done so much better. It's still a good album though. B Expand
  3. j30
    Jul 20, 2011
    8
    It's a good album from a great band. Probably a disappointment for fans expecting something to branch off In Rainbows. That's just how Radiohead is, they keep you on your toes. You don't know what quite to expect from them. The album will isolate fans like Kid A did (this album is not nearly as good as Kid A). I do recommend giving The Butcher and Staircase a listen, both b-sides from theIt's a good album from a great band. Probably a disappointment for fans expecting something to branch off In Rainbows. That's just how Radiohead is, they keep you on your toes. You don't know what quite to expect from them. The album will isolate fans like Kid A did (this album is not nearly as good as Kid A). I do recommend giving The Butcher and Staircase a listen, both b-sides from the album. It's unfortunate because these tracks didn't make the cut. They could have added some needed depth to the album. Also check out the King of Limbs From the Basement sessions online. It gives you an idea of how these tracks will translate live and it actually made me like the whole album better. Expand
  4. May 10, 2016
    7
    At this point Radiohead's sound gets quite a bit redundant as they again mix odd beats, guitars and jam-session lyrics. "The King of Limbs" sounds like a paranoid soundtrack that leaves something to be desired. Die-Hard fans will love it. Download: Lotus Flower, Bloom, Little By Little.
  5. Mar 8, 2015
    7
    This is certainly not my favorite Radiohead album, but I really do appreciate what they're doing here nonetheless. The music is a lot more subtle and less immediate than on their other albums, but it's still interesting and different. Not quite as memorable as some of their other stuff though.
  6. Feb 12, 2017
    7
    The King of Limbs is a bizarre, spacy album full of drum beats. Just drum beats. A lot of the time there's just nothing but drum beats... and Thom Yorke. The problem with that is you have to get a good beat behind the song if that's your main idea behind the whole album, and, well it doesn't really work here a lot of the time. There's also good bass in many songs. I think that the songThe King of Limbs is a bizarre, spacy album full of drum beats. Just drum beats. A lot of the time there's just nothing but drum beats... and Thom Yorke. The problem with that is you have to get a good beat behind the song if that's your main idea behind the whole album, and, well it doesn't really work here a lot of the time. There's also good bass in many songs. I think that the song Lotus Flower is basically what the whole of this album should've been, in that it had more weird sounds everywhere, and had more of a point. That song alone makes this album a strong 7 instead of a strong 6. Expand
  7. Feb 19, 2011
    10
    Surprisingly accessible upon first listen, The King of Limbs is another masterpiece from English band Radiohead. The last two tracks close out the album beautifully.
  8. Apr 29, 2013
    7
    I'll be honest, I liked The King Of Limbs. It's Radiohead's shortest album to date, and is the least accessible. While The King Of Limbs doesn't tune up at all to "In Rainbows" or "Kid A", it's a great record for dedicated fans. The King Of Limbs is more experimental, and more electronic than it's predecessor. While it doesn't live up to all of it's expectations, The King Of Limbs is stillI'll be honest, I liked The King Of Limbs. It's Radiohead's shortest album to date, and is the least accessible. While The King Of Limbs doesn't tune up at all to "In Rainbows" or "Kid A", it's a great record for dedicated fans. The King Of Limbs is more experimental, and more electronic than it's predecessor. While it doesn't live up to all of it's expectations, The King Of Limbs is still deep, beautiful, and sometimes catchy. Radiohead's new direction in their sound isn't mediocre, but isn't very applicable to newer listeners. Expand
  9. Sep 29, 2013
    8
    Whilst I can appreciate the direction Radiohead wanted to take with rhythm-led samples and electronics. The first 4 tracks suffer a little from being just a little too quick, not allowing the listener much chance to really settle into the arrangements. Phil Selway's drums and the electronic beats seem a bit too busy. From Lotus Flower onwards at track 5 the pace slows down and the songsWhilst I can appreciate the direction Radiohead wanted to take with rhythm-led samples and electronics. The first 4 tracks suffer a little from being just a little too quick, not allowing the listener much chance to really settle into the arrangements. Phil Selway's drums and the electronic beats seem a bit too busy. From Lotus Flower onwards at track 5 the pace slows down and the songs become more minimalistic, and I enjoyed it more, with more straight melodies. It does improve with multiple listens but it feels, to me, like a disappointment even to this day. Expand
  10. Feb 19, 2011
    10
    Radiohead's 8th album leaves me very satisfied. I'm glad they're trading in conventional guitar hooks, breaking off and making nebulous, groove-laden, eerie music. When I first heard the album, I liked it a lot, and thought "it sounds so cohesive as to be one long song". But I knew the songs would differentiate themselves in time, and after a few listens, the personality of each songRadiohead's 8th album leaves me very satisfied. I'm glad they're trading in conventional guitar hooks, breaking off and making nebulous, groove-laden, eerie music. When I first heard the album, I liked it a lot, and thought "it sounds so cohesive as to be one long song". But I knew the songs would differentiate themselves in time, and after a few listens, the personality of each song revealed itself. This album makes In Rainbows sound like a collection of songs, and a very good collection at that. But this is an artistic statement in the sense that it flows perfectly from beginning to end. Awesome. Expand
  11. Jun 2, 2011
    8
    Of all the Radiohead albums, King of Limbs feels the least Radiohead-like since Pablo Honey, but it's still a great list of tracks. Bloom - Radiohead also knows how to start and end an album. Bloom definitely lives up to an expectation you may have. Lovely vocals, of course. 8/10.
    Morning Mr. Magpie - It took me two listens, but definitely a fulfilling track once you get the hang of it. An
    Of all the Radiohead albums, King of Limbs feels the least Radiohead-like since Pablo Honey, but it's still a great list of tracks. Bloom - Radiohead also knows how to start and end an album. Bloom definitely lives up to an expectation you may have. Lovely vocals, of course. 8/10.
    Morning Mr. Magpie - It took me two listens, but definitely a fulfilling track once you get the hang of it. An incredible revamped version of the b-side "Morning Me Lord." 8/10
    Little By Little - Nice to listen to every once in a while, but there's something about Yorke's falsetto singing "Little by Little," that both intrigues me and annoys me. 7/10
    Feral - Amazing mix. Very dark-gray sounding. Love it! It sort of feels like Yorke's supplemented intermission form his vocals in the record. 8/10
    Lotus Flower - The single, and definitely one of the highlights of the record. An amazing structure. 10/10.
    Codex - The slowest song on the album, but it's an instant classic. Very dark, dramatic. I always visualize a man standing on top of the grand canyon at sun set jumping into a clear-blue lake (very much like the lyrics describing of course). 9/10
    Give Up the Ghost - I became so used to the live recording of this song, that it took me a few listens to understand what Thom Yorke was really trying to do on stage. I honestly prefer the live version, but this track lives up to it. 9/10
    Separator - Like Lotus Flower, an extremely addictive song to listen to. Radiohead always knows how to end an album, and this track feels like an open-ended interpretation of the conclusion. Amazing! "If you think this over, then you're wrong," rung in my head for weeks after listening to this the first few times. 10/10.
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  12. Jun 30, 2011
    9
    The top gets an 8 and the bottom a 10.

    Sorry for the high score, Radiohead.

    Sorry because I'm pretty sure the band is elated. They know they released an excellent record, meanwhile confounding many of their listeners. Thom et al. now get some respite from the artistically dangerous ass-kissing and groveling.

    Thus, sorry. Your latest rocks, Radiohead.
  13. May 6, 2016
    7
    It's an odd duck of a record. Some of my favorite Radiohead tunes of all time are on this album--but 3 of my least favorites on there too, and they come right in the middle of the album. It feels very disjointed to me--even to this day.
  14. May 25, 2011
    7
    It seems empty at first, but everything's there, Radiohead just makes you find it. Admittedly, I did miss Johnny on this record.
  15. May 16, 2015
    7
    Certainly not the best album they released. It still manages to entertain enough to not classify it as a "bad album", something that Radiohead has never done, but lacks some details that make it a masterpiece.. and not even comparable to even In Rainbows, its predecessor. It feels like there isn't a distinct type of sound that distinguish and characterizes the songs in this new record andCertainly not the best album they released. It still manages to entertain enough to not classify it as a "bad album", something that Radiohead has never done, but lacks some details that make it a masterpiece.. and not even comparable to even In Rainbows, its predecessor. It feels like there isn't a distinct type of sound that distinguish and characterizes the songs in this new record and aside from some tracks (Lotus Flower, Morning Mr.Magpie, Codex) there aren't many memorable tunes that make it stand out. Honestly, despite being still a more than acceptable LP, it's the worst they've put out since their debut Pablo Honey. Expand
  16. Jun 22, 2011
    10
    After almost two decades of music from this band, I am embarrassed to say I have missed most of it. However, when I first heard 'Lotus Flower,' it instantly attracted me. It is fitting, then, that this track is the focal point of this album. I have to say that I am a bit stunned by the Radiohead 'fans' who have posted negative reactions to this album; I am not sure what they areAfter almost two decades of music from this band, I am embarrassed to say I have missed most of it. However, when I first heard 'Lotus Flower,' it instantly attracted me. It is fitting, then, that this track is the focal point of this album. I have to say that I am a bit stunned by the Radiohead 'fans' who have posted negative reactions to this album; I am not sure what they are expecting. People change and hopefully evolve, and we should expect no less from artists. This entire album is a stunning and complex beauty, clearly made from a place of confidence and maturity. I now find myself delving into the Radiohead catalogue. I haven't felt this way about music in some time; it just doesn't get much better than this. Expand
  17. May 2, 2011
    9
    A quirky album, to be sure, more in the vein of "Amnesiac" than "In Rainbows". This isn't "Eraser 2" as many has tried to compare it to: it has much more warmth and you can hear the group dynamic that was almost completely missing from Yorke's solo effort. I was a bit disappointed with the album's brief length, but there still a lot of good music here, particularly "Lotus Flower" "Codex"A quirky album, to be sure, more in the vein of "Amnesiac" than "In Rainbows". This isn't "Eraser 2" as many has tried to compare it to: it has much more warmth and you can hear the group dynamic that was almost completely missing from Yorke's solo effort. I was a bit disappointed with the album's brief length, but there still a lot of good music here, particularly "Lotus Flower" "Codex" and "Give Up The Ghost" for me. Those looking for another album like In Rainbows will certainly be disappointed, as we see a return to the more distant and electronic sound of "Hail To The Thief" here. Expand
  18. Sep 8, 2012
    9
    An exceptional album, The King of Limbs strives to keep up with the changing times, allowing technology to lead Radiohead away from the safe sound which they have established over the years. This bold move allowed the creation of a fantastic album, whilst still retaining some original sound.
  19. Aug 12, 2018
    10
    To me, this is Radiohead's masterpiece. It took me a couple of listens to really understand the depth and complexity of this collection. The King of Limbs is a cycle, from the chaos of birth ("Bloom") to death ("Codex") to rebirth ("Separator"). This may not be the most accessible Radiohead album, but it's the most thematically complex and succinct. The King of Limbs has an intimation ofTo me, this is Radiohead's masterpiece. It took me a couple of listens to really understand the depth and complexity of this collection. The King of Limbs is a cycle, from the chaos of birth ("Bloom") to death ("Codex") to rebirth ("Separator"). This may not be the most accessible Radiohead album, but it's the most thematically complex and succinct. The King of Limbs has an intimation of enlightenment; it's not made to entertain, but to communicate. Brilliant. Expand
  20. Jul 24, 2014
    10
    The best electronica album ever!!! 10/10, and I wish I could give it 11 to make up for the lukewarm reviews it's got. The sounds and melodies are rivaled only by that of Kid A, and where Kid A failed this one succeeds. One of my top 4 Radiohead albums. Here's my track by track (Note: My scores are in context to the album- a 4 on here might be a 5 on a different LP- so my 10/10 isThe best electronica album ever!!! 10/10, and I wish I could give it 11 to make up for the lukewarm reviews it's got. The sounds and melodies are rivaled only by that of Kid A, and where Kid A failed this one succeeds. One of my top 4 Radiohead albums. Here's my track by track (Note: My scores are in context to the album- a 4 on here might be a 5 on a different LP- so my 10/10 is justified).
    Bloom 4.5/5
    A great opener! Like Enya meets Aphex Twin. It really captures the organic vs. electronic mood of the album, and makes you wonder why anybody would dismiss this as "lifeless ear candy".
    Morning Mr. Magpie 3.5/5
    It's a little less sonically interesting than Bloom, and meanders a little, but it's a great transitional track with a great melody line. The foreign undertones of this album are quite visible here.
    Little by Little 4/5
    A catchy/sinister return to the customs of previous Radiohead, though not the highlight of the album for me. I love the winding melody line of the chorus, and it proves that their songwriting is still up to snuff.
    Feral 4/5
    Sure it's an instrumental, but it's a darn good instrumental, and it sure doesn't feel like filler. Like chill complex dubstep. It's probably my favorite Radiohead instrumental to date.
    Lotus Flower 5/5
    A great side opener this sparkles with sexy poetry, catchy melodies and a killer beat. One of my top 20 Radiohead songs it's got you dancing just like Feral. You won't be dancing long.
    Codex 5/5
    The fun ends here. A bleak ballad in the spirit of "Videotape", it shows just how varied The King of Limbs really is. It slowly builds and in the end you're wondering "Why is Thom Yorke so sad?"
    Give up the Ghost 4.5/5
    The first acoustic instrument on the album, this is opened with a chugging acoustic guitar melody. It sounds like a campfire tune, and after the wasteland of Codex it's refreshing while quite haunting.
    Separator 4/5
    While at first it seems like a simplistic jumble of un-focused melodies, it soon evolves (in the fashion of Ideoteque) into a round-like chant. It reminds you of Bloom, and represents something of a cycle.
    Supercollider/The Butcher 5/5
    Yes, I'm counting them as one song. Yes I'm counting them at all. Because truthfully they feel like the finish, and they make i 10 songs. I like the album as it is, I just wanted to rate them.
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  21. Jan 23, 2017
    9
    Quite the surprise of an album and typical of Radiohead to not have much of a lead up to the announcement and drop it on their website, this did not disappoint. I seriously don't think this I could rate a Radiohead album less than 8 and I sure hope they never change.
  22. Feb 19, 2011
    10
    Since user " football !=! " has already said it all I'll just make this short. This is a perfect album coming from a perfect band (in my opinion). I think that Radiohead outdone themselves and the album confirms it. All the songs are brilliantly peaced together, containing brilliant lyrics , and the album itself is just one of the best albums you'll hear in this year (ISince user " football !=! " has already said it all I'll just make this short. This is a perfect album coming from a perfect band (in my opinion). I think that Radiohead outdone themselves and the album confirms it. All the songs are brilliantly peaced together, containing brilliant lyrics , and the album itself is just one of the best albums you'll hear in this year (I hope). To finish this rather short review I say this: "Listen to this album and if you don't like what you're hearing,.... you my son are either deaf, or you've gone completely insane (in a bad way). ;) Expand
  23. Feb 23, 2011
    8
    Probably the bands most elusive record to date. I was not disappointed and find myself strangely drawn to it. I've listened to it more times in the first few days then any other Radiohead album. I found it most similar to Amnesiac, but it really is quite different than anything else they've released. To me the vocals were most interesting and immediately stood out, and Thom dominatesProbably the bands most elusive record to date. I was not disappointed and find myself strangely drawn to it. I've listened to it more times in the first few days then any other Radiohead album. I found it most similar to Amnesiac, but it really is quite different than anything else they've released. To me the vocals were most interesting and immediately stood out, and Thom dominates on many of the tracks. I can see why people are comparing it to his solo work in that sense, but this album is much better than Eraser.

    The music and vocals are densely layered and the album feels more like a single soundscape rather than a collection of songs. It meanders along, draws you in slowly, and keeps you coming back for more. There is really a lot here to digest and some songs sounded completely different to me after repeated listens. On that note, it's difficult to pick standout tracks. I think I like Morning Mr. Magpie and Give Up the Ghost best, but that could easily change in the next few days.
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  24. Feb 18, 2011
    9
    Basic Short sentence summary: 3rd best album behind ok computer and the bends. Best album to wander to around a city park, forest, in seclusion, mind, etc. It feels nearly a shame not to give this album a perfect score. The only nagging point being a strange almost lack of structure of the first half of the album. But to everyone out there who has seen a mixed or negative review of thisBasic Short sentence summary: 3rd best album behind ok computer and the bends. Best album to wander to around a city park, forest, in seclusion, mind, etc. It feels nearly a shame not to give this album a perfect score. The only nagging point being a strange almost lack of structure of the first half of the album. But to everyone out there who has seen a mixed or negative review of this album is incorrect. Every song is both a look back at one of the past 4 albums (and Thom Yorke's solo work to include) and at the same time a whole new original piece of Art from the greatest band of all time. Yorke, O'Brien, Selway, and the greenwood's release a great use of all their talents and skills to combine into the shortest, but maybe the best "modern" (Post Ok computer work) Album.
    I believe the best songs would have to be the 2nd half of the Album. Especially Lotus F Lower and Give up the ghost, I cant decide your opinion for you, but its worth listening to the whole thing over and over and over until your heart stops beating. But by then, These geniuses would have released in a lifetime more of masterpieces.
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  25. Feb 20, 2011
    10
    it's not love @ first sight for sho', but that's aight, i'm not gay anyway... And so isnt that LP.
    Long live the king, parse all of those that stayed 17 years ago, climbing up the walls; well, i guess it takes some time to...
  26. Mar 23, 2011
    10
    This is one of Radiohead's most masterfully realized albums. Along with Kid A, OK Computer, and In Rainbows - The King of Limbs creates a beautiful cohesive world to get lost in over and over again. In terms of both song craft and production, the album sizzles and awards the careful listener greatly. Highly recommended.
  27. Feb 20, 2011
    10
    Clearly, Radiohead did not try to make their most accessible album. However, this album is absolutely brilliant! Every song is so well orchestrated and seems as it has been pulled apart and put back together again. Throughout the album, I felt the first four tracks ask, "Radiohead, where have you been? Oh! Well, this is terrifying." Then as the album continues into the last half I feel theClearly, Radiohead did not try to make their most accessible album. However, this album is absolutely brilliant! Every song is so well orchestrated and seems as it has been pulled apart and put back together again. Throughout the album, I felt the first four tracks ask, "Radiohead, where have you been? Oh! Well, this is terrifying." Then as the album continues into the last half I feel the songs say, "It'll be okay. Wake up." I think this is one of those albums where you'll love it or hate it. If ya hate it... hey! give it a second chance. Expand
  28. Feb 21, 2011
    10
    King Of Limbs is definitely a grower, that much is for sure, but if you let TKOL grow on you, you will find Radioheads most detailed and complex album yet. TKOL begins with bloom, the bands best opener since well, ever in my opinion. morning mr magpie is tough to get ahold of but when you do it becomes a captivating listen. Little by little is the closest thing to a rock song and i use theKing Of Limbs is definitely a grower, that much is for sure, but if you let TKOL grow on you, you will find Radioheads most detailed and complex album yet. TKOL begins with bloom, the bands best opener since well, ever in my opinion. morning mr magpie is tough to get ahold of but when you do it becomes a captivating listen. Little by little is the closest thing to a rock song and i use the term loosely. Little by little is a great song that demands you to move your body. It is followed by their best all electronic song since idioteque, in feral. Feral clicks and whirrs and the vocal effects are completely haunting. Lotus flower, the first single is one of the bands best songs in recent memory, but Codex is the best. Codex is strikingly gorgeous and surpassed my expectations completely. Give up the ghost and separator close out the album beautifully, giving us another perfect 10 radiohead album. its not for everyone, but if you appreciate Radioheads new direction it is in a class of its own Expand
  29. May 5, 2012
    10
    The best album from Radiohead. Simply AMAZING. It gives you such amazing feelings. The album art is the perfect compliment to the music, which is eerie, driving, colorful, diverse, intense, and powerful all at the time. I can't get enough of this. I love it. Believe it or not, this is the album that got me into Radiohead! I love it dearly. A true gift from the best band there has ever beenThe best album from Radiohead. Simply AMAZING. It gives you such amazing feelings. The album art is the perfect compliment to the music, which is eerie, driving, colorful, diverse, intense, and powerful all at the time. I can't get enough of this. I love it. Believe it or not, this is the album that got me into Radiohead! I love it dearly. A true gift from the best band there has ever been on earth. Expand
  30. Feb 19, 2011
    9
    I listened to it once. I wasn't convinced.
    I listened to it twice and I got to track 2 "Morning. Mr Magpie" and I played it about 5 times over before I could even change the song and after listening to it over and over, it became clear.
    Radiohead aren't there to please people they're there to challenge you musically, to test you and this is where there genius is: Every time it's amazing,
    I listened to it once. I wasn't convinced.
    I listened to it twice and I got to track 2 "Morning. Mr Magpie" and I played it about 5 times over before I could even change the song and after listening to it over and over, it became clear.
    Radiohead aren't there to please people they're there to challenge you musically, to test you
    and this is where there genius is: Every time it's amazing, after OK Computer they bought out KID A and it challenged people, but now its ranked next to OK Computer in greatness.
    The King Of Limbs challenged me, but, in the end it won.

    BRILLIANT ALBUM 9/10
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  31. Feb 26, 2011
    8
    So it is not as good as In Rainbows. This much is true. However, it is one really good Radiohead album once again. The second half of the album is brilliant. My favorite and standout is "Codex" where a simple piano distortion and Yorke's vocals hit a desolate melancholy. "No one gets hurt/No one around" Great stuff. The album is short,yet it is an album that you can throw on withoutSo it is not as good as In Rainbows. This much is true. However, it is one really good Radiohead album once again. The second half of the album is brilliant. My favorite and standout is "Codex" where a simple piano distortion and Yorke's vocals hit a desolate melancholy. "No one gets hurt/No one around" Great stuff. The album is short,yet it is an album that you can throw on without investing too much (at like 38 min) No earth shattering stuff here but a very solid effort. If you got 8 really good songs why not just cut the crap and make that an album? Expand
  32. Feb 18, 2011
    10
    Radiohead, under the gun of expectation, have not disappointed with their eighth studio album "The King of Limbs." The title itself is provocative of something large, and even the album cover hints as well. The King of Limbs is very drum heavy, which is somewhat of a step away from their usual routine, but still manages to resonate the true Radiohead frequencies. One thing that sticks outRadiohead, under the gun of expectation, have not disappointed with their eighth studio album "The King of Limbs." The title itself is provocative of something large, and even the album cover hints as well. The King of Limbs is very drum heavy, which is somewhat of a step away from their usual routine, but still manages to resonate the true Radiohead frequencies. One thing that sticks out is the evident direction with which Radiohead seems to be tending. This album leans toward a modern classical direction. This may be due to leader Thom Yorke's infatuation with dubstep and certain electronic music. On the other hand, the band still keeps its grounding, with Johnny Greenwood's haunting keyboards, and Colin's bass driving the beats of Phil Selway's lathered drum section. The King of Limbs is very beat heavy, with Thom using his voice to complement the aura surrounding the left and right that make up the production of Nigel Godrich. There is a different Radiohead in every one of the eight songs on The King of Limbs, with the majority of the tunes relating back to the second set of songs on In Rainbows. Lotus Flower, which has a brilliant video concurrently released today, is the awe-inspiring track to The King of Limbs. It contains hints of dubstep, but also plays fairly close to Idioteque. Thom Yorke's vocals on this album as a whole reach high and low, as expected from Radiohead nearly twenty years now. One prolific aspect of this album is the ability Yorke encompasses during his "sliding" of vocals. Yorke, now in his forties, still has the power he had back in 2000's Kid A, and continues to create new avenues to hone and elaborate his use of vocals. Radiohead never ceases to disappoint, and certainly do not do so here. The album is just under forty minutes in length, which is a true disappointment, but I hope the "Newspaper" edition that comes out will contain bonus songs or something of the sort. Radiohead's eighth album The King of Limbs is a knocker with power, force, and a soul to reckon with, the only inhibition the album may experience is its length-challenged state. But this may also be a strength. It may cause a desire for more! Keep the people guessing. They have been keeping the public guessing since way back in September, why stop now? I would also like to strike a chord with the lyric substance in the album. The album contains parts, in its minute state, with little lyrical substance, which, in my opinion, can be disappointing. I will say it now that, the length and lyrical shortcomings may cause a negative stir among the Radiohead fan base. But if you ask me, this album is In Rainbow's antagonist. It takes In Rainbows, and flips it on its side. A new world of music, but keeps the Radiohead vibrations resonating. This album is brilliant. It is no surprise nor expectation fulfilled. It is Radiohead without being typical or predictable. Expand
  33. Mar 9, 2011
    9
    As a fan of Radiohead, I think this album sits between Amnesiac and Thom York's solo album The Eraser. I think it will be hard for new fans to embrace this as much as they could other albums, including In Rainbows. But still, they never disappoint. I hope through their download ventures we continue to get a steady flow of production from them.
  34. Jun 11, 2011
    7
    Thom Yorkes vocals have never been stronger than on this LP. He is simply stunning on this. What you want from a Radiohead album is for it to test you, and have an overwhelming atmosphere that takes a while to 'become one with'. I really like every song on the album, they are all well put together and structured as you'd expect from Radiohead. It has this mystic quality that I am a realThom Yorkes vocals have never been stronger than on this LP. He is simply stunning on this. What you want from a Radiohead album is for it to test you, and have an overwhelming atmosphere that takes a while to 'become one with'. I really like every song on the album, they are all well put together and structured as you'd expect from Radiohead. It has this mystic quality that I am a real big fan of. Though in the end this is just missing atmosphere, innovation and maybe a little more influence from Mr J.Greenwood. Sadly, underwhelming. Expand
  35. Nov 16, 2011
    8
    Initially, I thought this album was a huge step down from their previous effort, "In Rainbows". But then I realized: this is a band that constantly changes their style for the sake of being unique. However, although it all sounds great, it may actually be too unique. My point being, it's not really brilliant or revolutionary; it's more of what I've heard from them before, all combine.Initially, I thought this album was a huge step down from their previous effort, "In Rainbows". But then I realized: this is a band that constantly changes their style for the sake of being unique. However, although it all sounds great, it may actually be too unique. My point being, it's not really brilliant or revolutionary; it's more of what I've heard from them before, all combine. That's about all that is flawed though. This is a spectacular album overall. Expand
  36. Jan 28, 2012
    9
    This review contains spoilers, click expand to view. It's hardly an album like they used to consider it perfect. But it's still brilliant to hear that Thom and his unpredictable band, can do with music. Expand
  37. Feb 25, 2011
    8
    I actually believe this is a complete album, despite the rumors that there's a 'part 2' on the way. Yes, it's short, but it feels complete to me. The first half of the album is dense and complicated, and then it breaks free into a second half that is beautiful and liberating. "Separator" is, in my opinion, the most emotionally satisfying closer Radiohead have pulled off since "The Tourist"I actually believe this is a complete album, despite the rumors that there's a 'part 2' on the way. Yes, it's short, but it feels complete to me. The first half of the album is dense and complicated, and then it breaks free into a second half that is beautiful and liberating. "Separator" is, in my opinion, the most emotionally satisfying closer Radiohead have pulled off since "The Tourist" from OK Computer. Expand
  38. May 6, 2011
    8
    Bloom, Lotus Flower, Codex, Separator, all good songs. The others, not just as good.
    I see The King of Limbs as a fine tuning of what Radiohead began with Kid A and Amnesiac, and although it has some of the most interesting chords and melodies, it just seems to be lacking something.
    Bloom's opening minute is the best by far, with amazing lyrics Morning Mr Magpie is okay, but nothing
    Bloom, Lotus Flower, Codex, Separator, all good songs. The others, not just as good.
    I see The King of Limbs as a fine tuning of what Radiohead began with Kid A and Amnesiac, and although it has some of the most interesting chords and melodies, it just seems to be lacking something.
    Bloom's opening minute is the best by far, with amazing lyrics
    Morning Mr Magpie is okay, but nothing particularly significant
    Little By Little contains a great piece of music at 2:21, but apart from that, average
    Feral can get boring, I would prefer it much more if I could actually hear lyrics from Thom Yorke
    Lotus Flower is a very well written song, but maybe just off single material
    Codex is one of the best songs from this album, with an almost restrained feel to it
    Give Up The Ghost is quite good, but not Radiohead's best from this album
    Separator is a completely different story. The first half is good, but it is the second half which really defines this song. An amazing ending to the album.
    On another note, if you enjoy The King of Limbs, I recommend their B-sides Supercollider and The Butcher.
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  39. May 14, 2012
    10
    it's kinda busy, it's really short, it's experimental, it's inaccessible, and i love it. i've heard a lot of negative reactions and criticism against this album, but it's right up there with ok computer, kid a, all hail to the thief and in rainbows for their best work.
  40. May 23, 2020
    10
    I feel people are truly sleeping on this album. My guess is as the years go on the majority will finally catch on to it’s genius. Crafted after the image of Talking Heads Remain in the Light Album, Radiohead never let their influences take over their own originality. Bloom, the opening track, is probably a top 10 song created by the legendary group. The beauty of this group is they stayI feel people are truly sleeping on this album. My guess is as the years go on the majority will finally catch on to it’s genius. Crafted after the image of Talking Heads Remain in the Light Album, Radiohead never let their influences take over their own originality. Bloom, the opening track, is probably a top 10 song created by the legendary group. The beauty of this group is they stay true to themselves and never settle. They are always pushing the boundaries of experiment and creativity to it’s boundaries. This one is another classic Expand
  41. RPF
    Dec 17, 2020
    8
    This album takes time and repeated listens to start to appreciate. Its incredibly complex rhythms and contradicting melodies are breath-taking. This album is sadly overshadowed by its live version ‘The King of Limbs Live from the Basement’, which in my opinion is a far better version of this album. I recommend listening to the live version before coming back to this album. Having saidThis album takes time and repeated listens to start to appreciate. Its incredibly complex rhythms and contradicting melodies are breath-taking. This album is sadly overshadowed by its live version ‘The King of Limbs Live from the Basement’, which in my opinion is a far better version of this album. I recommend listening to the live version before coming back to this album. Having said this, this album is another feather in Radiohead’s illustrious tale. The best song on the album for me has to be ‘Lotus Flower’. Expand
  42. Feb 22, 2011
    9
    Radiohead's eighth borrows elements from previous catalog - the abstract electronic found in Kid A, the funky beats from Amnesiac, and the beauty from In Rainbows. It's also influenced by Thomâ
  43. Mar 5, 2011
    7
    It's definitely solid, but I'm afraid King Of Limbs doesn't have the same wow-factor that In Rainbows, Kid A, OK Computer et al brought with them; it's exactly what we've come to expect from Radiohead and, even worse, where once they pioneered new trends and ideas in the music world they seem to have run out of originality here and are instead pillaging the recent dubstep/glitch trends ofIt's definitely solid, but I'm afraid King Of Limbs doesn't have the same wow-factor that In Rainbows, Kid A, OK Computer et al brought with them; it's exactly what we've come to expect from Radiohead and, even worse, where once they pioneered new trends and ideas in the music world they seem to have run out of originality here and are instead pillaging the recent dubstep/glitch trends of the likes of FlyLo and Jon Hopkins. However, the songs are very good I have to admit, particularly Lotus Flower; Give Up The Ghost and Separator are both standouts too; and while the first half is easily the more 'difficult', it's also the most profoundly growing (Morning Mr Magpie is becoming a clear favourite for me). But my problem is the lack of that one song that really makes me go, Wow, they've done it again, the one that stays with me for years. Fake Plastic Trees, Exit Music, How To Disappear Completely, Pyramid Song, There There, Nude. King Of Limbs has nothing to follow that string of greats, and for that reason it will always seem a lesser album to me, because even though the overall quality of Hail To The Thief and Amnesiac is less they are at least redeemed by the offerings that really rise above the pack. I love Radiohead, but I wish they'd had the courage to do something more original and less (seemingly) intentionally provocative - maybe next time. Expand
  44. Feb 22, 2011
    7
    Neither here nor there. Radiohead treading water at the high plateau of their career? A band would be damned lucky to debut with this LP. As it is, Radiohead have had it carte blanche for so long, they scarcely resemble their origins, but their direction hasn't lead them to an evolutionary dead end either. King of Limbs is a highly competent album, born from very very talented musicians,Neither here nor there. Radiohead treading water at the high plateau of their career? A band would be damned lucky to debut with this LP. As it is, Radiohead have had it carte blanche for so long, they scarcely resemble their origins, but their direction hasn't lead them to an evolutionary dead end either. King of Limbs is a highly competent album, born from very very talented musicians, exploring their own curiosities in a very unindulgent and disciplined way. It feels almost calculated. Music and the world have changed dramatically since the Bends and OK Computer, and Radiohead has kept pace, but lost the initiative. They no longer push innovation, but who does in this nebulous industry anymore anyway? Those who miss those particular records will rejoice in the undying banality of acts like Cold Play. Now that I have sufficiently prefaced my unqualified opinion, I will finish by saying this album is just on the high end of okay, neither great nor terrible, and certainly rewarding a little diligence. Expand
  45. Feb 20, 2011
    8
    This album wasn't made for hits. It was created to evoke a mood, crafted quite successfully. A perfect fit for the end of what has seemed to be a long cold winter in Middle America. After about four to five plays through this album, I don't think there's a song on it as good as "15 Step," "Bodysnatchers,"Weird Fishes," or "All I Need." But I don't think that was their goal. RadioheadThis album wasn't made for hits. It was created to evoke a mood, crafted quite successfully. A perfect fit for the end of what has seemed to be a long cold winter in Middle America. After about four to five plays through this album, I don't think there's a song on it as good as "15 Step," "Bodysnatchers,"Weird Fishes," or "All I Need." But I don't think that was their goal. Radiohead had something in mind for this record, and I would guess they did exactly what they set out to do. Do you really think, at this stage in their evolution, Radiohead really needs to make a hit record? Expand
  46. Mar 12, 2011
    9
    When you can say the biggest problem with an album is that it is too short you know you have a keeper. TKOL represents Radiohead at their most adventurous with fantastic drum beats throughout. Personally the first half is my favorite when they didn't sprinkle much melody in the music but still there is no denying the power of Codex or Give Up the Ghost.
  47. Dec 24, 2012
    8
    I stumbled upon this album by accident. It's not one of my favourite genres, but hell, I love it!
    I don't know, something about it is really dark, which I really enjoy. It's nice and light, what with it being under 40 minutes.
    This album and Biophilia are certainly at the top of the Experimental Rock Albums of 2011.
  48. Nov 14, 2012
    10
    It's one of their best albums to date, as always, they deliver excellent rock music with their alternative and yet unexpected sounds; not as flawed as "In Rainbows" but surely TKOL deserves its place as the best album from the 2011
  49. Nov 17, 2022
    8
    The first half of this album isn't as good as the second half. Lotus Flower and Codex is such a banger.
  50. Feb 19, 2011
    9
    this album starts where "push pull revolving door" ends. its a beautiful, complex and, most of all, grown album by a band that does not cease to amaze. it wont fit the "computer fans" - u all can go listen to muse. on the start of "bloom", the albums first track, thom yorke shouts "open your mouth wide" cause this wont be easy to swallow. true, this is not an easy album but thom and co owethis album starts where "push pull revolving door" ends. its a beautiful, complex and, most of all, grown album by a band that does not cease to amaze. it wont fit the "computer fans" - u all can go listen to muse. on the start of "bloom", the albums first track, thom yorke shouts "open your mouth wide" cause this wont be easy to swallow. true, this is not an easy album but thom and co owe nothing to no one...and that's why their music continue to evolve and "push/pull" our minds. this album will grow on u if u like it or not, the beats will eventually be your heart beats, thoms vocals will itch and scratch ur skin and in 8 years u will say its album of the decade. Expand
  51. Feb 19, 2011
    8
    Radiohead have done it again, just like with Kid A, they have managed to piss off a a lot of fans and extend their music to a new sound and almost a new genre. Their new album is dominated by Thom's lyrics and Phil's heavy drum beats and varying electronic effects, with almost no dominant guitar. It sounds much more modern, much more bleak than their other music. But, like all ofRadiohead have done it again, just like with Kid A, they have managed to piss off a a lot of fans and extend their music to a new sound and almost a new genre. Their new album is dominated by Thom's lyrics and Phil's heavy drum beats and varying electronic effects, with almost no dominant guitar. It sounds much more modern, much more bleak than their other music. But, like all of Radiohead's music, its incredibly complex and beautiful. Its a completely new style that you'll be hard pressed to classify but its no worse than their other albums, just different. Expand
  52. Feb 23, 2011
    7
    The problem that most 20 year old bands have is continuing to make new and interesting music. Radiohead does not have this problem. Though this album is not their best, it is still unique and beautiful. The King of Limbs is most importantly pointing them in a new direction.
  53. Feb 18, 2011
    7
    It sounds like a DJ remix of the real album, but where is the real album? Radiohead's weakest album, but I'm still giving it a 7 while I wait to see if this really is the real thing.
  54. Feb 19, 2011
    9
    Couldn't have at all predicted how this was going to sound, but it sounds beautiful. Strangely organic and electronic. The level of music tech brilliance that's been put into this record is astounding. On a badass pair of speakers it sounds blissful. I've listened to it only a handful of times, but by the second listen through I always already in love. The first song sets the mood for aCouldn't have at all predicted how this was going to sound, but it sounds beautiful. Strangely organic and electronic. The level of music tech brilliance that's been put into this record is astounding. On a badass pair of speakers it sounds blissful. I've listened to it only a handful of times, but by the second listen through I always already in love. The first song sets the mood for a beautiful trip of an album. The last four tracks are pretty amazing, at the moment I can't choose between Codex and Give up the Ghost as my favourite. They never fail to surprise me. If I'm honest I can't see me loving this record (or any other record) as much as In Rainbows, but this is still a great work. Hopefully the fact that this record is so short will mean that another release might not be far off. Could this be a Kid A- Amnesiac type affair? I hope so. When I heard it was only 8 tracks I was a bit disappointed. Nevertheless, it's a very good album. Colin Greenwood seems to be one of the standout features of the album, which is something that hasn't been the case in any of the other albums :L Expand
  55. Feb 22, 2011
    7
    8 songs, 6 of which are good. Not really any TRULY great tracks, but just 4-5 solid ones. Giving up the ghost is quite bad, 'House of Cards bad', and the last song is wishy-washy by radiohead standards. i think with eight songs, it should be tighter to be considered a 9 or 10/10 as some people have reviewed. i haven't decided yet, but this album seems to be on par with In Rainbows. I still8 songs, 6 of which are good. Not really any TRULY great tracks, but just 4-5 solid ones. Giving up the ghost is quite bad, 'House of Cards bad', and the last song is wishy-washy by radiohead standards. i think with eight songs, it should be tighter to be considered a 9 or 10/10 as some people have reviewed. i haven't decided yet, but this album seems to be on par with In Rainbows. I still consider Ok Computer, Kid A, and Amnesiac their 3 best works. By radiohead standards, this is amongst their weakest efforts, still it is an OK album. Expand
  56. Apr 25, 2011
    9
    This ones a grower. Let it happen people; don't judge it immediately based off reviews and what your friends told you. Don't let the hipster **** grow through your ears, and keep you from developing your own idea. I feel sonic walls of sound and a transy, melodic vibe. I feel good rhythms, good ideas, twisting lyrics. Thom hasn't gotten any older; any greyer in my ears. It just feelsThis ones a grower. Let it happen people; don't judge it immediately based off reviews and what your friends told you. Don't let the hipster **** grow through your ears, and keep you from developing your own idea. I feel sonic walls of sound and a transy, melodic vibe. I feel good rhythms, good ideas, twisting lyrics. Thom hasn't gotten any older; any greyer in my ears. It just feels softer. sandy. a little opaque. But then again, this album wasn't meant to please a human being. This album was released to please Radiohead. I'm proud to be able to find the vibe coming off of this album- once again, it's something that you find yourself. But once you catch it, it frees you from being one of the miserable suckers slagging this album because of all it lacks, rather than what it has given off in order to find that perfect balance of lack. And if you question my choice of description, just know that I am talking with the feel of the words, rather than the words themselves. Expand
  57. Mar 25, 2012
    8
    This album is something truly beautiful. I've read through comments where people are whining about "incessant beats" and a lack of melody and yes, this is not the Radiohead us die hard fans are used to. The songs start off rhythmic in the first half of the album but by the end of the thirty seven minutes have turned into a woozy sounding, peaceful and organic finale. Give Up The GhostThis album is something truly beautiful. I've read through comments where people are whining about "incessant beats" and a lack of melody and yes, this is not the Radiohead us die hard fans are used to. The songs start off rhythmic in the first half of the album but by the end of the thirty seven minutes have turned into a woozy sounding, peaceful and organic finale. Give Up The Ghost sounds like a peaceful death for the album... It's obvious this album from the start was made to be remixed. Kieron Hebdan fans should love this, in fact so should he! The songs hold less of a structure than previous albums, and are more layered. Although Radiohead are firmly going down the Electronica route, none of the songs are what you'd call conventional, with chewed-up drum loops of natural sounding percussion. There's a great depth to this thing. The album takes about five listens to grow on you, and even after that I can almost guarantee you won't love it in the same way you loved In Rainbows, or Hail To The Thief. There aren't many epic guitar parts by Jonny, or melodies that are the kind you'd sing along to. For me, in my mind I don't even consider it Radiohead. It's something new... A new direction from Thom Yorke and Co, and one that I thoroughly enjoy. If you don't think this lives up to Radiohead's great reputation then stop thinking of it as Radiohead. This is a band reincarnated, and that's something rather impressive for a group of men in their forties. Therefore, this song doesn't deserve to be compared to In Rainbows or any other past Radiohead album because it's a whole other sound, a whole other attitude. Let's not forget Kid A, which was mainly hated when it came out. (Coincidentally TKOL really compliments Kid A.) So to all you Radiohead fans out there, you need to take a look at your attitude to your favourite band. I get the impression from most Radiohead comments on YouTube videos that all Radiohead are 'educated', very middle class people who look down on every other genre of music. It would sicken Thom Yorke to know what kind of people followed his work, as he's often said how he believes music should be something you hear on the radio, not something you sit and drink wine to in an art gallery. I have a feeling all the higher ratings for TKOL are by fans who love the reputation more than the album. Accept it for what it is... A great little collection of songs. A snippet of a new direction. Follow me (00dore) on Twitter if you are bored and would like to hear the (very) occasional video of something any Radiohead fan should also love. Expand
  58. Apr 12, 2017
    10
    This album happens to be my favorite Radiohead album to the dismay of many of my friends. I feel like the use of electronic as derogatory term to describe this album is kinda wrong and listening to it makes me feel this way even more. This album is the way radiohead should be. innovative
  59. Nov 8, 2014
    10
    The thing about OK Computer is that it was made by a guitar heavy band. in a vein akin to the pixes, Nirvana and Muse, to name a few.
    King of Limbs is much closer to the work that Bjork is producing. I mean, I've had it for years now and I just re-bought the CD after the old one kicked it. to me TKOL represents England, both mythologically and politically in some way. It is so alive, it's
    The thing about OK Computer is that it was made by a guitar heavy band. in a vein akin to the pixes, Nirvana and Muse, to name a few.
    King of Limbs is much closer to the work that Bjork is producing. I mean, I've had it for years now and I just re-bought the CD after the old one kicked it. to me TKOL represents England, both mythologically and politically in some way. It is so alive, it's the sound of landscapes, both the sedate forest and the city. I honestly cannot say enough good things about this album. it is perhaps slightly over full at times but that's me being super picky, Its layered drum beats and textured sounds that make it so vital to start with. Its a journey I think. for best results listen whilst travelling, walking or otherwise, and make sure you're outside. it mirrors landscapes so brilliantly.
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  60. Nov 14, 2016
    8
    The 8th Radiohead release is admittedly their least ambitious in over a decade, and therefore faced a certain apathetic reaction upon it's release 2011. King Of Limbs finds Radiohead in a contemplative state, experimenting through the simplicity of looped beats and hook repetition. On reflection, while it may not be the world changing feat that fans have come to expect, TKOL resonates withThe 8th Radiohead release is admittedly their least ambitious in over a decade, and therefore faced a certain apathetic reaction upon it's release 2011. King Of Limbs finds Radiohead in a contemplative state, experimenting through the simplicity of looped beats and hook repetition. On reflection, while it may not be the world changing feat that fans have come to expect, TKOL resonates with the listener deeper after each listen and its provocative, otherworldly glow is a unique aspect in the band's catalogue, a triumph to be celebrated in itself. Expand
  61. Mar 18, 2018
    9
    It's tight, it's melodic (mostly in the second half), it's experimental (mostly first half), it's my favourite length for an album (between 35 to 40 mins). And it's got a theme - to me it portrays the ways of the universe - both on the grand cosmic and human internal scale. Birth, life, death. Nature, atoms, us. And again. And again. Again.

    Bloom is glorious making you think about the
    It's tight, it's melodic (mostly in the second half), it's experimental (mostly first half), it's my favourite length for an album (between 35 to 40 mins). And it's got a theme - to me it portrays the ways of the universe - both on the grand cosmic and human internal scale. Birth, life, death. Nature, atoms, us. And again. And again. Again.

    Bloom is glorious making you think about the universe's construction, Give Up the Ghost is very pretty and haunting bonfire singalong, Codex is emotional piano ballad, Separator is crispy and groovy melodic track, tracks 2-4 are very drummy and tribal, Lotus Flower is great standalone single. I keep coming to this album maybe even the most of all the Radiohead propositions.

    Top picks: Bloom, Give Up The Ghost, Lotus Flower, Codex, Separator.

    So so: Feral
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  62. Feb 18, 2011
    9
    It covers familiar ground, but that isn't necessarily a bad thing at all. One of people's major complaints with The King of Limbs is the length, but that's probably my favorite part. By the looks of things, I'm the only person who thinks this, but albums that are more than 45 minutes generally lose my attention, so this 37 minute album keeps me enthralled.
  63. Jul 8, 2011
    10
    It took some time to get into this album, but wow, just wow. So much brilliance, so much uniqueness, so much Radiohead. It's experimental, it's strange, it's art. Pick this up immediately and you will not be disappointed.
  64. Feb 21, 2011
    10
    Once again, Radiohead have crafted an album that not only satisfies me, but surpasses my lofty expectations. This is the band that all others should aspire to be. Not in sound, but in creative evolution and consistent greatness. Radhiohead have just released their 7th masterpiece in a row, not only according to fans, not only according to critics, but both. I cannot think of another bandOnce again, Radiohead have crafted an album that not only satisfies me, but surpasses my lofty expectations. This is the band that all others should aspire to be. Not in sound, but in creative evolution and consistent greatness. Radhiohead have just released their 7th masterpiece in a row, not only according to fans, not only according to critics, but both. I cannot think of another band today (or in the past) that has had such consistent greatness. Each album evolves naturally from the last, and breaks new ground. These guys from Abingdon know what they're doing more than any other artist in music today. Expand
  65. Feb 21, 2011
    8
    Many thoughts rushed through my head upon first hearing this album. Track 1 seemed to be a mess. I found myself wondering "what happened to Jonny!?" and "Where's Phil!?" This album is definitely heavy on the electronic drums and sparse on Greenwood's electrifying riffs. I thought I was disappointed at first, but as many others have said, upon subsequent listening, each track has grown onMany thoughts rushed through my head upon first hearing this album. Track 1 seemed to be a mess. I found myself wondering "what happened to Jonny!?" and "Where's Phil!?" This album is definitely heavy on the electronic drums and sparse on Greenwood's electrifying riffs. I thought I was disappointed at first, but as many others have said, upon subsequent listening, each track has grown on me. I "get it" now. I didn't wait 3 years for Radiohead to release another "OK Computer" or "Kid A." I waited 3 years for Radiohead to release something DIFFERENT, something CHALLENGING. Something that is going to keep me coming back for more. Like a birthday gift that you have to unwrap one square inch at a time, your appreciation has grown beyond your expectations when you finally "open it up."
    Get it?
    This is not Radiohead's best album. But Radiohead are on a musical plateau so far removed from everything else that it doesn't matter. An '8' for Radiohead is an '800' for any other band. Hopefully that provides some perspective.
    Give it a listen, then listen again. You'll be glad you did.
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  66. Feb 19, 2011
    8
    At the moment this is the third review I have written for this album and I can now say that it is definitely not a bad album and eventually grows on you. While there is no doubt that it is not one of Radiohead's best albums it is still a good listen. The main disappointment with this album is how short it is. Only 37 minutes and 8 songs for $14 (I bought WAV version; $9 for lowerAt the moment this is the third review I have written for this album and I can now say that it is definitely not a bad album and eventually grows on you. While there is no doubt that it is not one of Radiohead's best albums it is still a good listen. The main disappointment with this album is how short it is. Only 37 minutes and 8 songs for $14 (I bought WAV version; $9 for lower quality MP3) is borderline $2 a song which is just way too much. I definitely feel like I have been ripped off a little by this album. I recommend getting the $9 MP3 version because I have tested the two versions and found that the audio quality is almost exactly the same, so save yourself the $5 (if you're considering buying the album). So this is my final verdict on The King of Limbs; a good album that doesn't necessarily live up to the Radiohead standard. Who knows, maybe they'll do what they did with Kid A (another short Radiohead album) and release a 19 song album (deluxe version of Amnesiac not including live performances) before the end of next year. Expand
  67. Feb 19, 2011
    9
    I'll be honest; the first time I listened to this, I was half-asleep. My roommate woke up at 7 am on Friday, somehow discovered that the album had been released a day early and decided to play it in its entirety twice while I vacillated between sleep and excitement. But by my third time through the album, for one of which I was finally wholly awake, something struck me: this RadioheadI'll be honest; the first time I listened to this, I was half-asleep. My roommate woke up at 7 am on Friday, somehow discovered that the album had been released a day early and decided to play it in its entirety twice while I vacillated between sleep and excitement. But by my third time through the album, for one of which I was finally wholly awake, something struck me: this Radiohead album seemed too familiar. For a band defined by its redefinition with every album, Radiohead seemed disturbingly reminiscent, pulling far too many elements from previous work. A day later, and I would say that Radiohead has once again done exactly what they are best at: redefinition. For despite all of its reminiscence, â Expand
  68. Web
    Feb 20, 2011
    8
    It's a quality album, but a difficult album to place. In the context of evolution, I don't see it being very far beyond prior albums in a vertical sense, and not so different from prior albums in a horizontal sense. It lacks the emotional range of "In Rainbows," which was a more complete, more diverse album to my ear. "The King of Limbs" is rather an exploration and a refinement of aIt's a quality album, but a difficult album to place. In the context of evolution, I don't see it being very far beyond prior albums in a vertical sense, and not so different from prior albums in a horizontal sense. It lacks the emotional range of "In Rainbows," which was a more complete, more diverse album to my ear. "The King of Limbs" is rather an exploration and a refinement of a particular sound: intricate, cut and paste rhythms that mix acoustic and electronic percussion, layers of single note krautrock guitar lines, altered keyboards, crafty string and horn arrangements, bass lines that drift from the tonic note to give a song more motion, all crowned with Yorke's reverb soaked abstractions. It's an inimitable sound, and they seem to use the short space of this album to hone it the best they possibly can. But the majority of it's successes in the evolutionary sense are hidden from the casual listener, who cannot distinguish the subtleties as well as avid Radiohead listeners. Other critics have commented that the band has retreated back into its shell after the success of 'In Rainbows.' There is some truth to that sentiment. It's more introverted, less concerned with connecting us all or showing us something incredible; less triumphant in a word. At the same time, it's more intimate than most reviewers have given it the chance to be. They aren't turning giving us the cold shoulder. Check out the video to 'Lotus Flower.' That's a man bearing himself. Musically, the songs are well-composed, with all of the usual Radiohead trimmings and subtleties, perhaps more subtlety than any other album. Something that cannot be said enough about this band is that they are all fine musicians and that they never become content with being fine musicians only. They strive more than any other band, and it takes a very concentrated listen to glean everything they are offering. To touch on the lyrics, I'd say there is at least something to be desired, particularly after the excellent lyrics of "In Rainbows." I agree with most of the reviews I've read that the latter half of the album is stronger, and that 'Codex' is the finest song on the album, adding that it's, in my opinion, the most controlled song of their catalogue. 'Give Up The Ghost' is a gem as well, one that I predict many people will enjoy more as they hear it more. My main criticism of the album is that it's simply not enough given the four-year gap. I'm privy to the rumor that this may not be the entirety of what's to be released this year, and I can only say that it will elevate my feelings toward this album if I know it's not the complete product. How hard it is to meet expectations when you are the greatest band around I can only imagine, but this album is in no way a failure, if not a mind-blowing success. Expand
  69. Feb 20, 2011
    10
    Great, great album! "The King of Limbs" is unique in comparison with anything else that the band has ever done. The album gets better with every listen, and at this point, is among my favorite Radiohead albums!
  70. wjw
    Feb 25, 2011
    9
    Kraftwerk meets Fleet Foxes. Seriously, though the album is short in duration (It's why I scored it a 9 and not a10--I WANT MORE!), this is a sublime work of sonic modern art. Unlike many great albums that seem, at first listen, similarly unapproachable (Trout Mask Replica), this album is just plain beautiful in every aspect of its layered and impressionistic soundscape. And, as a value,Kraftwerk meets Fleet Foxes. Seriously, though the album is short in duration (It's why I scored it a 9 and not a10--I WANT MORE!), this is a sublime work of sonic modern art. Unlike many great albums that seem, at first listen, similarly unapproachable (Trout Mask Replica), this album is just plain beautiful in every aspect of its layered and impressionistic soundscape. And, as a value, a few hundred albums of lower scores versus this gem, I'll take this gem. One more thing to note might be that its brevity might be its saving grace (justifying a 10), since it would be that much more addictive a listen were it to contain a number of other gracefuly and thoughtfully crafted compositions, but then again, I'm already addicted, and can't shake off this sonic crack. Well, anyway, though this album may not seem so melodic in such an immediate way, I can't take certain songs out of my mind. For those who might be adamantly, and in some cases, hysterically, opposed to any favorable assessment--aesthetic or otherwise--of this album, I can't help, you. I'll I can say to you is, "don't hurt me," as I am already haunted by this album. Expand
  71. May 18, 2011
    9
    This is a fine album, that continues the expected work that they were doing after hail to the thief, and back to that similar line after going somewhere off to the more sentimental side with in rainbows.
    I don't actually understand or comprehend most the criticisms made- no, sorry i do, the reviewers seem to have their head up their pretensious arses. such as saying thom is the only
    This is a fine album, that continues the expected work that they were doing after hail to the thief, and back to that similar line after going somewhere off to the more sentimental side with in rainbows.
    I don't actually understand or comprehend most the criticisms made- no, sorry i do, the reviewers seem to have their head up their pretensious arses. such as saying thom is the only musician, or its eraser mark two can only really be answered with 'are you deaf'? there is no other response to that because its clearly not. The eraser even had radiohead members on most the tracks.
    That it fails to rock, is an idea ten years in the past before kid a. and anyone describing it as minimalistic or avante-garde it seems has never listened to either of those genres. .. its simply not...
    sorry i had to defend negative ignorant criticism rather than marking the positives.
    i gave it a 9 because its very occasionally dissonant in harmonies, although that is part of the structure.
    and that it lacks by only a few strokes a radiohead signature of the melancholy and sentimental song that seem to be loved by inrainbows and okc lovers.
    a strange gothic and pagan work, a masterpiece? unsure about that i don't tend to put anything on a pedestal, to be let down. perhaps that#s the problem- that some expected a master piece sensation and instead just got a very good album that lasts for only the listening experience of the album length and doesn't try to be anything more.
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  72. May 23, 2014
    7
    After giving the album a good number of listens I am still not really convinced. It is enjoyable, sometimes. It is beautiful, sometimes. It does a lot of things very well. Everything sounds clear and lush, the singing by Yorke is fantastic whichever way you would look at it and the album feels like an album. But there remains something missing. In all Radiohead's previous ventures intoAfter giving the album a good number of listens I am still not really convinced. It is enjoyable, sometimes. It is beautiful, sometimes. It does a lot of things very well. Everything sounds clear and lush, the singing by Yorke is fantastic whichever way you would look at it and the album feels like an album. But there remains something missing. In all Radiohead's previous ventures into minimalism they remained a rock band. They looked for the dynamics, for the pathos, for the pop. This is no longer there, which results in a number of songs that simply plod along doing not much at all. It is rather boring when not much is happening and it is not expected of Radiohead. Now, is this bad? Is this a reason to give a lower mark? I think so. Expand
  73. Jun 7, 2019
    9
    The King of Limbs is Radiohead's most difficult album since Amnesiac. While it is very possible most listeners will be turned away on first listens by the busy and rhythmic electronic rock this album offers, it is guarantee to reward those who stick with some slow-blooming melodies that probably won't materialize on first listen. arguably, tKOL's greatest weakness and strength lies in itsThe King of Limbs is Radiohead's most difficult album since Amnesiac. While it is very possible most listeners will be turned away on first listens by the busy and rhythmic electronic rock this album offers, it is guarantee to reward those who stick with some slow-blooming melodies that probably won't materialize on first listen. arguably, tKOL's greatest weakness and strength lies in its brief length; with only 8 songs and running under 40 minutes, it sometimes feels more like an EP than a full length album. At the same time, it leaves little room for faltering. While it contains the relatively substanceless "Feral", the latter half of the album has one of the best songs progressions from the jazz-tinged "Lotus Flower" to the incredible closer "Separator". Even the opening track, "Bloom" which at first sounds like a cacophonous mess, starts to become otherworldly upon later listens.
    Honestly, Bloom perfectly represents the whole album: messy and difficult on first listens, but masterful if you give it a chance.
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  74. Feb 25, 2011
    8
    It seems to me that everyone expects every new Radiohead release to be the most groundbreaking album ever. That's the level the group are at. But every album that does fall short of 'a modern classic' status is still better than 95% of the average dross that is out there at the minute. It's a Radiohead album. Which means that once again it's different, challenging and thoroughly enjoyable.It seems to me that everyone expects every new Radiohead release to be the most groundbreaking album ever. That's the level the group are at. But every album that does fall short of 'a modern classic' status is still better than 95% of the average dross that is out there at the minute. It's a Radiohead album. Which means that once again it's different, challenging and thoroughly enjoyable. Especially to anyone who is sick of what passes for 'music' nowadays. Expand
  75. Feb 19, 2011
    8
    Trippy. It's no 'In Rainbows', but it's still really good. I don't understand why people are saying this is their worst album, though: I feel like 'Pablo Honey' is their worst.
  76. Feb 22, 2011
    7
    This is a very enjoyable album. They take a lot of elements from other bands and genre and create their own quite successfully. I assume the Wire Magazine and its ilk would have a plethora of music that would be better, but it is as it is.
  77. Feb 20, 2011
    9
    Is this a long intro to something epic? Even if it isn't, the 8 tracks are all pretty sweet. I get the feeling I'm listening to the future of music. Some of it very complicated and unique. I'm particularly fond of "Codex," "Lotus Flower," and "Separator." In ways similar to PJ Harvey's newest release (Let England Shake), I get an eerie feeling listening to Radiohead's latest work thatIs this a long intro to something epic? Even if it isn't, the 8 tracks are all pretty sweet. I get the feeling I'm listening to the future of music. Some of it very complicated and unique. I'm particularly fond of "Codex," "Lotus Flower," and "Separator." In ways similar to PJ Harvey's newest release (Let England Shake), I get an eerie feeling listening to Radiohead's latest work that we could sit around a campfire as the apocalypse unfolds. At the same time, I do not believe this is all they intended to release. There is some mystery/surprise typical of Radiohead. Why do they have 2 10" vinyls being released with the first-ever "newspaper album" in late March? What is on those discs? Only 8 tracks? Perhaps, but I think we have not heard the last from Radiohead on this particular release. Expand
  78. Feb 19, 2011
    10
    Great Album, grows on you the more you listen to it. I liked Lotus Flower, Give up the Ghost the most. Has a nice haunting flow about it. Thom Yorke as one of the most distinct voices in rock music
  79. Feb 20, 2011
    10
    Really like the new album. Been listening to it for the last two days. It opens up little secrets every time you listen to it. For a band continuing with this quality i hope they´ll never stop!
  80. Oct 12, 2011
    10
    This review contains spoilers, click expand to view. For most bands, an album like TKOL would be a career high. For Radiohead, it was a friday. It's not an accessible album, like it's predecessor In Rainbows, and is sonically dense. Layers upon layers are carefully peeled back each time you listen through to slowly reveal the true heart of the songs, more of their mystery is unravelled in the accompanying remix album, and even then, months later, some tiny detail that skipped your attention will suddenly become a vital part of the song. I don't expect it to become a general favourite, but for those who are into this kind of thing it is a stunning odyssey through a forest of sonic experimentation, produced carefully enough to hear the individual leaves. Taking that metaphor even further, the album is as varied as the forest itself can be. "Bloom" emerges into a lost world of intricate rhythms and trills of melody, the strange creatures of the woods looking on as you stumble through their world. "Morning Mr Magpie" is a frantic chase through the undergrowth, antagonistic and acussatory. "Little by Little" is far out of sight of civilization, almost leaving behind those "routines and shedules, a drug that kills you" in exchange for the freedom to roam through the ancient trunks and twisted branches of its domain. "Feral" is what trees do at night when you're not looking. As the small hours of the night approach, "Lotus Flower" cavorts in secret glades under moonlight, promising all of nature's secrets. If there is indeed an "empty space inside [your] heart where the weeds take root" then this has the power to "set you free". As the moon sets, the forest lies still and there's "no one around". "Codex" is a slow introspective walk through the trees, reflecting on these secrets. Dawn approaches, and birds in the branches above flit back and forth between branches, oblivious to your presence. Here is where you "Give up the Ghost" and become part of this forest. "Separator" finally burst out from the trunks into full daylight, like waking up from a "long and vivid dream". Retreat into nature is the heart of The King of Limbs and is an interesting counterpoint to earlier albums which dealt with the isolation of life in a high speed urban world. Over the course of their career, they have left this urban paranoia, journeyed through endless suburbia, and finally emerged, free, into the forest. Radiohead sound happy on this album, specifically in closing track "Separator" where Yorke sings "If you think this is over then you're wrong" with guileless joy. Expand
  81. Feb 21, 2011
    9
    Radiohead is hands down my favorite band of all time, and what I love about them is that the music never presents itself right away. It always unfolds over repeat listening and this cd is no exception. Something that can seem non-melodic can at times present little snippets that join together to form a melody and over time that's what takes over in your ears. They are never predictable,Radiohead is hands down my favorite band of all time, and what I love about them is that the music never presents itself right away. It always unfolds over repeat listening and this cd is no exception. Something that can seem non-melodic can at times present little snippets that join together to form a melody and over time that's what takes over in your ears. They are never predictable, and they are always challenging...as great music should be. I don't like this cd as much as OK Computer or In Rainbows, but I still like it better than pretty much anything else I've heard this year. And knowing how this music unfolds it very well may become a favorite 20 listens down the road. Codex is just an amazingly beautiful song, and worth the price of admission alone. Expand
  82. Feb 23, 2011
    9
    Perhaps the most percussive album, Phil Selway has his coming out party as one of the most inventive drummers in modern rock. Beginning chaotic and frantic, the album draws on it's more peaceful latter half to really blow you away. Some may ask, "where are the guitars?" but this is no The Bends. We are listening to a more mature and relaxed Radiohead that does not "want to go into thatPerhaps the most percussive album, Phil Selway has his coming out party as one of the most inventive drummers in modern rock. Beginning chaotic and frantic, the album draws on it's more peaceful latter half to really blow you away. Some may ask, "where are the guitars?" but this is no The Bends. We are listening to a more mature and relaxed Radiohead that does not "want to go into that creative hoo-ha of a long-play record again" as Yorke has said. I can see why this record may not pander to some fans but it is definitely beautiful music that should be put on repeat and enjoyed over and over. Expand
  83. Feb 24, 2011
    8
    Slightly melancholy and insightful with interesting hooks (yes, I think there are hooks). If you aren't into melancholy/interesting, you will be disappointed. You'll also be disappointed if you expect Radiohead to make your favorite Radiohead album again. Their albums each have a distinct personality, and this is no exception; in this case, the personality might rub you the wrong way,Slightly melancholy and insightful with interesting hooks (yes, I think there are hooks). If you aren't into melancholy/interesting, you will be disappointed. You'll also be disappointed if you expect Radiohead to make your favorite Radiohead album again. Their albums each have a distinct personality, and this is no exception; in this case, the personality might rub you the wrong way, and that's okay. The more I listen carefully to the tracks the more I appreciate this album's personality. Expand
  84. Mar 17, 2011
    9
    The thing with Radiohead is that their albums differ so much that some fans only like select albums. But, what we all should realize is that ALL of their albums are musically and technically fantastic, no matter if we like them or not. I prefer The Bends acoustic sound, while some like Kid A for its glithcy-electronic sound. This is a Kid A type of album.
  85. Apr 2, 2011
    8
    Being relatively new to Radiohead, but still a massive fan, this was the first Radiohead album that I purchased on the release date. For the most part I had great expectations, especially after the apparent return to form that the band boasted on "In Rainbows."
    The release of this album was shrouded in the sort of mystery and hype that only Radiohead can create, with their legions of
    Being relatively new to Radiohead, but still a massive fan, this was the first Radiohead album that I purchased on the release date. For the most part I had great expectations, especially after the apparent return to form that the band boasted on "In Rainbows."
    The release of this album was shrouded in the sort of mystery and hype that only Radiohead can create, with their legions of dedicated fans crouched expectantly over Mac's all over the world. The cynic in me says that releasing "The King Of Limbs" a day early was merely a clever publicity stunt, albeit one that appeared to work.
    Initial impressions of TKOL were of dissapointment. Where were the guitars? Where was the energy? Where the hell were the rest of the band? "Bloom" appears to merely be a continuity of Thom Yorke's solo career. Whilst this is not neccesarily a bad thing, this is a Radiohead album, and therefore more surely must have been expected from the opening track. "Morning Mr Magpie" is much of the same, and things don't really get going until "Little By Little", which sees Radiohead become more of a band, if not a fully fledged. This is built on in "Lotus Flower", which is really the new Radiohead material that many have been waiting for. Whilst many have written of "Codex" as a "Pyramid Song mk II", it is undeniably the standout track. It creates a mood that many songwriters would (excuse the pun) sever one of their linbs to be able to recreate. To summarize, this record sounds like two different bands. One of them is Radiohead, and one of them is trying too hard.
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  86. Feb 24, 2013
    9
    I honestly don't understand the people despairing of a lack of musical hooks in this album... it's chock full of rhythm and melody. If you are after the climactic kind of noise they pulled off in earlier work, then maybe I'd understand your disappointment that is, I'd understand it if this wasn't the same band that released Kid A back in 2000. Radiohead have been a much mellower and moreI honestly don't understand the people despairing of a lack of musical hooks in this album... it's chock full of rhythm and melody. If you are after the climactic kind of noise they pulled off in earlier work, then maybe I'd understand your disappointment that is, I'd understand it if this wasn't the same band that released Kid A back in 2000. Radiohead have been a much mellower and more experimental band for more than a decade now, and they continue down the same avenue of sonic exploration here and it's awesome. The subtle guitars, the electronic wizardry, the bass, and the layers of vocals all contain a wealth of strong, beautiful intertwining melodies; the rhythm section is frequently wonderfully creative and energetic; and the whole album is brought together with a bunch of weird, schizophrenic sonic oddities which are brilliantly encapsulated by the spectral album art. The album does not feel to short; I'd much rather have an album densely packed with great tracks than something sprawling with filler like Hail to the Thief. "Good Morning Mr. Magpie", "Little By Little", "Lotus Flower", and "Give Up The Ghost" are top notch Radiohead tracks; and "Codex" may be among their very best work. I have honestly never been so moved by a song before. As long as you're not allergic to anything which isn't a rock anthem, you'll love this. Expand
  87. Oct 9, 2012
    8
    a nice sound but definitely a huge change for the band and fans of radiohead's earlier work (pablo honey, the bends) may not respond to it as positively.
  88. Feb 19, 2013
    10
    Eerie, dark, and mysterious. This album, as a concept, is fantastic. Picture yourself in a forest, full moon seeping through the tree cover with shadows playing tricks in the corner of your eye. They are still using Pixies influenced loud/quiet dynamics as good as ever, adding layers that you can't hear through a poor quality speaker. You definately need to turn up the volume to understandEerie, dark, and mysterious. This album, as a concept, is fantastic. Picture yourself in a forest, full moon seeping through the tree cover with shadows playing tricks in the corner of your eye. They are still using Pixies influenced loud/quiet dynamics as good as ever, adding layers that you can't hear through a poor quality speaker. You definately need to turn up the volume to understand what they are trying to do with the subtle stabs of jolted sounds and echoed feedback, which accounts for a stunning leveled soundscape. Simply amazing. Expand
  89. Feb 18, 2016
    8
    A lukewarm first half of the album with four solid songs nonetheless. However, the second half is a dramatic improvement with Lotus Flower, Codex, Give Up the Ghost and Separator containing some of Radiohead's finest moments, particularly with the closing track. Probably one of Radiohead's weakest albums, partly due to the short length, but still a strong record.
  90. Aug 20, 2016
    10
    Moreso than any other Radiohead album, this one requires some time. I found it very rewarding and packed with replay value. Little By Little is rhythmically brilliant. Bloom and Magpie are also great brooding storm trips. Codex and Give Up The Ghost are unspeakably beautiful. Overall a great little slice of music from an ever-evolving band. If you want more OK Computer, I'd suggestMoreso than any other Radiohead album, this one requires some time. I found it very rewarding and packed with replay value. Little By Little is rhythmically brilliant. Bloom and Magpie are also great brooding storm trips. Codex and Give Up The Ghost are unspeakably beautiful. Overall a great little slice of music from an ever-evolving band. If you want more OK Computer, I'd suggest giving OK Computer a listen instead. Expand
  91. Dec 30, 2018
    10
    an album very out of the ordinary, has all the originality that we already know from thom Yorke, for a fan of years like me this album is an excellent way of renewal for the band
  92. Apr 16, 2018
    7
    - Bloom : good 8/10
    - MoRnINg mR MagpIE : ???????
    - Little by Little : solid
    - Feral : bleep/20
    - Lotus Flower : such flower, very japan, good bassline
    - Codex : Kid Amnesiac feeling
    - GUTG : Wow birdy song good good
    - Separator : nice drums
  93. Oct 16, 2022
    10
    A criminally underrated album for sure! The From the Basement sessions are simply next level
  94. Feb 19, 2011
    9
    Took 7 listens for me to truly appreciate what Radiohead has done here. At the moments I'm loving it but it took a little while to get their. Standouts for me are Codex, Lotus Flower, Little by Little and Separator. Give it a while, it's still the Radiohead we all know and love.
  95. Feb 24, 2011
    10
    This review contains spoilers, click expand to view. The King Of Limbs is one of the best albums of radiohead. Better than In Rainbows, and more expermiental than ever, they come back for give us a excellent albums. I can say it without any problems: RADIOHEAD IS BETTER THAN EVER. Expand
  96. Feb 26, 2011
    9
    The King of Limbs is an album in which Radiohead depends on you, the listener, to have followed them down the rabbit hole of sonic experimentation, where they have taken residence ever since the release of Kid A. If you have not kept up with them, or haven't listened to anything other than Ok Computer or The Bends, do not listen to this album. It will not make sense to you. In many ways,The King of Limbs is an album in which Radiohead depends on you, the listener, to have followed them down the rabbit hole of sonic experimentation, where they have taken residence ever since the release of Kid A. If you have not kept up with them, or haven't listened to anything other than Ok Computer or The Bends, do not listen to this album. It will not make sense to you. In many ways, this album picks up exactly where they left off. Very similar effect and guitar tones, odd rhythms and nearly impossible to understand lyrics sung from a falsetto Yorke. It is very easy to think that this album, for the first time, is more of the same from Radiohead. But well I don't think it's a complete reinvention of themselves, it certainly is the other side of the sound they created during the In Rainbows sessions.
    Think of it like this: if music is an army, and you, the listener, are a fortress, In Rainbows and The King of Limbs are two different strategies for the same army to take you down. In Rainbows saw the front gates, organized, and charged you down. The King of Limbs, however, surrounds you, cuts off your food supply, and waits for you to go out and attack it.
    Let me explain: In Rainbows was catchy, it had a driving beat, you could hear the guitars front and center doing interesting things. Without trying too hard, even if you just have the CD playing in the background, something will catch your ear, and you will like it. With the King of Limbs, this is not the case at all. If you don't actively engage the music as you're listening to it, you won't like it.
    Radiohead has the spotlight, they are one of the largest and most discussed bands on the planet. They do not need to demand your attention anymore, they have it. They know that no matter what they put out, you will buy it, and listen to it over and over until you've had enough. One way or another, you will get this CD, and you will listen to it, over, and over, and over.

    Before you think it's cold, and heartless music by name only, listen closely. There's beauty there. Find it.
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Metascore
80

Generally favorable reviews - based on 40 Critic Reviews

Critic score distribution:
  1. Positive: 34 out of 40
  2. Negative: 0 out of 40
  1. Dec 14, 2011
    80
    There's just incredible depth to The King Of Limbs, and if you're impatient, you'll miss it.
  2. May 24, 2011
    80
    It's been a long time since Radiohead made records with an eye toward anything more than satisfying the band's own creative impulses, if it ever did. Those who are prepared to stick it out, though, may well find The King of Limbs worth the wait.
  3. Mojo
    May 16, 2011
    60
    They've delivered their biggest surprise to date. A record that falls short for its constituent parts. [May 2011, p.100]