Metascore
82

Universal acclaim - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 18
  2. Negative: 0 out of 18
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  1. Feb 18, 2011
    60
    In the end, The Magic Place is a beautiful, ambiguous diversion better suited as a companion soundtrack to some experimental film or art installation than as the debut for a promising young singer.

Awards & Rankings

User Score
8.1

Universal acclaim- based on 21 Ratings

User score distribution:
  1. Positive: 17 out of 21
  2. Negative: 1 out of 21
  1. Nov 8, 2011
    10
    The Magic Place is not a tree from the Louisiana farm on which Julianna Barwick grew up. It is the state of mind which this beautiful andThe Magic Place is not a tree from the Louisiana farm on which Julianna Barwick grew up. It is the state of mind which this beautiful and intelligent record takes us to. Julianna is like a one-woman choir able to stop an ice age. Even when she is wailing, she does it with unsuspected charm. Her ethos of work is pretty simple: turn a single vocal into a multilayered tune by looping it, like, forever. And this works great for you wish these tracks never to stop. This gymnastics requires wit and the outcome is an intricate labyrinth of her glorious voice and occasional instruments. These songs evoke different emotions: there is place for more than just hapiness/sadness dramatics. One is for sure: Julianna never forgets to put her soul into the music. Those who have listened to her Florine EP know what to expect. The penultimate Prizewinning may come as a surprise, though. It is one of the best songs of the year, definitely her best, a triumph of an unstoppable talent. Just like the track itself. Full Review »
  2. Dec 5, 2020
    9
    I’ve never heard anything like The Magic Place and I never will again. Completely unique and beautiful body of work. Unforgettable.
  3. Aug 29, 2011
    10
    Barwick achieves what medieval choirs couldn't, creating what could at times easily be a soundtrack to ascension into heaven, all withoutBarwick achieves what medieval choirs couldn't, creating what could at times easily be a soundtrack to ascension into heaven, all without giving off any sense of religiosity. I heard this music live first, and in a room of standing people I was driven to sit down and close my eyes under the sheer power of its beauty. Full Review »