Buy Now
- Critic score
- Publication
- By date
-
Q MagazineJan 7, 2014Even though his wit and word patterns still dazzle, they need a livelier canvas if the Eminem nostalgia experience is to be the thrilling one it should be. [Jan 2014, p.122]
-
MojoDec 18, 2013The music is almost secondary, his production' often leaden beats a mere sideshow to mind-bending internal rhyme pyrotechnics that jab hard at the surreal dial. [Jan 2014, p.92]
-
Nov 21, 2013That he can rhyme more with a dated reference such as "Monica Lewinsky" affects neither his approach nor his ability to top Billboard, as happened yet again this month. That works only if you can get past 78 minutes of (potentially fictionalized) misogyny, homophobia, and allusions to killing or abandoning his family.
-
Nov 14, 2013Some decent-enough songs on an overly long album mostly containing sub-par tracks from an artist capable of much more.
-
Nov 11, 2013The success here of being an album worth mention is derived from its encompassment of the past and present Marshall Mathers.
-
Nov 6, 2013While Bad Guy"--which recognizes that he's no better than the bullies who damaged him--might be the closest Em's come to a mea culpa, it still fails to justify his cranking the cycle back up again.
-
Nov 5, 2013Eminem’s too talented a rapper with too good a Rolodex for this to flop, but damned if Marshall Mathers LP 2 doesn’t give it a go.
-
Nov 5, 2013Technical proficiency is overrated. Taste has to account for something, which means Eminem isn’t the Jimi Hendrix of hip hop. Instead, he’s in danger of becoming Yngwie Malmsteen: incredibly agile yet musically soulless. He says a lot of nothing on MMLP2, but I guess you can admire the way he says it.
-
Nov 5, 2013As an artist revisiting a previous masterwork, he’s chosen to add maturity in all the wrong spots. Lowbrow nods interspersed with pointed criticisms of nearly everyone of note made Eminem a star, but most of the references and insults here feel dated. It’s about as timely as catching up on last year’s episodes of TMZ on your DVR.
-
Nov 4, 2013The sense that we’ve all been here before, twice, is exacerbated by the tired samples and interpolations.
-
Nov 4, 2013The album's production offers little that's new. Dr. Dre and Rick Rubin have crafted, or at least enabled, a few too many of the power-ballad slow jams that Eminem has grown increasingly fond of, alongside several guitar-driven anthems that come on as subtle as Jock Jams. Eminem is no one's hack, though, and the album has tantalizing moments of vintage performance.
Awards & Rankings
User score distribution:
-
Positive: 1,227 out of 1386
-
Mixed: 77 out of 1386
-
Negative: 82 out of 1386
-
Nov 5, 2013
-
Nov 5, 2013
-
Nov 5, 2013