1. Mr.E.S.Pony

   9

   Since I'm both a fan of the two primaries on the album and of adult swim this was a marriage made in heaven. A sick, twisted heaven where milkshakes run amok on answering machines and balls of ground meat freestyle, where the master of ceremonies wheres a metal mask and the score to it all is arranged by a rodent.… Expand

   • Helpful? 2 of 2 users said Yes.
2. ObaloidF

   8

   Though one of this albums two collaborators is a Madvillain alum, this album bears little resemblance to that Tour de Force. This album, a good one by all means, does not achieve the "Wow" factor that Madlib brought to the imaculate duo. Madlib is better suited to providing beats for Doom's two+ minute flows. Dangermouse should stick to extremely out-there projects (The Infamous Grey Album) or his recent procudtion job with the Gorillas. His beats are not as coherent to Doom as they could be, but the album succeeds in being a comedy/rap/other album, whether it wanted to be or not. -QWERTY… Expand

   • Helpful? 1 of 1 users said Yes.
3. DillonG

   7

   danger doom rocks the hip-hop scene with their intelligent use of comical rhymes, comic book and cartoon characters, and danger mouse is great at mixing beats and at producing. their best guest appearances were obviously Talib Kweli and Ghostface. (cee-lo was alright.) it was abstract and surreal, but it could've integrated more social commentary and been more straight-forward at times....other than that, very solid first album, and hopefully many more to come.… Expand

   • Helpful? 1 of 1 users said Yes.
4. ChaseM

   2

   Extremely overrated. The Adult Swim drops make this a complete novelty. Doom's performances have a distinct "phoned in" feel to them. Danger Mouse's tracks are hot. Doom has done so much better (see Vaudeville Villain). Let's Hope the Ghostface collab. has him back on track.… Expand

   • Helpful? 0 of 1 users said Yes.

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