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Hiatt puts these thoughts to paper in his signature cerebral style, but it isn’t enough to make these played-out themes feel fresh.
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While he sounds more pinched than a decade ago, The Open Road finds Hiatt in fuller voice than last time out, and he’s able to squeeze out those mischevious falsetto yelps with plenty of aplomb.
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Q MagazineThe Open Road restates his credentials, mostly with fleet-footed aplomb. [Apr 2010, p.111]
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Under The RadarThe Open Road finds him doing what he does best: blues-based American folk/rock. [Winter 2010, p.70]