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While it's not as immediately user-friendly as the group's early jazz-rap infusions, this album still bubbles with head-nodding boombox pleasures.
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Smart, street-wise and fun all at once.
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All the Gang Starr trademarks are in place, from Premier's perfect upchoruses to Guru's reedy voice cutting or instructing, and sounding better than ever.
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The pair simply revert to the beats and concerns that made them an institution in hip-hop's golden age; except for the occasional cameo (Snoop Dogg, Jadakiss), The Ownerz could have hit the streets a decade ago without raising eyebrows.
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Hitting that formula and riding it has drained some of the passion out of this sound.
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There's plenty here to celebrate for consistency's sake-- because for what they've lacked in evolution, Guru and Premier have more than repaid in reliability.
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MojoTheir continued presence is reassuring, confirming that there are enough people sufficiently interested in old-fashioned rap music to ensure the group's survival. And this album, logically, is made for those listeners, not to pander to a theoretical multitude. [Aug 2003, p.94]
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VibeWhile The Ownerz does not spark any new rap trends, it brings back the power of the basics. [Jun 2003, p.153]
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SpinGuru is as bluntly eloquent as ever. [Sep 2003, p.115]
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UncutAll told, a class act still in their prime. [Sep 2003, p.97]
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A welcome return to that good stuff Gang Starr has delivered over the years.
User score distribution:
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Positive: 11 out of 12
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Mixed: 1 out of 12
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Negative: 0 out of 12
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Aug 21, 2022
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MaartenV.Aug 13, 2008
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BenjaminH.Sep 10, 2003