- Summary: On its 10th studio album, the West Coast nu metal band experiments with dubstep, collaborating with several on-the-rise producers, including Skrillex, Datsik, Kill the Noise, and 12th Planet.
- Record Label: Roadrunner Records
- Genre(s): Pop/Rock
- More Details and Credits »
Kerrang!Jan 4, 2012They're still aggressive, heavy and furious, but this new approach also makes them relevant, incisive and swaggering again. [10 Dec 2011, p.50]
Q MagazineDec 22, 2011Their boldest and best album for years. [Jan 2012, p.124]
Dec 6, 2011A successful experiment that results in one of Korn's finest albums. While some of Korn's latest outings have been less then stellar, theA successful experiment that results in one of Korn's finest albums. While some of Korn's latest outings have been less then stellar, the choice to try something new proved right for the group from Bakersfield.… Expand
Dec 12, 2011The path of totality is full of good songs and very inspired lyrics! Many of its songs are radio friendly(such as "fuels the comedy" and "wayThe path of totality is full of good songs and very inspired lyrics! Many of its songs are radio friendly(such as "fuels the comedy" and "way too far"). I think that this album can stand among Korn's bests!… Expand
Dec 21, 2011When doing technical or artistic music is a rule, an avant-garde band would be a band that's not afraid of using pop culture. Korn, takingWhen doing technical or artistic music is a rule, an avant-garde band would be a band that's not afraid of using pop culture. Korn, taking the risk of unhappy fans, as well as "always making joke of nu metal" reviewers, made another experience that potentially could put the band's name for pioneering another genre 10 years after they started nu metal. The album has it's ups and downs though. Some moments don't sound that new and at some points the usage of dubstep effects may not be as good as it could be. Still, the album has so much new stuff to show, blending nu metal and dubstep. Plus the melodies Davis sings, are so memorable in some points that makes the songs something to remember. Negative responses are mostly understandable as most of them belong to the people that have been hating nu metal since 90s and I don't think it's surprising to see them continuing to hate this scene. And there are some negative responses from unsatisfied fans who were waiting for another classic nu metal album, and that's understandable as well. But for the most part, I think the album is another step forward for Korn, with all the controversy they've had with "strict metal listeners" all the way from their beginning to this point, just for taking a step between metal and pop/hip hop music.… Expand
Jan 5, 2012You don't have to be a guru to know times change, people grow older and music evolves. Ignoring these factors results in a very strictYou don't have to be a guru to know times change, people grow older and music evolves. Ignoring these factors results in a very strict mentality on modern music: you can not expect to listen to the same sounds on and on for ages, it would be simply unnatural. That's why judging albums like The path of totality results in a furious fight between deaf haters and blind lovers: the truth is that Korn are now experimenting new solutions, just the same way they did ten years ago, and the preference is strictly personal. In my opinion, this album is not that bad as some people want to paint it, a couple of tracks are very good and enjoyable, but neither a masterpiece or an innovative milestone: it simply is a step.… Expand
Jan 30, 2012Because the album is only 50% Korn, I could only give it 50%. However, if this were a Jonathan Davis album, I may have taken it a little moreBecause the album is only 50% Korn, I could only give it 50%. However, if this were a Jonathan Davis album, I may have taken it a little more seriously. Although this is not the worst of "korn", it still kinda sounds like a fax machine from hell. And if I didn't like the single "Narcissistic Cannibal" so much, I would have given the album a 3.… Expand
May 6, 2013I have been a fan of KoRn since the mid 90's, i was a major fan as a teenager and really enjoyed their albums up to and including 'Issues'. II have been a fan of KoRn since the mid 90's, i was a major fan as a teenager and really enjoyed their albums up to and including 'Issues'. I did not overly enjoy 'Untouchables', and quite liked 'Take a Look in the Mirror'. After that i really lost interest with the band, i stopped keeping track of album releases and assumed the band would soon split (as members began to quit and record sales dropped). KoRn had appeared to become a bit 'samey', the songs less relevant, the themes became more cheesy, formulated and depressing rather than Raw and dynamic.
However, when i heard Korn was releasing a Dubstep album i got really excited!!!
I am not a huge Dubstep fan but some of the darker stuff i have enjoyed, and when i have heard it live at illegal raves it sounded awesome.
I imagined KoRn could really take Dubstep and turn it on its head much like they did with Hip-Hop in their early days. I imagined lengthy tracks that took the listener on a journey (something like a mix of Tool and NIN was an exciting prospect!). I wanted them to really take Dubstep and move it into an art, take its dark sound and really go to town extracting the emotions that KoRn are famous for. I wanted them to drown us in endless raw dirty sounds, melodies and vocals, vibes and improvisation.
In short The news of the album re-ignited my interest in a former favourite band i had sidelined.
Unfortunately upon hearing it I was very underwhelmed!
The songs are short and formulated, with a Kind of verse chorus -verse approach.
The Dubstep used is more of the 'Poppy' dubstep out there, it sounds very mainstream instead of alternative and they could have utilized Dubstep producers from the underground scene who suite KoRn's sound much more.
This demonstrates that J.D had discovered Dubstep rather late in its prime. The producers are the mainstream ones who churn out rubbish to suite large audiences. It is the worst form of Dubstep with no real emotion, adventure or experimentation. No innovation here just a mix of two styles that remain separate to the ear.
It is a shame, as this album could have been ground breaking, it could have been so much more.
I later found out that many of the musicians did not even meet each other in person. The Dubstep producers sent KoRn their parts via email. J.D did his vocals and emailed them to Munky ect ect.
This lack of human interaction during production is clearly visible (audible) as the album lacks character and coherence.
To conclude: this album lacks character. It is very formulated and has no sense of adventure. The songs have no depth and the album overall feels 'half arsed'.
I watched the band live during the tour for this album and they only played 2 or 3 songs from it! It was obvious the crowd did not enjoy these dubstep tracks as much as the others.
J.D seems to have had some sort of mid life crisis with his J-Devil character. This shows on 'The Path of Totality' as it sounds as though he is trying to please some young ,trendy, hip Dubstep producers rather than produce anything creative.
There goes my interest in Korn again.… Expand
Oct 27, 2014UGGGGG... This album is the worst Korn album ever!! the song are to short, They all sound the same with this "Dupstep" stuff.. I know they areUGGGGG... This album is the worst Korn album ever!! the song are to short, They all sound the same with this "Dupstep" stuff.. I know they are trying to so called "Experiment" but this is by far one of the worst Korn albums EVER!!… Expand
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