The Path of Totality Image
Metascore
58

Mixed or average reviews - based on 15 Critics What's this?

User Score
6.0

Mixed or average reviews- based on 71 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: On its 10th studio album, the West Coast nu metal band experiments with dubstep, collaborating with several on-the-rise producers, including Skrillex, Datsik, Kill the Noise, and 12th Planet.
Score distribution:
  1. Positive: 6 out of 15
  2. Negative: 4 out of 15
  1. Jan 4, 2012
    80
    They're still aggressive, heavy and furious, but this new approach also makes them relevant, incisive and swaggering again. [10 Dec 2011, p.50]
  2. Dec 6, 2011
    80
    Despite all the electronics, there's no mistaking The Path of Totality as a Korn album...and one of their better ones to boot.
  3. Dec 22, 2011
    80
    Their boldest and best album for years. [Jan 2012, p.124]
  4. Dec 1, 2011
    60
    They get full marks for effort but, unfortunately, not for the end results.
  5. Dec 8, 2011
    60
    The combination of chugging half-time beats, machine gun riffing and techno's sonic extremism is way more pleasing than it should be, the weakest point being Jonathan Davis's earnest adolescent vocals, which we assume actual Korn fans will enjoy.
  6. 60
    Sonically, The Path of Totality feels culturally authentic and trendy, while at the same time, pounding enough for mosh pits and dance floors alike.
  7. Dec 13, 2011
    0
    To Korn's credit, The Path Of Totality is its most radical reinvention to date. It's also the worst slab of sludge it ever shat.

See all 15 Critic Reviews

Score distribution:
  1. Positive: 20 out of 30
  2. Negative: 7 out of 30
  1. Dec 6, 2011
    10
    A successful experiment that results in one of Korn's finest albums. While some of Korn's latest outings have been less then stellar, the choice to try something new proved right for the group from Bakersfield. Expand
  2. Jan 29, 2012
    9
    Really really impressed. I love dubstep, and I love nu-metal so it all clicks. I don't think I have listened to it enough to do a song by song review, but the best songs that stand out on the album are "Narcissistic Cannibal" which sounds like a really rad action movie song, "Get Up" which is really a true blend of Dubstep of and the amazing vocals of Johnathan Davis ( I hope I spelled that right, you can all be mad if I didn't sorry) , "Illuminati" which reminds me of previous Korn songs quite a bit, the song "Burn the Obedient" is very very catchy, and the song "Chaos lives in Everything" is typical skrillrex, loud and with impressive drops. There is more and they are good, but those I have been listening to non stop, so I can't give a worthy review of the others. Expand
  3. Dec 19, 2011
    9
    I'm not really a Korn fan but I like this cd. I love the electronic infuence. I think fans of Manson and NIN will enjoy. It has that industrial edge. Expand
  4. Dec 7, 2011
    7
    It is not bad at all. I expected it to be dull, especially after the release of "Narcissistic Cannibal" single, but even my first listen of the whole album made me rather benevolent. There is a couple of songs worth listening, even if one's not a fan of either dubstep or Korn ("Bleeding Out", or "Fuels the Comedy" from extended album edition). Mixing those genres seems a good move, once again towards mainstream, as it comes to dubstep, though creating something new, when blending it with metal. Potential was huge, but on the other hand, dubstep and metal parts aren't well-proportioned as Jonathan Davis had promised them to be. Repetitive measures and rhytm can push away those Korn hard-fans who awaited their band to create something more olschool. The album also can't be called "innovative", just because at moments (for example "My Wall") it sounds underproduced and incomplete. Expand
  5. Jan 5, 2012
    6
    You don't have to be a guru to know times change, people grow older and music evolves. Ignoring these factors results in a very strict mentality on modern music: you can not expect to listen to the same sounds on and on for ages, it would be simply unnatural. That's why judging albums like The path of totality results in a furious fight between deaf haters and blind lovers: the truth is that Korn are now experimenting new solutions, just the same way they did ten years ago, and the preference is strictly personal. In my opinion, this album is not that bad as some people want to paint it, a couple of tracks are very good and enjoyable, but neither a masterpiece or an innovative milestone: it simply is a step. Expand
  6. Jan 30, 2012
    5
    Because the album is only 50% Korn, I could only give it 50%. However, if this were a Jonathan Davis album, I may have taken it a little more seriously. Although this is not the worst of "korn", it still kinda sounds like a fax machine from hell. And if I didn't like the single "Narcissistic Cannibal" so much, I would have given the album a 3. Expand
  7. Nov 6, 2012
    0
    Korn were probably one of the least offensively bad of the nu metal band in the 90's; That is until now! This is by far the worst album created and don't make the "oh, you don't understand dubstep" or "Your closed minded" arguments. This album's production is dreadful and there is no musicianship to this album. At least on previous albums I could say the musicianship isn't too bad. But on this album its truly bad. And I'm going to prove this album is bad to all of the people who claim this album is "good". If this album is good, how come its the same music at different tempos and different lyrics? Seriously?! Making the same "wub-wub-wub" noises for 5-6 minutes on a computer isn't music. Its manufacturing the idea that anybody with a Mac can be famous and you don't need to be a gifted musician to make music that's successful. That's truly a disgrace to everything that music used to stand for and whoever supports it should be ashamed. Expand

See all 30 User Reviews