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Pretty Toney far surpasses 2001's Bulletproof Wallets, finally finding the missing link between street cred and commercial respect.
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Fourteen listens deep, this is still getting better. All but a rap classic. You know, Kanye's good, but really, fuck that. Ghost for president.
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The first five tracks are some of the rawest the nine-man conglomerate has ever served. But this all transpires within the first fifteen minutes of the disc. From there Pretty Toney takes a few ugly turns.
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MojoForget notions of old or new schools: this is an album that blends a kindergarten-level technique with styles that are strictly postgraduate. [Jun 2004, p.116]
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More than any of his previous albums, Pretty Toney hones Ghost's wild style into accessible confections.
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An album full of voluptuous soul samples fused with brusque perspectives on love, life, and common thuggery.
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SpinA bruisingly great collection of demented 1988-style boom-bap. [May 2004, p.107]
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Entertainment WeeklyGhostface... comes off hungrier than ever to produce thrilling hip-hop. [14 May 2004, p.68]
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The A.V. ClubThough his rhyming Wu-Tang compatriots are conspicuously absent, Ghostface's latest does what nearly all latter-day Wu-Tang releases have been trying to do without much success: return to the brilliance of 36 Chambers. [28 Apr 2004]
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[He] truly shines.
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"Hip-hop soul" is supposed to be for r&b singers, but Ghostface's latest redefines the term.
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"Pretty Toney" doesn't match the high standard of Ghostface's first two, "Ironman" and "Supreme Clientele," but it's a strong album nonetheless, packed with dense narratives and weird conceits.
Awards & Rankings
User score distribution:
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Positive: 21 out of 23
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Mixed: 2 out of 23
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Negative: 0 out of 23
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Apr 17, 2016
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Sep 29, 2014
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rodDec 18, 2006